Reviews
Matt Wolf
What is it with Hollywood and education? Hot on the heels (shamelessly come-hither pumps, in fact) of Cameron Diaz in the lamentable Bad Teacher, we now get Julia Roberts as a disaffected babe who, we're told, is a teacher even though she spends precious little time in actor-director Tom Hanks's new film doing anything of the sort. Still, at least Roberts's unquenchable radiance lends Larry Crowne some measure of class; otherwise, here's another movie that merits detention for failing to make more than a passing detour in the direction of real life.You might be forgiven briefly at the outset Read more ...
josh.spero
You might say that the grand hotels brought this on themselves. Time Shift: Hotel DeLuxe on BBC Four last night saw beneath the shine of their marble atria and heard the uncomfortable murmurs under the joyful gossip of their chic bars. What started out as an apparent paean to the luxury hotel - the Savoy, the Ritz, the Dorchester - with an emphasis on the glamour, energy, buzz and innovation they created soon turned into a documentary with a social conscience.The fruity, naughty narration of Fenella Fielding, the jazzy soundtrack ("Puttin' on the Ritz"), hyperbolic statements Read more ...
Veronica Lee
John Gay’s 1728 satirical drama was the first ballad opera. The vernacular work not only cocked a snook at the Italian operas that were so in vogue in 18th-century London, but it also lampooned Whig politician Sir Robert Walpole and the British love for scoundrels. It was an instant, huge hit; as a witticism of the time had it, The Beggar’s Opera made Rich gay, and Gay rich.The work, which many people know through its later incarnation, Kurt Weill and Bertolt Brecht’s The Threepenny Opera, was suggested by Gay’s friend Jonathan Swift, no mean satirist himself, who envisioned “a Newgate Read more ...
Adam Sweeting
Some directors are just grateful that their movies get funded and released, but Robert Redford has loftier aspirations. Scornful of the routine popcorn-spattered multiplex-filler, he thinks we should be prodded to improve our lot by learning the lessons of history, and says he wants to tell stories about "ordinary people that are affected by larger forces out of their control". This lofty blueprint has brought us Bob's latest behind-the-camera odyssey, The Conspirator.It's the story of the aftermath of the assassination of President Abraham Lincoln in 1865, when the American Civil War was Read more ...
graeme.thomson
Emmylou Harris once described to me the sibling harmonies of the Louvin Brothers as sounding like they were “washed in the blood”. The voices of Laura and Lydia Rogers, two twentysomething sisters from Muscle Shoals, Alabama, have that same haunting quality. When they sing they lock together so effortlessly it’s almost impossible to discern where one ends and the other begins.Cultural preservation is key to The Secret Sisters. Their debut album, released at the beginning of the year and executive produced by the kingmaker of US roots music, T-Bone Burnett, showcased their love of the old-time Read more ...
alexandra.coghlan
While we are far from lacking in top early music ensembles in the UK, there’s no denying that the French have a special affinity for this repertoire. While The Academy of Ancient Music and The Orchestra of the Age of Enlightenment are virtuosic champions of the genre, if we were all stuck in a sinking hot air balloon I’d lose both before sacrificing Les Musiciens du Louvre, Les Talens Lyriques, Le Concert d'Astrée or Les Arts Florissants. So it was with anticipation that I made my way to the Barbican last night to hear the UK debut of Le Cercle de l’Harmonie, the newest French orchestra on Read more ...
josh.spero
Fake or Fortune? on BBC One, with Fiona Bruce and art dealer and sleuth Philip Mould, ought to have been called CSI: Cork Street for its blend of fine art and forensic science. They were trying to resolve whether a Monet was in fact a Monet, using a 240 million-pixel camera, Monet's own accountbook (which Fiona Bruce ran her ungloved fingers across) and plenty of ominous music. Next up: who killed Marat in David's picture?The mystery of fakes, forgeries and misattributions becomes ever more fascinating as pictures fetch greater prices at auction; Monet's record stands at £41 million. The Read more ...
Nick Hasted
When the infantilisation of Hollywood started in 1977 with Star Wars, as a 10-year-old I was all in favour. The hugely successful Transformers franchise based on a series of clever 1980s toys - they’re a car; some Origami-style fiddling later, they’re a robot! - probably isn’t where that trend bottoms out. Michael Bay, the most bombastic, critically derided and commercially unsinkable director around, has as the title suggests gone prog rock for this third film, pumping up the Transformers “mythos”, and dragging it out to triple-album, 154-minute length.The pre-credits sequence chucks in Read more ...
alexandra.coghlan
There are few absolutes left in contemporary theatre. Fourth walls have long since crumbled underfoot; site-specific and immersive theatre experiences have further done away with divides between theatre and world, performer and audience. The one principle you can rely on is that consciousness is generally a good thing – that a play capable of putting you to sleep is bad. Oh, and that turning up to an opening night in your pyjamas is guaranteed to get you sent straight home again. Step forward maverick theatre company Duckie and their new show Lullaby, hoping to change all that.In a reversal Read more ...
aleks.sierz
One of the many strengths of new writing for the stage is that it’s not afraid to go into the darkest and most upsetting places of the human psyche. Whether at the Royal Court or at the Bush or Soho theatres, young playwrights have dived in to explore the grimmest reaches of our imaginations. Hundreds and Thousands, which opened last night, is Lou Ramsden’s powerful and compelling account of one family’s descent into a nightmare.Lorna is not unusual. She’s a frumpy thirtysomething who wants a baby. Unable to meet a suitable man, she tries speed dating. After thus hooking up with Allan, an ice Read more ...
josh.spero
An article in this week's New Yorker bemoans the death of drawing in art. Why has the emphasis on craft, Adam Gopnik writes, been replaced by concept? He has evidently not seen the fantastic noirish drawings of Marcel van Eeden at Sprueth Magers in Mayfair.Van Eeden has created a mysterious story based around three characters - an athlete, an assassin and an artist - who meet on 22 November, 1948, the title of the show. There is murder in the Seychelles, a tram accident in Zurich, maps and guns and explosions, a complex plot which we can only ever see fragments of in his drawings. The Third Read more ...
David Nice
Profound experience of 2010? For me, unquestionably, portions of the great Russian pianist Elisabeth Leonskaja's first-time journey through all the Schubert sonatas at the Verbier Festival. I was lucky to catch three out of nine recitals, and to talk to her about Schubert. I'd have been happy to listen again to any of those extraordinary works - all 19 are loveably idiosyncratic - in London. But this was a strand of unusual radiance I hadn't caught at Verbier embracing, as ever, Schubert's deepest sorrow in a late piece served up as prelude, the meltingly beautiful A-major Sonata D664 and Read more ...