Reviews
Sarah Collins
Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of becoming a DJ. Lucy, a regular customer at the butcher’s where Joseph works, is a white, forty-two-year-old mother, recently divorced from an addict ex-husband and Head of English at a local “troubled inner city school.” When she asks Joseph to be a babysitter for her two children, the pair embark on an unexpected romantic relationship. Just Like You charts the highs and lows of that journey, as they Read more ...
Boyd Tonkin
The man called Piranesi lives in a House (he likes Capital Letters, and he tells the story). This House consists of an endless labyrinth, like “an infinite series of classical buildings knitted together”. Each of its Halls measures “approximately 200 metres in length and 120 metres wide” (pretty much the Golden Ratio of classical art and architecture). Alcoves and niches in each Hall contain a multitude of symbolic Statues that resemble Baroque tableaux of ancient myths. Piranesi’s favourites include “the Gorilla, the Young Boy playing the Cymbals, the Woman carrying a Beehive, the Elephant Read more ...
Kieron Tyler
The standard recitation goes like this. In the early Seventies a London scene evolved, centring on bands playing in pubs. Music was taken back to the grassroots. Finesse was unnecessary. What happened was dubbed pub rock and it laid the ground for an even more basic style: punk rock. Pub rock fed into and helped foster punk rock.This is charted by Surrender To The Rhythm: The London Pub Rock Scene Of The Seventies and 1978: The Year The UK Turned Day-Glo, a pair of three-CD sets. Although the specifics of 1977, the year punk was most boldly platformed are leapfrogged, the two packages Read more ...
Daniel Lewis
Strange, that novels like this, which seem to have their finger on the pulse of the zeitgeist, already have a tinge of sepia about them. Set in a bustling east Berlin, this sharply plotted tale of start-up bliss and blunder, then bliss again, sees characters commuting on public transport, working in an office, attending first-thing-in-the-morning “hype sessions” to run-of-the-mill meetings, bouncing in and out of bar-cafes, going on dates in restaurants, jetsetting on same-day return flights, and schmoozing potential clients and buyers at soirees buoyed by champagne, canapes (the least “safe Read more ...
Lydia Bunt
When you try to get rid of something, it comes back to bite you – so says Naomi Booth in her new novel Exit Management. It’s one of those books that you want to read very quickly, its writing slickly modern and its characters compellingly flawed. Lauren is a graduate HR employee specialising in the tricky task of making people redundant. She comes from humble beginnings, but wants to put all that behind her, focusing on the dream apartment and the adjoining shiny City life. Callum is a university drop-out who works in guest hospitality, tending rental properties for the rich and famous before Read more ...
David Nice
Monologues and duets rule the stage right now. We can only dream of the day when theatre steps up to the classical music scene’s boldness and manages to have more performers gathered together, albeit suitably distanced (not so easy when the drama needs physical contact, though there are plenty of plays that don’t). That said, it would be hard to imagine a more impressive roster of performers than the magnificent Bridge Theatre has managed to summon for its one-person season. None can be better than Monica Dolan and Lesley Manville in this instalment of its four Alan Bennett Talking Heads Read more ...
Joseph Walsh
If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles. Richter is a remarkable musician and, alongside his experimental albums, has also been responsible for some of the most moving film scores of recent years, such as Dennis Villeneuve’s Arrival and James Gray’s Ad Astra. Yet Richter is far from a jobbing composer: his work is always imbued with a deeper meaning, and his passion is infectious.Five Read more ...
Matt Wolf
Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go through some fairly tortured narrative hoops to get to that point. It's the incidental pleasures that accrue this time round as opposed to the inevitable genre tropes. Who would have thought, for instance, that a passing reference to Kenosha, Wisconsin, would have an entirely new and troubling resonance by the time of this film's release? At such Read more ...
Jessica Duchen
The Aurora Orchestra’s trademark expertise in playing symphonies from memory arguably reached new heights this week as they tackled Beethoven’s Seventh, first in performances with a live audience and then, yesterday, in an empty Royal Albert Hall for what’s left of the Proms. The programme opened with a new co-commission from the British composer Richard Ayres, who, like Beethoven himself, has had a struggle with deafness. Entitled No. 52 (Three pieces about Ludwig van Beethoven: dreaming, hearing loss and saying goodbye), this was an unnerving and at times moving world premiere. Read more ...
Rachel Halliburton
For some of us, it doesn’t take a lockdown to imprison us in our own hellish little world. Since his first series of dramatic monologues, broadcast on the BBC in 1988, Alan Bennett has taken a scalpel to the mindsets of those who have battled life’s disappointments and disillusionments by creating their own, often equally destructive, realities. The Bridge Theatre collaborated with the BBC to revive these gems of frustration and disquiet, releasing them in early June at a point when theatre still looked like an impossible dream. The Outside Dog and The Hand of God Read more ...
Adam Sweeting
Could you cope with spending three years away from your family and loved ones while you went on the first crewed mission to Mars? This is the question that underpins Away, Netflix’s new space exploration drama.Certainly it’s a daunting ask, but if you were a career astronaut surely it’s something you’d have faced up to long before, even if it was only at some point during the long and arduous training programme that would precede a mission like this. However, for mission commander Emma Green (Hilary Swank) and her four companions, life on board their ship Atlas is full of awkward surprises, Read more ...
Matt Wolf
Solo plays and performances are, of necessity, the theatrical currency of the moment, whether across an entire season at the Bridge Theatre or last week at the Old Vic in the too briefly glimpsed Three Kings, starring a rarely-better Andrew Scott. This week's blink-and-you-miss-it offering, pre-recorded (unlike the Scott entry) but also available online for a few days only, is a new production courtesy the Hope Mill Theatre, Manchester, of Martin Sherman's 1999 play Rose, which premiered at the National before transferring the following year to Broadway. (A percentage of ticket sales are Read more ...