Reviews
Adam Sweeting
Wolfgang Petersen’s film Das Boot is now nearly 40 years old, but in this new TV sequel time has moved forward a mere nine months from the original story, into the autumn of 1942. Whether it’s still springtime for Hitler is moot, but the U-boat crews based at La Rochelle are locked in a grim struggle with both the Atlantic and with Allied ships and aircraft.From the furniture-rattling opening sequence of a submarine being sunk by depth-charges, these first two episodes (out of eight) were tightly-wound and exuded a powerful atmosphere of menace. The series extends the war onto a new front, Read more ...
Markie Robson-Scott
“You stop playing for three years and you double your crowd,” jokes Amy Boone at a sold-out gig at the Jazz Café in Camden. The reason for the Delines’ hiatus isn’t much of a joke: Boone was hit by an out-of-control car when walking in a parking lot in Austin, Texas. Both her legs were broken badly, she needed nine major surgeries and a skin graft and spent those years in rehab, delaying the release of the Portland, Oregon band’s acclaimed second album, Imperial. She now walks with an elegant silver cane. And her voice is as haunting, her pacing as impeccable and seemingly effortless, as ever Read more ...
Rachel Halliburton
There is no doubt that this Cherry Orchard, whirled into town by Roman Abramovich from Moscow, is going to be divisive. If you, like the two elegant old gentlemen sat next to me on press night, have come to see the Pushkin Drama Theatre’s production in order to steep yourself in Chekhov’s philosophical ambiguities and perhaps brush up on your Russian, you will be disappointed. If, on the other hand, you want to be blown away by a stunningly beautiful absurdist interpretation that captures, like no other Chekhov production you’ve seen, the way the world can teeter between exhausted Read more ...
Tom Birchenough
Joel Edgerton’s second turn as a director is the second film in a year to treat the subject of gay conversion therapy. The first was Desiree Akhavan’s The Miseducation of Cameron Post, whose victory at Sundance a year ago confirmed, symbolically not least, its origins within the world of American independent cinema. By contrast, Boy Erased comes squarely out of the studio system, with an approach to theme and broader treatment that is clearly aimed at a wider audience.For once, however, it’s not a case of Hollywood simplifying or reducing its starting material. Edgerton himself adapted Read more ...
Tim Cornwell
In the history of early photography in the Middle East, it was the Armenian Christian traders and their descendents who became the pioneers of the new technology. Their numbers include the Armenian-Turkish photojournalist Ara Güler, "the Eye of Istanbul" who died last year and was famous for his signature images of the city. Others found their way to Lebanon, with families fleeing persecution and mass killing amidst the death throes of the Ottoman Empire. Prominent Lebanese-Armenian photographers include Manoug Alemian, born in Hama, Syria, whose land and townscapes record a beautiful mid Read more ...
Marina Vaizey
A picture is worth more than a thousand words, never more so than with the photographs of Don McCullin. The octogenarian photographer’s black-and-white imagery made the Sunday Times colour supplement the talk of international media in the 1970s. McCullin, a North Londoner born and bred, travelled the world’s war zones before coming home 35 years ago to a Somerset world of landscapes and still-lifes, whilst still periodically going off to new conflicts, most recently to Syria and Yemen. With a major retrospective opening at Tate Britain this week, Adrian Sibley’s film followed him as he once Read more ...
David Nice
Backstories, we're told, are a crucial part of stage visionary Richard Jones's rehearsal process. Janáček, or rather Russian playwright Ostrovsky on whose The Storm the composer based Katya Kabanova, gives several of his hemmed-in characters narratives to suggest what they were and why they are where they are now (not good), stuck in a deadly dull – or just plain deadly – provincial town. It's a tribute to Jones's outwardly spare production that we want to know more.Is the mental health of Katya now, married to a drinker and bullied by her stepmother, the result of persecution by this Borough Read more ...
aleks.sierz
Titles matter: they send out messages. So, in the current #MeToo climate, isn't it a bit provocative that there's a rash of plays with titles which might be seen to offend: The Hoes, Superhoe and, coming soon, Inside Bitch? Not to mention the suggestive Hole. All strong titles, tough and spiky. But maybe not offensive at all. These plays are, after all, all written by women, and nowadays it's not what you say, but who says it that really matters. Anyway, the Royal Court's artistic director Vicky Featherstone has impeccable feminist credentials so this staging of Nicôle Lecky's one-woman debut Read more ...
Florence Hallett
“Slow looking” is the phrase du jour at Tate Modern, an enjoinder flatly contradicted by the extent of this exhibition, which in the history of the gallery’s supersized shows counts as a blow-out. Unless you plan to camp overnight, much will need to be skipped through if you are to cast more than a cursory glance over the paintings, drawings and photographs included in this survey of Bonnard’s later career.It’s not just that it sets ludicrous expectations about the amount of looking to be done in one hit: somewhere in this endless assault by colour is a note linking Bonnard’s reliable market Read more ...
David Nice
Pianists most often cite Radu Lupu alongside Martha Argerich and Grigory Sokolov as the greatest. So it was hardly surprising to see so many top musicians in a packed audience, buzzing with expectation for the 73-year-old Romanian's most recent UK appearance with a conductor he respects, Paavo Järvi. Lupu appeared at Steven Isserlis's 60th birthday event at the Wigmore towards the end of last year, but before that hasn't been seen here since 2014. I heard him then, but in Stockholm, giving a magisterial performance of Beethoven's Third Piano Concerto. Last night's Fourth was exquisite at Read more ...
Jasper Rees
It took the best part of six episodes, but we got there in the end: the reason David Oyelowo accepted the confusingly underwritten part of Inspector Javert in BBC One’s adaptation of Les Misérables was finally revealed. His pursuit of an ex-convict for the theft of a coin stretched across hours and years, and in the process became not so much a single-minded obsession as a kind of exoskeleton that held the character in place. The motive which guided him towards this destination was, alas and bafflingly, never explored.Before the big moment came, Javert spent some of the last two episodes Read more ...
Robert Beale
A sad tale’s best for winter, and Opera North have returned to Janáček’s lyrical taken on a classic Russian drama of domestic abuse, guilt and suicide for this ingredient of their current season. Director Tim Albery and designer Hildegard Bechtler created their production 12 years ago, revisiting their partnership on the same opera for the company eight years before that. It seems to cheer up a little each time… but only a little.In 1999 the whole thing was virtually set-less and the costumes universally drab-grey, the better to emphasise the stifling and loveless respectability against which Read more ...