Reviews
Matt Wolf
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are. The last musical from the venerated Stephen Sondheim has only grown in import and meaning since I caught its New York premiere some 18 months ago.Blessed with two alums from that production, the indispensible duo of Denis O'Hare and Tracie Bennett, this musical adaptation of two surrealists works from Luis Buñuel manages, miraculously, to remain light on its feet even as the landscape lowers around it. Musical theatre newbies may want more distinct numbers, Read more ...
Saskia Baron
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a familiar subject – Shakespeare, Ancient Egypt, Andy Warhol – they all came round again with a decent interlude between reassessments. But if the pitch involved Nazis, all bets were off. And maybe in Germany itself, that’s been the case with film-maker Leni Riefenstahl who may have had more documentaries made about her than she made herself during her years as Hitler’s favourite director.The latest, Riefenstahl comes with the promise of new revelations Read more ...
Helen Hawkins
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here, another terrible moment in human history that resonates all through Giant. Since the play opened at the Royal Court last year, that ugly hum has grown even louder. Now transferred to the West End, it could have been written to give dramatic form to this most incendiary of talking points.“Incendiary” is a word that we see author Roald Dahl gleefully welcoming as a compliment when applied to his writing. Indeed, what he seems to achieve in the course of the Read more ...
Markie Robson-Scott
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna Bay beach. But the unnamed hero known as The Surfer, played by Nicolas Cage, isn’t listening.The Surfer is directed by Lorcan Finnegan (Vivarium, 2019; Nocebo, 2022) and written by Thomas Martin (both are Irish). They were inspired, says Finnegan, by John Cheever’s The Swimmer as well as Australian New Wave movies of the 70s. This film is, however, not big on subtlety and has a limited scope. It’s shot in Yallingup, Western Australia on a beach and a Read more ...
David Nice
Watching the stricken faces on the split screen, I felt at times like callow Farfrae in Hardy’s The Mayor of Casterbridge: when faced with Henchard’s account of his blackest misery, the young man replies “Ah, now, I never feel like it”. Well, hardly ever. It’s impossible not to be held captive by the eyes and words of the six actors sharing the roles of estranged father, mother and son in Nobel Prize winning Norwegian writer Jon Fosse’s Einkvan (Everyman).Fosse is a bit like Beckett without the laughs, which is still something; all credit to the Norwegian Embassy and the AKO Foundation Read more ...
Sebastian Scotney
Carl Craig (b.1969) is a leading Detroit electronic music producer and DJ whose Planet E Communications label has existed for over three decades. This 90-minute documentary, which was directed by Jean-Cosme Delaloye and features over thirty interviews, tells Craig's life story and attempts to define his importance. It's accompanied by a soundtrack largely comprising music recorded by him, either under his own name or under his many aliases.The film's account of Craig's early years draws on extensive input from his parents and his sister. In one vivid exchange, he recalls the formative Read more ...
Helen Hawkins
The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening credits. It weaves through one of the classiest recent collaborations between Netflix and Korean TV, a haunting psychological drama that’s balm to the soul after the mob-handed violence on offer here at home. Slugging it out in The Trunk are two alpha females, in a setup that on paper sounds like something out of Black Mirror. The motor of the plot is futuristic: NM, a clandestine contract marriage service, socially a no-no for high-status people. In essence Read more ...
Gary Naylor
There was a time when the only daytime TV (ex-weekends and ex-Wimbledon fortnight) comprised the annual party conferences and the Trade Union Congress. A seemingly endless parade of indistinguishable middle-aged balding white men, with Barbara Castle’s fiery redhead and Margaret Thatcher’s immovable blonde hairdo the only relief, would grab 15 minutes of fame speechifying on the minutiae of policy, some puffing on pipes, some on full-strength Capstans. It was parochial, boring and almost always of no consequence a week or so later, but I rather miss those days… If you do (and even if you don’ Read more ...
Hugh Barnes
The reporting of Anna Politkovskaya, the journalist who was shot dead in her Moscow apartment building in 2006 – on Vladimir Putin’s birthday, a deranged gift from his loyal security services – is perhaps the nearest thing we have to a full diagnosis of the horrifying corruption and brutality of Russia under his governance.Some of the events depicted in Words of War happened over a quarter of century ago when, as Yeltsin’s Prime Minister, Putin started a war in Chechnya on the same false pretext of anti-terrrorism that now masks his real intentions in Ukraine. However, as Politkovskaya, who Read more ...
David Nice
Who doesn’t love the quirky, passionate and humanitarian genius of Leoš Janáček? All of it, these days. Since Charles Mackerras introduced the UK to a then-unknown, even the less familiar operas have had plenty of exposure. Simon Rattle was among the champions, giving an early concert performance (the UK premiere, I think) of the astonishing Osud (Fate). Now he's performing and recording them all with the London Symphony Orchestra.The Adventures of Mr Brouček to the Moon and to the 15th Century, the full title promising its true wackiness, has had two ENO productions, one at Grange Park Opera Read more ...
Gary Naylor
In Dublin, a city that has changed more than most in the last 30 years, a young woman, with an English accent that is expensive to acquire, is cycling through sexual partners. We eavesdrop on their conversations, witness the physical intimacy fade as the psychological intimacy hesitantly grows, in that strange vacuum in which you realise that you know everything and nothing about the person in front of you. There’s an awkwardness, both thinking “Sure that was fun, though I’m not sure this is and… what’s next?” Mark O’Halloran’s two-hander won Best New Play at the Irish Times Awards in 2022 Read more ...
Adam Sweeting
Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and institutional corruption, in an environment where patient care frequently comes second to internal politics and self-preservation. The protagonist first time around was Niamh Algar’s Dr Lucinda Edwards, but this time it’s Tom Hughes as Dr James Ford, who works as a psychiatric registrar at the fictional Queen Mother’s University Hospital.Writer Grace Ofori-Attah had personal experience as an NHS psychiatrist, which has undoubtedly helped to lend the show a sense of Read more ...