Film
Brief History of a Family review - glossy Chinese psychological thriller feels shallowSaturday, 22 March 2025
Brief History of a Family is a psychological thriller with a story familiar to anyone who has seen Ripley, Saltburn or Six Degrees of Separation. A clever young man with low social status infiltrates a far more privileged family, with devastating... Read more... |
Two Strangers Trying Not to Kill Each Other review - a portrait of photographer Joel MeyerowitzFriday, 21 March 2025
Two Strangers Trying Not to Kill Each Other is a documentary portrait of photographer Joel Meyerowitz, acclaimed for his pioneering use of colour in the 1960s when only black and white images were taken seriously as an art form. My European... Read more... |
The Alto Knights review - double dose of De Niro doesn't hit the spotFriday, 21 March 2025
The power struggle between New York crime bosses Vito Genovese and Frank Costello is one of the foundational stories of the American Mafia, though perhaps asking Robert De Niro to play both of them was a trifle over-optimistic. With his track record... Read more... |
theartsdesk Q&A: director François Ozon on 'When Autumn Falls'Thursday, 20 March 2025
François Ozon is France’s master of sly secrets, burying hard truths in often dazzling surfaces, from Swimming Pool’s erotic mystery of writing and murder in 2003 to the teenage boy cuckooing his way into his middle-aged mentor’s life in... Read more... |
Santosh review - powerful study of prejudice and police corruptionThursday, 20 March 2025
Held up by the censors in India though screened at Cannes and nominated for an International Oscar, Sandhya Suri’s 2024 film Santosh serves as a bookend to Payal Kapadia’s poignant All We Imagine As Light, about women in Mumbai experiencing less... Read more... |
Flow review - come the apocalypse, cue the animalsWednesday, 19 March 2025
I so wanted to like Flow. I’d heard good things from usually reliable critic friends who’d seen it already and told me it had enchanted them and their pets.There’s no dialogue and as real animal calls were apparently used on the soundtrack, I... Read more... |
Opus review - the press trip from hell, starring John Malkovich and Ayo EdebiriMonday, 17 March 2025
Writer Ariel (Ayo Edebiri; The Bear) has worked at a music magazine for three years but in spite of coming up with great ideas, she never gets assigned stories.“You’re middle as fuck,” says her boyfriend, by way of explanation, as they eat Japanese... Read more... |
theartsdesk Q&A: Indian star Radhika Apte on 'Sister Midnight'Monday, 17 March 2025
Radhika Apte has been acclaimed for her ebullient performance as a reluctant bride in Sister Midnight since director Karan Kandhari’s comic horror movie was launched at Cannes last May. Talking over Zoom from her home near Epping Forest, Apte,... Read more... |
All Happy Families review - unhappy in their own waySaturday, 15 March 2025
Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence of Leo Tolstoy’s Anna Karenina: “All happy families are alike; each unhappy family is unhappy in its own way.”... Read more... |
Black Bag review - lies, spies and unpleasant surprisesFriday, 14 March 2025
Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a much more sly and streamlined operation. Written by David Koepp (Jurassic Park, Indiana Jones etc) and directed... Read more... |
Sister Midnight review - the runaway bridegroomThursday, 13 March 2025
Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker of a debut feature written and directed by Karan Kandhari, and backed by Film4.We meet the newly hitched – that... Read more... |
theartsdesk Q&A: Raoul Peck, director of the documentary 'Ernest Cole: Lost and Found'Tuesday, 11 March 2025
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film about African-American writer James Baldwin and the Civil Rights Movement not only put the Haitian-born Peck on the map as a director, but also made him one... Read more... |
