Reviews
Hanna Weibye
Any partnership that lasts for 20 years deserves a party, and last night at Sadler's was a celebration of the wonderfully fruitful working relationship between choreographer Russell Maliphant and lighting designer Michael Hulls. Both clinking with awards by now, they have been a signficant force in British dance for two decades, and have been right there at some of its key moments – think of Broken Fall, the 2003 piece for Sylvie Guillem and the BalletBoyz which launched Guillem's extraordinary post-ballet career; think of PUSH, the 2005 Guillem/Maliphant vehicle that was the first Read more ...
Jasper Rees
Nostalgia for the good old days of mutually assured destruction? You’d have got long odds on such a thing on 9 November 1989, the day the Berlin Wall was breached. A quarter of a century on, the Americans and the Russians are entangled in a whole other theatre of war in which the idea of negotiating with the enemy is unthinkable. The Soviets may have been abominable commie bastards but, hey, our guys could still clink a glass with them. So Steven Spielberg is able to visit the Cold War in something like a spirit of levity.Bridge of Spies is much more overtly an entertainment than Schindler’s Read more ...
Florence Hallett
There are some wonderful things in this exhibition, and that’s no surprise: the British Empire endured for over 500 years and at its peak extended across a quarter of the world’s land mass. Preparing an exhibition of corresponding reach must have involved considering a vast range of objects, but choosing well is another matter entirely. Severely overfilled, this is a show hampered by too broad a scope, but also by the sensitive nature of its subject; in its eagerness to present points of view other than that of the British colonists, there is a crippling reluctance to omit anything at all.So Read more ...
David Nice
Greek family smashups at the Almeida now yield to northern agony sagas, less bloody but potentially just as harrowing. In Little Eyolf the 66-year-old Ibsen dissected a failed marriage as ruthlessly as Euripides, Strindberg or Bergman, who was in turn influenced by both of the great Scandinavian playwrights. Something of that pitilessness does emerge in Richard Eyre’s return to the Almeida, chiefly through an unsparing performance by Lydia Leonard and a blend of cold intimacy with powerful nature in Tim Hatley’s designs. The lower depths of pity and terror, though, remain unsounded. Read more ...
Adam Sweeting
The city of Boston has been creeping up the charts as a hotbed of cinematic criminality in the last decade. First came Martin Scorsese's Oscar-scooping epic The Departed, then Ben Affleck chipped in with The Town, both movies driven by their portrayal of tightly-knit groups of characters immovably rooted in their native Bostonian soil.You could almost see Scott Cooper's Black Mass as completing a trilogy. Indeed, its two leading characters, Irish mobster James "Whitey" Bulger and FBI agent John Connolly, are the real-life versions of the Jack Nicholson and Matt Damon roles in The Read more ...
Barney Harsent
Kids today eh? Eh? Ask them what they want to be and they’ll probably reply, “famous” or “rich.” I mean, really… what do they aspire to? What do they want? Wearable tech and a free pass to the Boot Camp stage of The X Factor at a guess. Tell you what, let's ask five-year-old Emily. "Emily, what do you want to be when you grow up?" "A jelly maker. A pencil sharpener!" Ooooooookay. I wasn’t expecting that. Good answer. I hope, one day, she achieves her dream. For now though, she and her band of knee-high humans are too busy restoring my faith in humanity. The Secret Life of 5 Year Olds isn’t a Read more ...
Bernard Hughes
It is not surprising that Piano Circus rarely play on six real pianos (although the photo on last night’s programme cover shows just that). The expense, the stage space required and the logistical complexity all militate against it. But the sound produced by six highly amplified digital keyboards is so far removed from that of six pianos as to be another thing entirely, and the overriding memory of this concert is an unpleasant, and unpleasantly loud, piano-ish blast of sound beating me about the ears.Which is a shame as some of the playing was spectacular, incredibly tight and together. Read more ...
Barney Harsent
After the roaring success of Daredevil this year, Marvel brings us the next instalment in the TV rendering of their universe – or part of it at least. Jessica Jones, created by writer Brian Michael Bendis and artist Michael Gaydos in 2001, is a failed superhero and volatile PI who copes with her demons by drinking so heavily that at least one of her superpowers seems to reside in her liver. Super strength, near-flight and a fine line in withering sarcasm make up the rest.Once again, Netflix have released a show, in its entirety, on one day, so it’s up to us how we consume it. Rather than the Read more ...
Demetrios Matheou
New York, in the early 1950s. Twenty-something Therese Belivet is working in a Manhattan department store at Christmas, wearing a Santa hat and dutifully trying to overcome her boredom. Then Carol Aird strides into view – classy, confident, patrician Carol, archly eyeing the shop girl and nonchalantly buying the most expensive toy on offer, before leaving her gloves on the counter behind her. Therese’s life is about to change dramatically.The director Todd Haynes not only tells stories set in the past, notably in America between the Thirties and Fifties, but he also makes films that feel as Read more ...
alexandra.coghlan
Pericles is a play of voyages. Lands and landscapes crowd in, one after the other – Tyre, Tarsus, Ephesus, Antioch, Mitylene – until our dramatic sea-legs are decidedly unsteady. The demands are great for any theatre, but for the Globe’s tiny, candle-lit Sam Wanamaker Playhouse they are impossible, freeing director Dominic Dromgoole to ignore spectacle and visual dislocation in favour of an emotionally-driven, chamber take on this late romance.Designer Jonathan Fensom’s visuals may be coherent, and unity underlined in careful cast doublings, but tonally Dromgoole tosses us from mood to Read more ...
Steve O'Rourke
Love, loathe or feel totally indifferent about Jedis and Stormtroopers, there will be no avoiding the Force when the cinematic phenomenon that is Star Wars rolls out a fresh instalment in a few short weeks. The latest in a long, long line of Star Wars videogames doesn’t capitalise on the new source material and instead focuses on the universe of the original three films. You’ll reenact the icy Hoth battles from The Empire Strikes Back, creep through the dense foliage of the Ewok-infested Endor forest, and kick sand in the face of naughty imperial scum on Tatooine.We’re in the world of first ( Read more ...
Matt Wolf
A lot of people are going to be enraged, frustrated, or confused by Evening at The Talk House, and in the authorial world of Wallace Shawn, wasn't it ever thus? This is the playwright who gave pride of place to a softly-spoken fascist in Aunt Dan and Lemon and challenged his audience's complacency directly with The Fever, so if I say that his latest play is of a piece with his earlier ones, that is intended as high praise, indeed. From its opening monologue onwards, Talk House could only be the work of this particular writer, Shawn's singularity of vision as undimmed by time (he's now 72) Read more ...