1970s
Kieron Tyler
Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/historian/journalist’s book of almost the same name. The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) and this 41-track double CD each track exactly what their titles say, drilling into what has often paralleled or underlain yet repeatedly influenced a constantly evolving mainstream.Little Richard is seen on the cover of the book and the compilation. Other figures crop up twice on the CD set: British producer and songwriter Joe Meek (with Joe Meek Read more ...
Kieron Tyler
Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also be found for £700, a relative bargain in the context of the upper limit of the prices the collector’s market has settled on.There were two follow-up albums – each credited to Andwella. August 1970’s World's End fetches around £40 to £80; People's People, issued in late 1970, attracts prices of £50 to £100. Cult stuff then, with interest centred on that first album. And where there’s such appeal, repressings follow. Love And Poetry was first reissued in 1995 Read more ...
graham.rickson
Glance at The Holdovers’ synopsis and you might suspect that Alexander Payne’s latest effort is a slice of lightweight seasonal schmaltz. Yes, it is set at Christmas, and contains tear-jerking moments, but Payne and screenwriter David Hemingson throw so much more.The period detail has been much commented on, the early 1970s setting recreated with unfussy aplomb. Even the opening credits look vintage, the film’s digital footage processed to look like grainy analogue. Early scenes give little sense of where Payne will take us; what looks like a high-school comedy with a large cast quickly Read more ...
Kieron Tyler
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single, had been issued in July and they were on the road subsequent to its release, positive music press reviews and regular spins from John Peel. Their humour-laced, Day-Glo art-punk was making waves.In Middlesbrough, the bill was filled out by local band Lice? – their name taken from a cautionary poster about pubic lice – and Macclesfield/Salford outfit Warsaw, who’d had a line-up change the previous month when their drummer Steve Brotherdale left. His Read more ...
Markie Robson-Scott
In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the most important character – though there’s a fine cast of well known mainly Irish actors.If you’re feeling hemmed in by concrete and city life, it’s a balm to take a deep breath and listen to the birdsong while watching the lake, the trees and the hills change colour through the seasons.Joe and Kate Ruttledge (Barry Ward and Anna Bederke) moved from London two years ago to live in this rural lakeside Irish community (it was filmed in Connemara). It’s Read more ...
Thomas H. Green
VINYL OF THE MONTHLondon Afrobeat Collective Esengo (Canopy)The weather has not been kind to the UK lately, pelting it daily with endless drizzle and gloom. So wrap your ears around this, a mini-album that will infuse any room with blazing sunshine as soon as the needle hits the plastic. Esengo was supposed to be reviewed last month but one listen and, instead of being held back for review, as it should have been, it bullet-shot straight into the record box for DJing (where it more than proved its worth). The band are a loose-limbed outfit, nine-strong and consisting of members from England, Read more ...
Kieron Tyler
Brazzaville is on the north side of the Congo River. It is the capital of the Republic of the Congo. Kinshasa is on the south side of the Congo. It is capital of the Democratic Republic of the Congo, formerly known as Zaïre. The cities face each other, about 1.5km apart, divided by the river and being in different nations.Congo Funk! - Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969-1982) unites them by collecting 14 tracks demonstrating their musical fortunes were intertwined. Take the compilation’s Les Bantous De La Capitale, who were formed in Read more ...
Kieron Tyler
Half-way through this three-CD set, the energy level suddenly shifts upwards. It’s just one track of the 67 collected, but in this context this basic, blunt recording stands on its own. Issued in October 1974, Dr. Feelgood’s debut single “Roxette” was an early sign that British music could change, needed to change.Along with “Roxette,” Patterns on the Window - The British Progressive Pop Sounds of 1974 features a few other tracks associated with the back-to-basics pub rock phenomenon: Ace’s soul-rock hit “How Long,” Brinsley Schwarz’s “The Ugly Things” and Kilburn & The High Roads's “ Read more ...
Gary Naylor
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet), a lad is shaving his head. He’s halfway to the skinhead look of the early Seventies, but he hasn’t quite nailed it – he's too young to know the detail.Another walks in, older, confident to the point of arrogance, looking not just for another man, but for this particular man-child. Handing over a pair of oxblood DMs with the garish red laces, he doesn’t just complete the boy’s outfit, he inducts him into the two worlds that he will Read more ...
Kieron Tyler
Winston Holness started his own record label in 1969. Missing a finger, he became known by many folks as Niney. Born 7 December 1944, he had lost a thumb in an accident at work. By the point his imprint debuted, he had sung on a Clement “Coxsone” Dodd-produced track and was working as a salesman for other producers, including Clancy Eccles, Bunny “Striker” Lee and Lee “Scratch” Perry.Niney would get on a bike and take records to dances where he tried to get DJs to play them. He was also shadowing Bunny Lee in the recording studio, picking up on how records were produced. He began co-producing Read more ...
Markie Robson-Scott
“Poor fox,” says Rose Dugdale. She is standing beside her very rich mama and papa in the grounds of their stately home, her face blooded after the killing of her first fox. She knows this vicious upper-class ritual is wrong. It’s 1951 and she is 10. Hardcore challenges to the British establishment lie ahead.Baltimore, directed by Irish husband-and-wife team Christine Molloy and Joe Lawlor (Rose Plays Julie; The Future Tense), is based on real events, though it’s certainly not a biopic (The Heiress and the Heist, a fascinating documentary series about Dugdale, was released last year).Dugdale’s Read more ...
Kieron Tyler
A few records changed music. One such was “The Love I Lost (Part 1)” by Harold Melvin & The Bluenotes. Issued as a single by the Philadelphia International label in August 1973, its release introduced what would become a major characteristic of disco music. This was the first time a particular groove was heard; the percussive use of the drum kit’s cymbals with an emphasis on the hi-hat.The inventor of this soon-to-be ubiquitous signifier was Earl Young, a studio-based drummer who since around Autumn 1971 was regularly booked by Philadelphia International producers and songwriters Kenny Read more ...