Reviews
Hugh Barnes
Stanislav Aseyev is a Ukrainian writer who came in from the cold. Until the spring of 2014, he was an aspiring poet and novelist based in the eastern Donbas region: when, however, its main city and surrounding area fell under the control of pro-Russian militants, he began to document the alternative reality of life in the so-called Donetsk People’s Republic (DPR).Now collected and translated into English by Lidia Wolandskyji, his dispatches (written for the Mirror Weekly newspaper under the pen name Stanislav Vasin) provide a fascinating insight into the culture war at the heart of the fight Read more ...
Sarah Kent
Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of the woods – Correze, in central France. It was a lightbulb moment for her: “My approach as a film-maker suddenly became clear to me, I realised I’d been making films about the suburbs in an obsessive way for the past 15 years… to conserve the existence of ordinary lives, which would have disappeared without trace if I hadn’t filmed them.”We is a celebration of some of those ordinary lives – people who live alongside the RER railway line to and from Read more ...
Tim Cumming
A few spots of rain greeted the arrival of the Rolling Stones on BST Hyde Park’s stage on Saturday night, and after “Street Fighting Man”, as Mick Jagger dedicated the show to the much-loved and lamented drummer Charlie Watts, a rainbow appeared over the stage. Then the band powered into the daylight half of their set, heavy on the Sixties pop end of their catalogue – a singalong revival of “Out of Time”, an angular, muscular, heart-racing “19th Nervous Breakdown”, and a delicate “She’s a Rainbow” giving way to a warm, oozy “Tumbling Dice” and the mournful guitars and horns of the Read more ...
Tom Birchenough
For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a line that stretches back to Eugene O’Neill, the plentiful other contenders that have appeared over the decades mean that it’s become a crowded field but, on the cantankerous patriarch front at least, Bill Pullman’s performance as Daniel, Rebeck’s cussed paterfamilias, trumps most of its predecessors for sheer malevolence.And Pullman surely knows it, the wicked glint in his eye that he directs out at the audience as the curtain goes up confirming that, and Read more ...
Saskia Baron
There’s a sharp observation, delivered in Alan Bennett’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his paintings are so accessible, I don’t think he’s thought to be a great artist. It’s because of his charm. He’s so easy to like and things have to be hard, if they’re not hard, then they’re not great." Veteran arts documentary director Margy Kinmonth makes an excellent argument for elevating the status of watercolourist and etcher Eric Ravilious in this lovingly crafted biographical film. Her account begins with Ravilious’ dramatic end; an official war Read more ...
Kieron Tyler
In 1965, Bob Crewe was living alongside Central Park in New York’s Dakota building. At various times, the block’s other residents included Lauren Bacall, Judy Garland, John Lennon and Yoko Ono. For work, Crewe’s 6th-floor offices on West 60th Street were in a complex overlooking Columbia Circle and South Central Park. Atlantic Records was also based there, as was Roulette Records. He was flying high.At this time, Crewe’s highest-profile bread-and-butter association was with The Four Seasons, whose popularity was never undercut by the arrival in America of The Beatles and what came in their Read more ...
David Nice
Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at the Two Moors Festival, an avian programme which made me long to hear him play Messiaen’s complete Catalogue d’oiseaux. Yesterday’s “Chopin Revisited” sequence heightened the sense of originality in planning and confidence in presentation. This is one of the most exciting young pianists of our time, no question.It's often said that Chopin's supreme originality is to be heard in his Mazurkas. Not exclusively so, of course, but Fu's selection certainly Read more ...
Izzy Smith
Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of characters who exist on the fringes of Japanese society. Kawakami’s latest novel to be translated into English by Sam Bett and David Boyd not only cements her reputation for giving voice to the quieter souls of this world, but also sees the intimacy of her writing reach new heights.All the Lovers in the Night is one of those novels that hangs together so delicately that it’s difficult to discern its Read more ...
Adam Sweeting
Strictly Ballroom aside, I’ve never been entirely persuaded by Baz Luhrmann. Once you rip open the plush packaging of his films, you often just find satin and tissue paper inside. Elvis isn’t his worst movie (they can’t take that accolade away from Moulin Rouge!) but it isn’t the monumental ode to a great American legend that one hoped it might have been.Hats off to Luhrmann’s leading man Austin Butler, at least, who makes a heroic stab at stepping into Elvis’s blue suede shoes and Las Vegas jumpsuits. He doesn’t really resemble the King, but with help from lighting, makeup and some jittery, Read more ...
David Nice
Best new opera in years, they said – don’t ask who – after the Aldeburgh Festival premiere of Tom Coult’s Violet. I’d have been happy in Hackney had it been as good as, say, Philip Venables’ 4.48 Psychosis or Stuart MacRae’s The Devil Inside. Alas, nowhere near.The premise is interesting: oppressed wife Violet, a prisoner in her own home, starts to find a zest for life as time begins to disappear and what seems like global meltdown heads towards the end of the world. But Alice Birch’s doomy libretto gives no powerful words to make us care about the four characters, and when the overwritten Read more ...
Robert Beale
Manchester Collective were back on home ground last night in the tour of a programme featuring the first performances of a new song cycle by Edmund Finnis, Out of the Dawn’s Mind. Soprano soloist was the amazing Ruby Hughes.It was home ground for her, too, in a sense: as a former student at Chetham’s School of Music she’s an old friend of the Collective’s leader and artistic director, Rakhi Singh.Ruby Hughes and the Collective created a moving and stimulating online streamed programme from the Lakeside Arts venue at the University of Nottingham in February last year – Dowland, Debussy, Mahler Read more ...
Kieron Tyler
Figuratively, “Tselane” is Blk Jks’s “Stairway to Heaven.” Both songs begin quietly and move through passages of turbulence suggesting an impending tempest. Each has a command of dynamics which pulls the listener in, generating anticipation for what comes next. On stage, “Tselane” is introduced as a “lullaby.”Musically – beyond them being a form of rock – little obviously connects “Tselane” and Led Zeppelin’s “Stairway to Heaven” but the association is there: it’s about the contrasts, the subtle union of drama and tranquillity.“Tselane” was first heard as the closing track of Blk Jks – said Read more ...