When I reviewed the Philharmonia’s Weimar season last year I expressed a hope to hear more Hindemith performed in London. When, also last year, I reviewed chamber music at Conway Hall I looked forward to my next visit. So a Conway Hall programme including Hindemith’s Clarinet Quartet was like a magnet. And I wasn’t disappointed by the Hindemith, or by Messiaen’s extraordinary Quartet for the End of Time that made up the second half.Conway Hall is an enterprising venue, as much community centre as concert hall, with a long tradition of Sunday evening chamber music. The attendance was Read more ...

"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. High-level human integrity seems a given when great pianists essay epics: certainly true of Elisabeth Leonskaja and Imogen Cooper tackling respective sonata trilogies by Beethoven and Schubert, or András Schiff in Bach's Well-Tempered Klavier. Last night was on that level. Questions may linger over the nature of Shostakovich's many-headed hydra of a homage to Bach, but none about Levit's expressive intent and execution Read more ...

What’s the appeal of cinema? It can transport us to fantasy lands, or open our eyes to new perspectives. But one aspect that’s less discussed is how it brings people together. Going to the cinema is a social stimulus, a shared experience that sparks discussions and forges friendships. And as shown in Sudanese documentary Talking About Trees, its absence leaves a hole in the community.We follow the Sudanese Film Group (SFG), a collection of former filmmakers, as they try to reopen the Revolution Cinema in the city of Omdurman. It’s more than a hobby for them, it’s a calling. Since the military Read more ...

Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of work. Its music ranges from the seriously dramatic to fun numbers like the "Ice Cream Sextet" and the jitterbug dance song “Moon Faced, Starry Eyed”; there’s a lot of spoken-dialogue-with-music, as well as solos, duets and all manner of ensembles; and the story is both comic and tragic.Written in 1947, it pictures life in a New York tenement – and on the street outside – on two sweltering summer days and nights. The climax comes when a jealous husband murders his wife. As tragedy Read more ...

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put the wind up Middle America and everyone else for that matter, their imposing singer Corey Taylor spent an unexpected amount of time between songs on the Arena Birmingham’s stage this weekend preaching a gospel of sticking together in these trying times and of encouraging the band’s fans, the Maggots, to watch each other’s backs. In fact, he seemed particularly keen to make it clear that Slipknot are “not just dicks in masks” with loud guitars and a Read more ...

Those of us who have to toil and sweat with other languages often feel a twinge of envy when we meet truly bilingual folk. That ability to switch codes, seemingly without any fuss, must confer so many benefits. More than ever, bilingualism blossoms across an increasingly connected world, often under the radar of social and educational policy. I know people who will claim to be no good at languages – in the formal, academic sense – and then phone their mum to chat in Urdu or in Greek.It might even be the case that Britain’s varied bilingual communities – from Polish- to Punjabi-speakers – Read more ...

In Clemens Meyer’s new collection of short stories Dark Satellites (translated from German by Kate Derbyshire), the lonely frequently enter into each other’s orbit. Their loneliness is intensified by every rotation they make of one another. These are people at the very margins of society. It is here where the author plies his trade. In this worthy follow-up to the Booker International Prize-nominated Bricks and Mortar, which was set in Leipzig’s red-light district in the days of the former GDR, Meyer returns to Germany’s fringes. His stripped-back prose is suffused with meaning.The short Read more ...

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017. He had joined Game Theory as their drummer and backing vocalist in 1985. The new collection Across The Barrier Of Sound: Postscript tracks the Game Theory of 1990 and 1991: a period when Ray was playing guitar and keyboards in the band. These became Game Theory’s final, under-the-radar years and, until now, have not been the subject of an official release.Gil Ray’s passing means that just half this latter-day, four-piece Game Theory is still with Read more ...

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were greeted in the Welsh capital like long-awaited saviours. No chorus was left unsung, no build-up left unclapped, and no breakdown unshimmied.The band have perfected their show of power pop performed with pinpoint precision. They create an impressive wall of sound, built on counter rhythms and jangled guitars, supported by a striking lightshow that Read more ...

Jukka-Pekka Saraste doesn’t visit London much these days. He was Principal Guest Conductor of the BBC Symphony Orchestra, and there were rumours that he was in line for the top job. That didn’t happen, and his career soon took him elsewhere – which was a great shame if last night's evening’s Shostakovich was anything to go by.Saraste is an enigmatic figure, relaxed on the podium and undemonstrative. His interpretations can lack punch, especially when compared to some of his more dynamic contemporaries, but he has a real feeling for mood, and for subtly developing the music’s perspective over Read more ...

Drums away: Stewart Copeland, drummer with The Police and a score of other groups, composer for films, video games and operas, now beams enthusiastically at us from the small screen. He’s writer and presenter of this three-part Adventures in Music series for BBC Four, which has as its thesis his view that music is what made us human, differentiated us from the Neanderthal and was our earliest form of communication. Sounds came before words. Copeland was imprinted early. He remembered sitting in a dark room aged seven, listening to Carl Orff’s Carmina Burana, and recognising in some way Read more ...

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code, it could never be iconic like a guitar. This performance was partly inspired by that fact: as Henke explained in his preamble, he's fascinated with a time when computers were a whole lot simpler and, perhaps, cooler to look at.Looking like a funky Open University lecturer in brown suit and pointy boots, Henke explained the 1980 Commodore PET Read more ...