Tate Modern
Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting showMonday, 02 December 2024
Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial intelligence can produce paintings worth as much as those made by human hands.Depending on your view of AI,... Read more... |
Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extendedWednesday, 09 October 2024
Like an angry teenager rejecting everything his parents stand for, American artist Mike Kelley embraced everything most despised by the art world – from popular culture to crafts, and occultism to catholicism – to create what he ironically called “... Read more... |
Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunityTuesday, 30 April 2024
In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the painting, The Blue Rider (der Blaue Reiter) was adopted by a group of friends who joined forces to exhibit... Read more... |
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early yearsFriday, 16 February 2024
At last Yoko Ono is being acknowledged in Britain as a major avant garde artist in her own right. It has been a long wait; last year was her 90th birthday! The problem, of course, was her relationship with John Lennon and perceptions of her as the... Read more... |
A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identityMonday, 06 November 2023
The introductory panel to Tate Modern's exhibition of photography, film and installation contains some stark facts that remind us of the history informing the work of these 36 African artists. Some 10 million Africans were sold into slavery and by... Read more... |
El Anatsui: Behind the Red Moon, Tate Modern review - glorious creationsWednesday, 25 October 2023
The enormous volume of Tate Modern’s Turbine Hall has overwhelmed many of those invited to exhibit there, but Ghanaian artist El Anatsui responded to the challenge with magnificent hangings that tame the huge, industrial space.Made from thousands of... Read more... |
Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKKThursday, 05 October 2023
At last, after waiting several years, we get to see Philip Guston’s paintings at Tate Modern. His retrospective was scheduled to open in summer 2020 at the National Gallery of Art in Washington, but the murder of George Floyd made the institution... Read more... |
Capturing the Moment, Tate Modern review - the glorious power of paintingThursday, 15 June 2023
Billed as “a journey through painting and photography”, Capturing the Moment reveals many ways in which artists have responded to photography – either by taking up the camera themselves, as did Candida Höffer, Andreas Gursky, Louise Lawler and... Read more... |
Moon Is the Oldest TV review - a fitting tribute to a visionary modern artistSaturday, 20 May 2023
Who created the term “electronic superhighway”? First described a system of linked communication that would become the internet? Envisioned a multichannel TV system where viewers chose for themselves what to tune into? Watch Amanda Kim’s excellent... Read more... |
Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealedWednesday, 26 April 2023
In this juxtaposition of Piet Mondrian, a world famous modernist, and Hilma af Klint, a little known Swedish painter, guess who knocks your socks off ! This fascinating show is a delight and a revelation, because it declares the spiritualist... Read more... |
Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presencesFriday, 18 November 2022
First off, I must confess that fibre or textile art makes me queasy. I don’t know why, but all that threading, knotting, twisting, coiling and winding gives me the creeps. So it’s all the more extraordinary that I was blown away by Magdalena... Read more... |
Remote review - an irredeemably silly first featureSaturday, 01 October 2022
Remote is Mika Rottenberg’s first feature film. The New York-based artist was commissioned by Artangel, an organisation renowned for its promotion of interesting projects. Support also comes from art institutions across the world – Beijing, Denmark... Read more... |
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