folk music
Kieron Tyler
“Art, real art, is a denial of the status quo. A tradition that values the role of the individual.” Speaking in Estonia’s capital for the opening of Tallinn Music Week, the Baltic country’s President Toomas Hendrik Ilves is referring to what’s just over his shoulder. Freedom is on his mind.Estonia shares a border with Russia, and Tallinn is just 1000km from Ukraine’s capital Kiev. Taken together, Estonia, Latvia and Belarus share an unbroken border with their former Soviet master. On the Black Sea, Ukraine is on the southern seaboard of that border, and on the Baltic, Estonia is on the Read more ...
joe.muggs
It's hard to countenance sometimes that there was an era where Marc Almond could have been a bona fide, chart-smashing pop star. His ability to parlay the archest of high camp and the most grotesque of low life into something digestible by genuine mass culture was, from the very beginning, quite uncanny.There was always a sulphurous whiff of something downright Luciferian about him, yet enough fragility to make the act seem all too real – an infinitely more convincing and intriguing character than more recent more self-conscious attempts at “transgressive” pop like the gallumphing vaudeville Read more ...
Lisa-Marie Ferla
With that warm, slightly husky voice of hers - not unlike that of an old friend at the other end of the telephone - Suzanne Vega has always been one of those singers I’d happily listen to reading the Yellow Pages. To be honest, there are parts of the often mystical, always curious Tales From the Queen of Pentacles that would probably have been easier to understand if she had done, even if the names in Vega’s directory turned out to be as ill-fitting as Mother Teresa, the Knight of Wands and Macklemore.It’s an interesting one to unwrap, this first collection of new material in seven years, Read more ...
Matthew Wright
Torn between mainstream adulation and the select approval of the folk community, Seth Lakeman has recently seemed unsure of who his audience are. Propelled into the big time on the back of the Mercury nomination for his 2004 album Kitty Jay (recorded in his kitchen for £300), Lakeman then released two albums aimed squarely at the Tesco’s CD aisle (if not at impressing critics), before returning to his roots with the 2012 solo recording Tales from the Barrel House, celebrating the vanishing artisans of his native Devon. He seems now to be aiming for both audiences at once. The concept of Read more ...
Peter Culshaw
Pete Seeger has had a vast number of tributes since he died aged 94 on Monday. That might seem surprising for an artist whose real heyday was over 50 years ago. Part of the reason no doubt was the dignified and steadfast aura of a man of the people and heartfelt activist. Along with his friend Woody Guthrie, he ushered in a period in American music when after the initial flush of rock'n'roll had subsided it became interesting to sing pop songs that were not mere romantic slush, but often had a political message. His mission was also to re-imagine the folk music of the steppes of America. Read more ...
Graham Fuller
Inside Llewyn Davis, Joel and Ethan Coen's brooding homage to the Greenwich Village folk scene, is set in 1961 (January probably), just before Bob Dylan's revelatory songs popularised it. The film is named for its protagonist, a working-class singer-guitarist suggested by the seminal Village folk-blues performer and musicians' mentor Dave Von Ronk. The undomiciled Llewyn also inherited Phil Ochs's habit of crashing on other performers' couches.Portrayed with consummate weary restraint by Oscar Isaac, Llewyn is not a prepossessing movie hero. Selfish and self-destructive, capable of being Read more ...
Lisa-Marie Ferla
It was almost a decade ago, when that Mercury-winning Antony and the Johnsons album was everywhere, that I learned that there was no such thing as critical consensus. The writers who raved about the album were correct in that Antony Hegarty’s voice gave me chills, but they were the chills of a morning shower with a boiler malfunction rather than of rapture. Post Tropical, the second album from James Vincent McMorrow has received similar reviews and performs in what, from the opening bars of single “Cavalier”, could almost be the same voice. But as the song, and the album, starts softly to Read more ...
peter.quinn
Musically, lyrically, dramatically, on every count this debut album from The Gloaming is exceptional. Four-fifths of the group - Clare fiddle player Martin Hayes, Chicago guitarist Dennis Cahill, the Cúil Aodha sean nós singer Iarla Ó Lionaird and Dublin-born hardanger player Caoimhín Ó Raghallaigh - are all well-known figures within traditional Irish music. It's The Gloaming's fifth member, New York-based pianist (and album producer) Thomas Bartlett, whose harmonic, rhythmic and textural effects serve to paint this music on a wider, more expansive canvas.Bringing together a song and six Read more ...
Kieron Tyler
Jackson C. Frank: Jackson C. Frank“I am afraid of the ocean as much as the possibility it is my mother,” declared Jackson C. Frank in the liner notes to his sole, eponymous album, issued in September 1965. “Songs that I write aren’t mine to admit to,” he went on. “They dwell a little too heavily on the grey area behind my eyes to become my friends.” Presciently, he admitted “you’ll never know me as I do until it’s impossible twilight too late to do anything about it.” This was a singer unafraid to reveal the content of his psyche. He was not pop's usual contender. The album Read more ...
David Nice
May this be a New Year sign and a symbol of a revitalized concert scene to come: an eclectic programme of dazzling range to draw in the new pick-and-mix generation, full of segues that worked and executed with the right balance of poetry and in-your-face exuberance by a crack team of young players. The Aurora Orchestra’s American “Road Trip” nearly drove into a ditch with Kentucky singer-songwriter Dawn Landes on board, but even one or two of her numbers were fascinating and in any case the purely instrumental sequences were rich enough to make up a concert in themselves.So let’s get the dips Read more ...
Tim Cumming
Chisholm was born and raised in Inverness in the Scottish Highlands, and was tutored by great fiddler player, composer and instrument maker Donald Riddell. He's a regular player with Julie Fowlis and with his own band Wolfstone, and this is a live recording of his epic Strathglass Trilogy. Originally released on the Copperfish label, the trilogy was six years in the making, and features the award-winning Farrar (2008), Canaich (2010) and Affric (2012). The trilogy - and this live set - is a musical representation of the ancient Chisholm Clan lands north-west of Loch Ness. It’s one of the Read more ...
Adam Sweeting
It's a happy coincidence that John Fullbright hails from Woody Guthrie's home town of Okemah, Oklahoma, but his debut album presents an artist who is far from being a mere clone of the fabled balladeer. A spin through the dozen tracks on From the Ground Up reveals traces of blues, country, gospel, folk and rock, all handled with rough-hewn earthiness. But while Fullbright has a traditionalist's respect for old-fashioned stuff that works ("old country and bluegrass is my bread and butter," as he puts it), it's his gift for imagery and storytelling that makes his songwriting special.Reared on Read more ...