Reviews
Markie Robson-Scott
If you bought a Beatles album in the Sixties, chances are you also bought The Mersey Sound, that best-selling collection of poems by the Liverpool poets Brian Patten, Roger McGough and Adrian Henri. It was launched at the Cavern Club in 1967 to musical accompaniment. Their poems felt new, accessible and exciting. "Love is feeling cold in the back of vans," wrote Henri, "Love is a fanclub with only two fans / Love is walking holding paintstained hands / Love is /."But though he was best known as a poet, Henri was primarily a painter, as well as a collage-maker and performance artist. He taught Read more ...
alexandra.coghlan
Like the Dutchman himself, Tim Albery’s Der fliegende Holländer makes its inevitable return to the Royal Opera House. Unlike the Dutchman, however, this production has broken free of its cycle of repetition. Perhaps expectations have changed, perhaps after two outings I’ve just surrendered to Tim Albery’s severe and sober staging, but for the first time since its 2009 debut this ghostly ship finally comes in to emotional harbour.This unexpected sea-change has everything to do with Canadian soprano Adrianne Pieczonka – a blisteringly beautiful Senta, who pairs a disarming purity and sweetness Read more ...
Adam Sweeting
The Wachowskis' sci-fi blockbuster has been getting a kicking from the Stateside critics, but perhaps that's because it's a bit of a shape-shifter with multiple personalities. Part dystopian fantasy, part fairy tale, part cosmic epic, all rolled up in a whole lot of astonishingly vivid special effects, Jupiter Ascending is like spending a day at Alton Towers with your brain marinating in mescaline.Admittedly I was fortunate enough to see this on an IMAX screen in 3D, but I tottered from the exit afterwards with my senses authentically jangled. Two hours of intergalactic travel aboard space Read more ...
aleks.sierz
Kay Adshead’s new play about the Arab Spring has a beguiling premise: to tell the human stories behind the headlines. We all remember the news footage of the Arab Spring in 2011, from Tunisia to Egypt, with their huge crowds and mass protests. Contrary to the West’s clichéd view of passive Arab women, many of the protestors who took to the streets were female. They may have been veiled, but that didn’t prevent them from being radical activists.In this trilogy of shorts, Adshead celebrates these women in a variety of different texts, many of which are refreshingly unnaturalistic. The first Read more ...
Simon Munk
High school – lockers, cliques, jocks. Do these things really even exist? Like Downton Abbey for American viewers, "high school" for non-Americans is a set of abstracted tropes, with most of us unable to tell how close or far from reality they are. Here they're played out to full effect in this tale of an emo girl who suddenly finds herself with time-rewinding powers.In Episode 1, so-called because this is a new-fangled "episodic" game, its plot and secrets released in stages like a TV season, there's no glamour to these time-travel powers so far – no Hitler assassinations, no amazing bets Read more ...
Marianka Swain
Even the most begrudging acquaintance with thematic foghorn Downton Abbey will have affirmed that the Edwardian era heralded momentous social change. Provocatively embedding this revolution in his work was largely forgotten “New Drama” exponent St John Hankin, whose suicide Shaw described as “a public calamity”; Granville-Barker dedicated his first volume of plays to him.The Orange Tree rescued Hankin from obscurity with multiple revivals, and now Jermyn Street attempts to demonstrate why this unfamiliar name was once held in such reverence. Debuting director Joshua Stamp-Simon has selected a Read more ...
David Nice
"The fantastical should come so close to the real that you must almost believe it," declared Dostoyevsky on Pushkin’s ghostly short story The Queen of Spades. Emmanuel Demarcy-Mota and his superb French ensemble have brought off the feat twice now at the Barbican: two years ago with the pachydermal transformations of Ionesco’s masterpiece Rhinocéros, and now through the intrusion of Pirandello’s nightmare family into a rehearsal of one of his plays.In a way, it’s a tougher task than the scary metaphor of man-into-beast. Pirandello’s ghostly six (pictured below) become beasts, or at least Read more ...
Sarah Kent
Christian Marclay is best known as the author of Video Quartet, 2002 the most exciting artist’s video ever made. The four-screen extravaganza juxtaposes more than 700 clips from Hollywood movies of people singing, dancing and playing instruments not to mention screaming, whistling or smashing crockery. Formally tight, it starts with an orchestra tuning up and, after a glorious crescendo of brass bands, Scottish pipers and Hendrix guitar riffs, ends with a door slamming shut followed by blissful silence.Can the former DJ hope to maintain this level of excellence? At White Cube Bermondsey Read more ...
Glyn Môn Hughes
When you’re visiting someone for the first time, it’s probably just as well that you make a good impression – or else you may not be asked back. If that’s what the Carducci String Quartet was trying to do on their début visit to Liverpool, then they did all the right things. They mesmerised the audience with their performance of the second of Beethoven’s "Razumovsky" quartets, so much so that they were forced to sit down and perform an encore, which turned out to be a little irreverent Shostakovich, in the shape of the Rondo Polka.If anything, this concert – part of the Royal Liverpool Read more ...
Kieron Tyler
Bringing a real-life story with a well-known and shocking outcome to the screen has an inherent major difficulty. When the end does come, it won’t shock. Amour Fou dramatises the suicide pact of the German writer Heinrich von Kleist and Henriette Vogel, a woman at the heart of high society who had been diagnosed as terminally ill. They both died on 21 November 1811.Amour Fou solves the problem of being burdened with an in-built spoiler by assembling a cast whose engrossing performances are enacted as if under hypnosis and by devising a mise-en-scène so striking that it becomes as important to Read more ...
emma.simmonds
Few modern figures can match the towering legacy of civil rights luminary Martin Luther King, and any filmmaker should be rightly intimidated when approaching a biopic. Undaunted, Ava DuVernay has created something remarkable. She pitches her film perfectly, presenting an intimate portrait of a man struggling to live up to his own legend and maintain the momentum of a movement, filtered through the powerful story of a series of initially small, eventually seminal protests in the town of Selma, Alabama.Beginning in 1964, it follows King's receipt of the Nobel Peace Prize with a crime of Read more ...
Jasper Rees
The Mother of Parliaments is mostly for males. The statues sprout whiskers and the cloakroom coat-hangers have ribbons for hanging swords. The place is run at a stately plod by bewigged, be-whiskered, be-white-tied gents. Members are, for the most part, owners of same.One welcome sign of creeping de-ossification is the access-all-areas pass granted to the BBC’s cameras for this documentary. It took only six years of knocking on the door for veteran politico Michael Cockerell to get a yea. He even managed to penetrate the debating chamber itself, where from a fresh set of camera angles the Read more ...