America
Alfred Hitchcock Presents: The Musical, Theatre Royal Bath review - not a screaming successSaturday, 29 March 2025
In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands and spawned the influential Giallo movies of the Sixties and Seventies, gory exercises in an offbeat, highly stylised... Read more... |
Album: Perfume Genius - GloryThursday, 27 March 2025
I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s Songs in the Key of MP3: the New Icons of the Internet Age is one of those books where you’ll find yourself shocked that it didn’t... Read more... |
La Cocina review - New York restaurant drama lingers too longWednesday, 26 March 2025
La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual flair to entice an audience that enjoyed recent dramas set in restaurant kitchens like The Bear, Boiling Point and The Menu... Read more... |
Opus review - the press trip from hell, starring John Malkovich and Ayo EdebiriMonday, 17 March 2025
Writer Ariel (Ayo Edebiri; The Bear) has worked at a music magazine for three years but in spite of coming up with great ideas, she never gets assigned stories.“You’re middle as fuck,” says her boyfriend, by way of explanation, as they eat Japanese... Read more... |
All Happy Families review - unhappy in their own waySaturday, 15 March 2025
Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence of Leo Tolstoy’s Anna Karenina: “All happy families are alike; each unhappy family is unhappy in its own way.”... Read more... |
theartsdesk Q&A: Raoul Peck, director of the documentary 'Ernest Cole: Lost and Found'Tuesday, 11 March 2025
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film about African-American writer James Baldwin and the Civil Rights Movement not only put the Haitian-born Peck on the map as a director, but also made him one... Read more... |
Album: Reg Meuross, Fire & Dust: A Woody Guthrie StoryMonday, 10 March 2025
I come to this album from a week or so spent among the denizens of the New York and Boston folk revivals, including a key figure from Tulsa and the Guthrie Center, and a concert (Judy Collins, marking 85 years of music and activism).They were a... Read more... |
theartsdesk Q&A: Oscar-winner Adrien Brody on 'The Brutalist'Friday, 07 March 2025
Adrien Brody is on a roll. Following his Golden Globe and BAFTA Best Actor wins for his performance as László Toth in Brady Corbet's The Brutalist, Brody picked up the equivalent Oscar last Sunday, celebrating it by giving the longest speech in... Read more... |
Blu-ray: The Texas Chainsaw Massacre 2Friday, 07 March 2025
Tobe Hooper’s The Texas Chain Saw Massacre (1974) was uniquely disturbing, with its monster Leatherface’s first primal eruption to hang a victim on a meat-hook rivalling Psycho’s murders for shock and fright. It was only as the bludgeoning effect... Read more... |
Chuck Prophet, Mid Sussex Music Hall, Hassocks review - the good AmericanTuesday, 04 March 2025
Forty years ago, Chuck Prophet was the Keith Richards-like guitar hotshot in Green On Red, peers of R.E.M. and among the raw country-punk architects of what became Americana. Now he’s 61 and playing in a sold-out pub back-room in Hassocks, a... Read more... |
The Last Showgirl review - Pamela Anderson stars as a middle-aged Vegas dancerFriday, 28 February 2025
Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”, in her words, for 30 years. And now it’s closing. Where can she go, at the age of 57?The third feature... Read more... |
Mickalene Thomas, All About Love, Hayward Gallery review - all that glittersWednesday, 26 February 2025
On walking into Mikalene Thomas’s exhibition at the Hayward Gallery my first reaction was “get me out of here”. To someone brought up on the paired down, less-is-more aesthetic of minimalism her giant, rhinestone-encrusted portraits are like a kick... Read more... |
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