Reviews
David Nice
Watching the stricken faces on the split screen, I felt at times like callow Farfrae in Hardy’s The Mayor of Casterbridge: when faced with Henchard’s account of his blackest misery, the young man replies “Ah, now, I never feel like it”. Well, hardly ever. It’s impossible not to be held captive by the eyes and words of the six actors sharing the roles of estranged father, mother and son in Nobel Prize winning Norwegian writer Jon Fosse’s Einkvan (Everyman).Fosse is a bit like Beckett without the laughs, which is still something; all credit to the Norwegian Embassy and the AKO Foundation Read more ...
Sebastian Scotney
Carl Craig (b.1969) is a leading Detroit electronic music producer and DJ whose Planet E Communications label has existed for over three decades. This 90-minute documentary, which was directed by Jean-Cosme Delaloye and features over thirty interviews, tells Craig's life story and attempts to define his importance. It's accompanied by a soundtrack largely comprising music recorded by him, either under his own name or under his many aliases.The film's account of Craig's early years draws on extensive input from his parents and his sister. In one vivid exchange, he recalls the formative Read more ...
Helen Hawkins
The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening credits. It weaves through one of the classiest recent collaborations between Netflix and Korean TV, a haunting psychological drama that’s balm to the soul after the mob-handed violence on offer here at home. Slugging it out in The Trunk are two alpha females, in a setup that on paper sounds like something out of Black Mirror. The motor of the plot is futuristic: NM, a clandestine contract marriage service, socially a no-no for high-status people. In essence Read more ...
Gary Naylor
There was a time when the only daytime TV (ex-weekends and ex-Wimbledon fortnight) comprised the annual party conferences and the Trade Union Congress. A seemingly endless parade of indistinguishable middle-aged balding white men, with Barbara Castle’s fiery redhead and Margaret Thatcher’s immovable blonde hairdo the only relief, would grab 15 minutes of fame speechifying on the minutiae of policy, some puffing on pipes, some on full-strength Capstans. It was parochial, boring and almost always of no consequence a week or so later, but I rather miss those days… If you do (and even if you don’ Read more ...
Hugh Barnes
The reporting of Anna Politkovskaya, the journalist who was shot dead in her Moscow apartment building in 2006 – on Vladimir Putin’s birthday, a deranged gift from his loyal security services – is perhaps the nearest thing we have to a full diagnosis of the horrifying corruption and brutality of Russia under his governance.Some of the events depicted in Words of War happened over a quarter of century ago when, as Yeltsin’s Prime Minister, Putin started a war in Chechnya on the same false pretext of anti-terrrorism that now masks his real intentions in Ukraine. However, as Politkovskaya, who Read more ...
David Nice
Who doesn’t love the quirky, passionate and humanitarian genius of Leoš Janáček? All of it, these days. Since Charles Mackerras introduced the UK to a then-unknown, even the less familiar operas have had plenty of exposure. Simon Rattle was among the champions, giving an early concert performance (the UK premiere, I think) of the astonishing Osud (Fate). Now he's performing and recording them all with the London Symphony Orchestra.The Adventures of Mr Brouček to the Moon and to the 15th Century, the full title promising its true wackiness, has had two ENO productions, one at Grange Park Opera Read more ...
Gary Naylor
In Dublin, a city that has changed more than most in the last 30 years, a young woman, with an English accent that is expensive to acquire, is cycling through sexual partners. We eavesdrop on their conversations, witness the physical intimacy fade as the psychological intimacy hesitantly grows, in that strange vacuum in which you realise that you know everything and nothing about the person in front of you. There’s an awkwardness, both thinking “Sure that was fun, though I’m not sure this is and… what’s next?” Mark O’Halloran’s two-hander won Best New Play at the Irish Times Awards in 2022 Read more ...
Adam Sweeting
Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and institutional corruption, in an environment where patient care frequently comes second to internal politics and self-preservation. The protagonist first time around was Niamh Algar’s Dr Lucinda Edwards, but this time it’s Tom Hughes as Dr James Ford, who works as a psychiatric registrar at the fictional Queen Mother’s University Hospital.Writer Grace Ofori-Attah had personal experience as an NHS psychiatrist, which has undoubtedly helped to lend the show a sense of Read more ...
Kieron Tyler
After kicking off with the psychedelia-tinged “Sgt. Major,” they keep coming. A string of songs as Sixties-influenced as they are edgy and propulsive. The tempo may not be speedy but there is always forward motion, even in a song where different sections unite in a portmanteau structure.The filigreed, swirling “Pull Together,” the muted, bossa nova-esque “Soldier Man,” the shadowy “Miles Apart,” with its Bacharach and David touches, the gently churning, foggy “Stranger.” Each is instantly memorable, and each – the opening five songs of this evening’s show – remains seductive. Lovely songs. Read more ...
Rachel Halliburton
Holsters, Stetsons and bluegrass music bring a distinctive flavour to this Wild West riff on Romeo and Juliet that flings us into a vortex of frontier-town politics where men are men and bad girls wear gingham. Sean Holmes’ vigorous production stirs up the original to prove that cowboys can be zombies and that you should always bring a gun to a knife-fight.There are many bold innovations in this interpretation of the play, but one of the best is the clear indication that Lola Shalam’s bolshy Juliet is far more the daughter of Jamie-Rose Monk’s nurse than of her rigidly elegant mother. Read more ...
Hugh Barnes
The Ealing-like comedy heist caper Two to One is Natja Brunckhorst’s second feature as a director, after the 2002 short film La Mer, but most people will remember her for an extraordinary performance as a 13-year-old actor in Uli Edel’s 1981 cult film Christiane F. The following year, she had an equally memorable walk-on in Rainer Werner Fassbinder’s last film Querelle.Edel’s movie controversially depicted the empty lives of teenage drug addicts in West Berlin a decade before the collapse of East German communism and the fall of the Wall. In Two to One, Brunckhorst fast-forwards, as it Read more ...
Adam Sweeting
The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series. Adapted by screenwriter Anya Beyersdorf from the eponymous memoir by Stephanie Wood, Fake is the story of a relationship between Joe Burt (David Wenham), apparently a divorced business entrepreneur and farmer forever juggling a variety of property schemes and financial deals, and 50-ish food journalist Birdie Bell (Asher Keddie), who seems to spend an inordinate amount of time not writing very much for her newspaper.They first meet via a dating Read more ...