Reviews
Tim Cumming
A great wall of noise greets the audience as it settles in to the Royal Festival Hall - the sound of some heavy outer planet’s radio frequency, a subtly oscillating drone that recalls NASA’s recordings of radio emissions from Saturn made by the Cassini spacecraft. Lou Reed’s work station for the night is set centre-stage, behind a rack of electronic machinery, a row of guitars awaiting their signal stacked behind him, but for 20 minutes or so there’s just that continuum of noise – in fact the sound of three guitars leant up against a stack of live amps. Is this to soften up the audience’s Read more ...
graeme.thomson
Sometimes the back story doesn’t lead you to where you expect it might. Sometimes that turns out to be a good thing. Dan Arborise was born in Borneo to Polish parents, which opens up all sorts of musical possibilities, most of them probably far less exciting than they sound, but in reality his music is as English as sweet summer rain.I missed his first album, Around in Circles, released in 2006, but last year’s follow-up Of Tide and Trail made me sit up and take notice. This was woozy, trippy folk with a dash of west-country weirdness, a tinge of the acid-fried out-there-ness of Ozric Read more ...
Matt Wolf
Many is the mother the world over who announces that she won't die happy until she has lived to see her daughter (or son) happily wed. And so, out of a familial condition that transcends ethnicity and geography comes It's a Wonderful Afterlife, the Gurinder Chadha movie that carries this shared fretfulness one step further, throwing in curry jokes as it goes. What would happen if a mum were so desperate on her daughter's behalf that she resorted to murder? The answer is best pondered as and when this London-set Indian romcom is released on DVD, at which point you can Read more ...
Ismene Brown
Good dancing - never mind great dancing - calls for an investment of imagination in every point of the foot, every raise of the arm. Why otherwise do the constant drill of turning out the leg, stretching the instep, taking fifth position, if the performer does not find something to stimulate them to make it personal, to dream it, to claim it for their own nuance? Does the violinist play Schubert thinking that it is enough just to get the notes right? Ballet is not just a gymnastic drill - it is a wildly esoteric performance art that surely no one seriously wants to pursue unless they feel its Read more ...
Nick Hasted
Amazing untold stories remain waiting for cinema. Alejandro Amenábar has found one in the female philosopher Hypatia's quest for knowledge during the religious turmoil that gripped 4th-century Alexandria as the Roman Empire fell into the Dark Ages. Somehow he has managed to parlay the freedom given by his 2004 Foreign Language Oscar for The Sea Inside into a cosmic, 50-million-Euro epic of ideas which leaves Hollywood's narrow narrative parameters far behind.The Spanish director's follow-up to The Sea Inside (starring Javier Bardem as a paraplegic determined to die) apparently took shape Read more ...
aleks.sierz
Monologue is a boring word, but in the hands of an Irish pensmith it can create some pretty exciting theatre. From a writer such as Conor McPherson or Mark O’Rowe the monologue can set the night alight with its storytelling brio. Word-drunk on these great draughts of bubbling verbal nectar, you soon feel you know the speakers as well as your own family. Yes, a good monologue is that beguiling. Which is exactly the case with Elaine Murphy’s first play, now visiting west London, a lovely and loving set of monologues which create an emotionally rich picture of three generations of Dublin women. Read more ...
igor.toronyilalic
For those of you who think that classical music ends with Mahler - or Brahms just to be on the safe side - that the musical experimentation of the past 60 years was some sort of grim continental joke, an extended whoopee cushion of a musical period that seemed to elevate the garden-shed accident into some kind of art form, you have two people to blame: Adolf Hitler and Edgar Varèse.Hitler's influence we shall come to another time. Edgar Varèse's impact was on display this weekend at the Southbank's retrospective, Varèse 360°. Everyone from Frank Zappa to Harrison Birtwistle have Read more ...
Veronica Lee
It’s not a good thing to be at a comedy gig fit to punch the wall, but I must confess I entered the auditorium for Shappi Khorsandi’s show last night in a less than Zen state. Not that I had arrived up for it, mind; I may be a sarf London girl but prefer to conduct myself as if I am a true-born daughter of the Home Counties. I had arrived in good time, full of the joys of spring, looking forward to a well-earned first-of-the-day libation before I took my seat for a show I was looking forward to. Unfortunately the staggering incompetence of the Blackheath Halls’ staff (who denied any knowledge Read more ...
David Nice
No longer, it seems, need ballet's most transformable heroine languish by the seasonal fireside. It's true that you'll have to wait until Christmas to see the most visually striking Cinderella of all again - Ashley Page's fitfully ingenious Scottish Ballet version showcasing magical designs by Antony McDonald. But English National Ballet's Cinders is out and about this spring, and now Ashton's first full-length triumph returns with period glitter to Covent Garden. If in places it still feels like a winter panto - those drag sisters are maybe getting past their sell-by date - a ballerina of Read more ...
Adam Sweeting
"The ultimate battle! Jesus versus Magneto!" raved one sci-fi blogger (ironically), on seeing that this Anglo-American remake of The Prisoner stars Jim The Passion of the Christ Caviezel and Sir Ian X-Men McKellen. If only. Unfortunately the new Prisoner's dominant characteristics are its sluggish tempo, limited vision and inability to drag itself out of the shadow of the Patrick McGoohan original.Critics were queueing up to dole out kickings to the new Prisoner even before the first episode, which seemed a trifle cruel. Even Private Eye's "Remote Controller" weighed in with a merciless pre- Read more ...
David Nice
It needs saying yet again, until the message gets through: Bohuslav Martinů is one of the great symphonic masters of the 20th century, and his fellow Czech, chief conductor of the BBC Symphony Orchestra Jiři Bĕlohlávek, once more proves the right man to marshal a golden Martinů revival. It needs saying above all because, for all the beauties and oddities in every bar of the six symphonies, composed at the height of the exiled composer's mastery in America and France between 1942 and 1953, the Third Symphony is perhaps the one which cries out masterpiece from embattled start to shatteringly Read more ...
Russ Coffey
To call Laura Marling folk rock’s Sylvia Plath for the Pete Doherty generation probably sounds like faint praise. But ever since I heard her described thus I haven’t been able to lose the Plath comparison. Fragile, sensitive, effortlessly talented; Marling’s all these things. But more, she’s a poet of feeling too much and caring too deeply, able to perfectly crystallise such emotions because she always seems to be living them. Capable of finding wonder in a wet weekend, or tragedy in a sunny afternoon because she never quite belongs. With the new album I Speak Because I Can, Read more ...