Reviews
Marina Vaizey
Joanna Cannon was a wild card. She left school at 15 with one O-level and after various jobs, including working as a barmaid, she was given a place at medical school. The admissions professor accepted a wild card a year, someone whose path had been unconventional. She trained through her 30s and qualified in her 40s. She subsequently practiced as an NHS psychiatrist — but only for a few years. After her first novel become a best-seller, she left. Her experiences indicate that the emotional toll was too much, but she has now published this series of tightly argued glimpses into her Read more ...
Kieron Tyler
The Hollywood Stars were not shy. In 1976, in keeping with their assertive handle, they sang “some last a year, then disappear as if they were magicians, but while I’m here no need to fear at the top I’m a pop musician, they call me the Houdini of rock 'n' roll because I’m number one on the radio...what is the secret they want to know.” The song, a crunchy riff-laden glam-indebted pop-rocker, was titled “Houdini of Rock 'n' Roll”. Instead of getting to number one on the radio, it wasn’t heard.“Houdini of Rock 'n' Roll” is one of ten tracks The Hollywood Stars recorded in 1976 for what’s Read more ...
Stephanie Sy-Quia
The Topeka School begins with a female listener getting bored of hearing her boyfriend talk. Which did not bode well, as the perspective’s was the boyfriend, and I am a female reader. Such a self-effacing move is typically Lerneresque: he excels at agonising over the politics of the body he inhabits (a white straight American man), only to then let his agonising become bigger and baggier. Adam and Amber are sitting in a boat in a manmade lake of an evening in Topeka, Kansas. Adam has been talking declaring their hope that they will keep seeing each other after he leaves for college. “ Read more ...
Gavin Dixon
No great innovations in this Seraglio – as ETO are styling Mozart’s early Singspiel (its full title in translation is The Abduction from the Seraglio – but a traditional staging that makes the most of all the work’s characters and quirks. Mozart’s evocation of an exotic, and unknown, Oriental world is perfectly rendered by director Stephen Medcalf, who finds an ideal balance between the various love interests and the regular invitations to slapstick comedy. He does it all with a light touch, and with a real focus on the characters – all well cast. Sets are modest – it’s a touring show – but Read more ...
Katie Colombus
Rodrigo y Gabriela are no longer the youthful metalheads that once spawned an organic fan movement from the muso grapevine, via rigorous gig schedules and world tours.They are grown up now, having been in the game for 20 years – something Rodrigo references, saying that it was natural to follow fun when they were young, but that they now have a more important message. The Mettavolution tour is not only full of their usual unassumingly intense and brilliant flamenco-rock aesthetic, but also food for thought that glimmers around Buddhist principles and a connection to something greater than the Read more ...
Adam Sweeting
A labour of love for its co-writer, producer and star Joel Edgerton, The King (showing at London Film Festival) is derived from Shakespeare’s Henry IV and Henry V plays, but isn’t slavishly bound to them. If it were, Edgerton would have lost a major chunk of his role as Falstaff, who, rather than having his death reported by Mistress Quickly in Eastcheap, accompanies Henry V on his expedition to France as his trusted confidant.The screenplay, by Edgerton and director David Michôd, is determined not to be Shakespearean, though contrives to smuggle in some antique-sounding heft while not Read more ...
Nick Hasted
Dolly Wells’ directorial debut employs her best friend Emily Mortimer as reclusive writer Julia Price, having paired up previously in a TV satire of their professionally uneven relationship, Doll and Em. Mortimer cameos this time, as posh twentysomething slacker Lilian (Grace Van Patten) comes to stay at her Brooklyn brownstone and, undeterred by never having opened a Price book or watched a documentary, surreptitiously begins a film about her enigmatic host.Frosty Julia and the tenant she calls a “lazy, entitled oaf” gradually soften each other’s edges. In a conceit happily forced on Wells Read more ...
Matt Wolf
“She sang from her soul,” Judy Garland’s youngest daughter, Lorna Luft, once said of her world-renowned mum. So it’s right to give the role of this legendary entertainer to Renée Zellweger, an actress who, in the new biopic Judy, acts from her soul. There may be people out there (Tracie Bennett for one, who played Garland in the London and Broadway stage play by Peter Quilter on which this film is based), who approximate those singular vocals more precisely, but it’s difficult to imagine a more empathic meeting of modern-day screen star and ongoing icon. The early Oscar buzz in this instance Read more ...
Tom Birchenough
“I want something Russian…” It’s with such a cry that Helen Mirren, bored by the bizarrely transgressive masked ball that comes at the close of the first episode of Catherine the Great, gets the dancing going: nothing from the imported fashions of Europe will do for her, and the music duly strikes up, a soupily romantic melody on violin, the quintessence, you might think, of mythic "Russianness”. Indeed, this majestic four-part series, jointly produced by HBO and Sky, will no doubt come to represent for many foreign audiences the epitome of the country, every bit as much as classic literary Read more ...
Marianka Swain
“Doors and sardines. Getting on, getting off. Getting the sardines on, getting the sardines off. That’s farce. That’s the theatre. That’s life.” Michael Frayn’s laugh-til-you-weep backstage comedy transfers from the Lyric Hammersmith (where it first appeared in 1982), and Jeremy Herrin’s superb revival has tightened up further for this encore run, resulting in the funniest night you’ll have in the West End.Since staging Noises Off seems to tempt fate even more than uttering “Macbeth”, the production was once again visited by misadventure – this time a minor prop mishap, rather than Read more ...
Tim Cumming
K-Music has become one of the highlights of the autumn cultural calender since it launched in 2014, bringing an eclectic range of Korean artists and bands, from pop and rock to jazz and folk, and all the gradations between. Next Sunday Korean Pansori opera comes to Kings Place, while Park Jiha’s beguiling looped soundscapes come to Rich Mix on 17th October, and Kyungso Park returns to the Southbank with her zither-like gayageum and new band, SB Circle on 29 October.Launching this year’s edition at the Purcell Room was the penetrating wall of sound that is Jambinai, more sheet metal than heavy Read more ...
Tom Birchenough
The American dramatist Katori Hall has created a work of rare accomplishment in Our Lady of Kibeho, a play that combines a beautifully established picture of a particular world – a church school in rural Rwanda, in the early 1980s – with profound themes such as faith and belief.That she brings her story, one that indirectly references the genocide that the country would experience a decade later, together with some choice character comedy is further testimony to her skill in combining the sacred and the secular. Premiered in New York in 2014, it reaches Theatre Royal Stratford East in James Read more ...