Reviews
David Nice
This was a programme born for marketing cliché: banish the winter blues by bathing in Latin American/Iberian warmth. And it turned out to be true, by virtue of an unexpected watershed. How did the BBC Symphony strings manage to be first among the London orchestras to slip into something truly sensual, whether tangoing with an Argentinian bandoneónist - "A what?" you may ask, and I'll tell you shortly - or dancing malagueñas with a Spanish pianist? Was it the after-effect of the John Wilson Hollywood treatment last Sunday, or just sheer joy in welcoming back the high, bright style of conductor Read more ...
howard.male
Sister Rosetta Tharpe: Bob Dylan called her 'sublime and splendid' and without her there might have been no Elvis
Question: which American star had their third wedding in the Griffith Stadium, Washington in front of more than 25,000 paying fans and recorded the whole thing for release as an album? If you’re wondering how you could have missed hearing about such a quintessential 21st-century publicity stunt it might be because, firstly, this extraordinary event occurred in 1951, and secondly, because the guitar-strumming bisexual bride (who hadn’t even found a groom when the event was arranged) has almost disappeared from the history books.Today, Sister Rosetta Tharpe is mainly only known to blues and Read more ...
aleks.sierz
Verbose Pan: Jethro Compton as the Boy in ‘The Boy James’
We remember JM Barrie as the creator of Peter Pan, that quintessentially English fairy story which features Neverland, the Boy Who Wouldn’t Grow Up, and where “to die would be an awfully big adventure”. Generations have embraced this mythical tale as an expression of the spirit of upper-class Deep England. Here the Victorians are us. But James Matthew Barrie himself was the child of a Scottish Calvinist working-class family, and is the subject of Alexander Wright’s play — a hit in Edinburgh last year — which aspires to be a kind of anti-myth.The Boy James is staged in an evocative crypt-like Read more ...
fisun.guner
'4 Views on Flag', 2009: Postcard of a London landmark arranged as angularised symbols of the urethra
Radio interviewer: “Are you Royalists?” George: “Of course! We’re not weird.” Gilbert & George may have been accused in the past of being coprophiliac pederast fascists (owing to their love of turds, anuses, young men with cropped hair and bovver boots and the Union Jack), but this art duo can certainly make you smile. In fact, Gilbert & George can often be quite irrepressibly funny – definitely "ha ha" as well as peculiar. And since they and their art seem as one, one senses they’d make excellent after dinner speakers.Why not? As fresh art-school graduates, they thoroughly convinced Read more ...
Adam Sweeting
Notwithstanding his regrettable central role in the recent remake of Bouquet of Barbed Wire, Trevor Eve is an actor who has improved vastly with age. Once cursed with a kind of shiny smugness, the 21st-century Eve is rougher round the edges and indelibly lined with decades of thespian rough'n'tumble. Best of all, he now exhibits a hard, lethal streak, painstakingly honed by a decade of digging up mouldering corpses in Waking the Dead.In the first part of ITV's new three-parter, Kidnap and Ransom, Eve (who's an executive producer on the project) stepped into the expensive shoes of hostage Read more ...
judith.flanders
Cindy Sherman, 'Untitled', 2010
One of the best things about a Cindy Sherman show is you never know what you’re going to get. And in this exhibition, of a new series of "Untitled" images, what you get is very surprising indeed. Sherman's photographs are not about her, but they are always her. Sherman has always used herself – or "herself", a manipulated, redacted representation – as the canvas on which she works. This time, however, the canvas itself has changed.For the first time, instead of framed photographs, Sherman has produced gigantic photographic murals, murals that take up two rooms of the 18th-century house Read more ...
howard.male
Cheikh Lo typically attired - Joseph, eat your heart out!
As part of my homework before last night’s gig at the Scala I played Senegalese singer Cheikh Lo’s latest album Jamm over and over again, waiting for some of its tunes to lodge in my mind - waiting to be compelled rather than feel duty bound to play it again. But no, I just couldn't connect with it. There’s nothing ostensibly wrong with the thing: it’s brimming over with easy-going cheer and passion, it's beautifully played and sung, and it’s all wrapped up in that familiar crystal-clear production that producer Nick Gold is so adept at delivering (his recent work with AfroCubism being Read more ...
alexandra.coghlan
Not a lot of swooning goes on at the Wigmore Hall. Nor does it seem the kind of institution to endorse rapturous wailing, beating of the breast, or the throwing of either flowers or underwear. All of which leaves one with the problem of how to respond appropriately to a concert such as last night’s by Richard Egarr and countertenor Iestyn Davies. Decorous applause doesn’t quite seem to cut it when faced with such a joyous abundance of talent, and I’d have endured any amount of plague and/or restrictive corsetry for an authentic 18th-century atmosphere in which to experience this ecstatic Read more ...
Veronica Lee
Hugh Dennis and Steve Punt: Funny, but less than the sum of their parts
Steve Punt and Hugh Dennis originally came to fame in the late 1980s as one half of the satirical sketch group The Mary Whitehouse Experience, with fellow Cambridge alumni David Baddiel and Rob Newman. Now, though, most people know them (as a double act, at least) as the lead performers in The Now Show on Radio 4.You may also know Dennis as an actor in Outnumbered on BBC One, and as one of the regulars on BBC Two’s Mock the Week, where Punt also works behind the scenes (those ad libs don’t write themselves, you know), and Dennis is now also the frontman of BBC Two’s new improv show, Fast and Read more ...
peter.quinn
McCartney and Wonder. Jagger and Bowie. Mullard and Baker. Music history teaches us that the star collaboration doesn't always transmute into artistic gold. The Chairman of the Board himself, with a little help from Vandross, Streisand, Bono et al, had a spectacular misfire with Duets Vol 1. Mercilessly butchering many of Francis Albert's best-known songs, the results, artistically speaking, aren't so much a case of, “Yeah, I once recorded with Sinatra, you know,” as, “Number of copies: entire stock. Ship to: my private nuclear bunker.” And that title, Duets, is a bit rich. But then Frank Read more ...
Ismene Brown
The chasm between the top-class ballet available to London-area ballet-goers and the low-grade stuff peddled in the regions is the field where the battle to save ballet’s soul is nightly won or lost. Nothing could be more dispiriting than to see the Russian State Ballet of Siberia’s Swan Lake in Oxford one night, and the Royal Ballet’s Giselle in London the next, knowing that for many unaware Brits without easy access to the capital, Birmingham or Edinburgh the phrase “Russian ballet” implies some shamanic edict of unchallenged natural superiority. Far from it.One can start with the Read more ...
Jasper Rees
The multiplatform franchise might sound like a modern concept - the film that leads parallel lives as video game, TV spin-off, T-shirt and toy. But no, ‘twas ever thus. Entertainment moguls have always known how to squeeze every last dime out of a popular hit, none more than The Green Hornet. Created in Detroit as a radio drama in 1936, it has buzzed across the decades and the genres, from film to comics to television to fiction and back to comics again. It’s now returned to the big screen with a bang. And a nod and a wink.The Green Hornet was conceived as a different kind of superhero. By Read more ...