Reviews
Fergus Morgan
If there’s one certainty about the Edinburgh Lyceum’s production of Mrs Puntila And Her Man Matti – and there aren't many in this unsatisfying, overlong revival – it’s that Elaine C Smith makes a terrific drunkard. The Scottish sitcom star, musical veteran and pantomime stalwart plays the erratic millionaire Mrs Puntila in Denise Mina’s re-gendered and relocated take on Brecht's 1948 original, hiring and firing staff with abandon as she totters and teeters, slurs and stumbles around the stage, sinking tumbler after tumbler of whisky. It’s an OTT, unsubtle performance, certainly, but her Read more ...
Adam Sweeting
Channel 4 loves to walk the line between the compulsive and the repulsive, and this new dating show, complete with fake-salacious title, is a peerless specimen. The set-up is simple – one woman asks five guys who are “looking for love” to move in with her for a week, during which she chucks them out one by one and ends up with a winner.What’s amazing is how there’s never a shortage of volunteers desperate to make physical and emotional spectacles of themselves as they strip naked (only metaphorically, but that could change) and parade their insecurities. The hostess for this inaugural episode Read more ...
Veronica Lee
Steve Martin and Martin Short first met in 1986 on the set of The Three Amigos (in which they co-starred with Chevy Chase), became fast friends and have since worked on a few projects together. In what was quite a coup for the Glasgow Comedy Festival, the first night of their UK tour was a starry curtain-raiser to the festival proper, which starts on Thursday.The Funniest Show in Town at the Moment is a mix of stand-up, reminiscences and musical interludes (provided by pianist Michael Farrell and bluegrass band The Steep Canyon Rangers, while Martin gets out his banjo for a couple of tunes), Read more ...
Jenny Gilbert
Hard as it is to imagine the British dance landscape without Richard Alston, we’re going to have to get used to it. The touring company that for the past 25 years has been the chief purveyor of his uniquely lyrical brand of contemporary dance has disbanded, and not because the 71-year-old wanted to call it a day. Far from it. Having lost more than half his public funding, he decided against operating at half-strength. He wanted his company to go out on a high, and so it has.It says much about the man and his creative energy that four of the six pieces in this farewell programme were Read more ...
Katie Colombus
For those wondering if performance poet Kate Tempest would be upstaged or introduced by either pandemic panic or International Women’s Day – know that a) she’s fearless and b) she practices equality always. As such, there’s no pre-amble, other than a hope that her gig will “resonate into the night and the days to come”.Kate gets straight into her post-Brexit narrative track “Europe Is Lost”, she heaves “'Cause it's big business, baby, and its smile is hideous; top down violence, and structural viciousness” slowing down to deliver the line “Jail him, he’s the criminal”, to whoops from the Read more ...
aleks.sierz
On my way to see this show, I see an urban fox. Before I can take a photo, it scrambles away. And I'm sure that, as it goes, it winks at me. This weird moment is a great prologue to EV Crowe's new play, virtually a monologue starring Katherine Parkinson, which is weird, and then some. And then some more. Although it is very short, at just over an hour long, it is a powerful account of female middle-class anxieties in Britain today. A classic Royal Court play, it is directed by this venue's artistic director Vicky Featherstone.The story, such as it is, starts with Viv, a typical middle-class Read more ...
Sarah Kent
What a spooky exhibition! Léon Spilliaert suffered from crippling insomnia and often spent the nocturnal hours in the conservatory of his parents’ house in Ostend drawing his haggard features (pictured below right: Self-portrait, 1907). His shock of blond hair catches the light as it billows in an agitated swirl above his head, as though expressing a turmoil of inner disquiet. Elsewhere, he stares down at us though dark rimmed eyes, his mouth drooping open like that of a corpse, as though he were an apparition come to visit this moonlit chamber. Echoes of Edvard Munch haunt these Read more ...
Jessica Duchen
Perhaps the most surprising thing is how good natured they all sound. There’s no anger. At least, not much – one can’t help wondering what they say off air. Through a kaleidoscope of vocation, hopes, dreams, inspirations, and worries about stuff that their male counterparts do not have to consider, nine conductors who happen to be female share their stories in this engaging and long-overdue film, with humour, intelligence and an occasional dose of major frustration.Women are increasingly stepping to the fore in the world of orchestral conducting, but my goodness, it has taken a long time. In Read more ...
Robert Beale
Omer Meir Wellber, who once used to do magic with music for children, pulled a whole set of rabbits out of the hat in his reading of Beethoven’s Fourth Symphony on Saturday. Others may make the work's rhythms and melodies alluring through the sheer forward momentum of a steady beat. Not Wellber. The most striking thing about the first two movements, as he directed them, was that the contrast of mystery and vigour embodied in the shapes and dynamics of the music’s rhythm, melody and harmony was also represented in its speed – or rather, speeds.It's a way of conducting Beethoven symphonies that Read more ...
David Nice
As RuPaul's best squirrel friend Michelle Visage, co-doyenne of the amused and amusing judges, put it, "that was some next-level shit". She was referring to a high point in the contest's weekly lip sync-ing finales, right at the end of the new season's first entertainment (on Netflix), but it's true of the majority of the 13 queens presented over two episodes to compete for the crown. Usually you detect a weak link or two, and they're gone in the first weeks; you never got to know who they were. But this time no-one was sent home, and the quality looked like the best ever - a return to form Read more ...
Jonathan Geddes
There is something enjoyably spikey about Halsey, even when she is adhering to pop convention. At one stage she told the crowd how good they looked, before dryly adding it was praise they wouldn’t have heard before. These are brave words when playing to a Glasgow audience. She is a pop performer possessing an actual personality, one that has survived the step up to playing arenas, and when she spoke during the encore of how her fans had helped keep her alive during tough times, it came with a raw emotion rarely present in big gigs.The New Jersey native was also very much the show here. Her Read more ...
Rachel Halliburton
It may seem strange to watch a play about four English people on a kibbutz in the Seventies, and find yourself thinking about Brexit, but that’s precisely what springs to mind here. Culturally blinkered and politically ignorant, most of the characters seem to see their first trip to Israel as little more than an opportunity for sex and better weather. The Finborough Theatre has a fantastic record in digging out overlooked theatrical gems – not least last month’s On McQuillan’s Hill which played to packed houses. Not Quite Jerusalem was a huge hit for playwright Read more ...