Film
Owen Richards
Hounds of Love is the latest in a long line of small-budget Australian horrors “based on true events” – it must be something about the heat. However, stellar performances and a refreshing depth in characterisation make this thriller stand apart from its genre mates.On paper, Hounds of Love sounds grimly formulaic: sociopaths John and Evie White abduct a young girl from the streets of Perth, chain her to a bed and perform gruesome acts on their new plaything. But where lesser films would find twisted thrills in torture, first time director/writer Ben Young instead draws tension from the Read more ...
Nick Hasted
Dario Argento’s Suspiria was confirmed as one of horror’s great fever dreams on its 40th anniversary re-release last year. The Cat o’ Nine Tails (1971) and Phenomena (1985) are lesser book-ends of the director’s peak period, when his global genre influence was vast.The Cat o’ Nine Tails (★★★) is pure Italian giallo, inserting lurid sex and violence and weird narrative elements till its crime tale twists towards horror. Karl Malden is a wonderfully muscular presence as a blind ex-newspaper photographer living in happy mutual dependence with his young niece, and thrusting through life with the Read more ...
Owen Richards
A Woman’s Life first premiered at the 2016 Venice International Film Festival, alongside the likes of La La Land, Arrival and Jackie. Though it’s taken longer to get to our shores than its contemporaries, the film feels fresh and relevant. This immensely personal character study is at times dense, but subtly effective.Jeanne is the pleasant and idealistic daughter of Baron Perthuis de Vauds. She lives with her father and mother at a serene chateau in 19th century Normandy, passing the days gardening, drawing and playing games. She is introduced to the newly arrived Viscount Julien, and love Read more ...
Nick Hasted
The Great Man theory of history is applied by Darkest Hour director Joe Wright to his star Gary Oldman as much as their subject Winston Churchill. Oldman’s performance is the sole, sufficient reason to see a film in which little else finally lingers. Kajuhiro Tsuji’s prosthetics allow his physical transformation into a jowly 65-year-old. Oldman’s vocal rhythm and tone then let the icon breathe. He is hesitant, breathless, uncertain. More than mercurial, his volcanic passion boils over in panicked rushes.“Which self shall I be today?” Anthony McCarten’s script has Churchill say. “My emotions Read more ...
Jasper Rees
It probably won’t take long for the title to be sawn in half. Three Billboards Outside Ebbing, Missouri will become casually known as Three Billboards and its specific location will drift into a vaguely remembered background. The place name is of a piece with Martin McDonagh’s previous visits to half-mythical places: Inishmore, Inishmaan, Leenane. Ebbing is everywhere and nowhere, a no-account small town in the faceless epicentre of the Midwest where a teenage girl can be raped and murdered and nothing much will be done about it.The eponymous billboards are stationed on the quiet country road Read more ...
Tom Birchenough
“With that film I became a filmmaker,” Wim Wenders remembers in one of the extras accompanying this new release of his 1974 Alice in the Cities. More importantly, it’s the one that convinced him that he wanted to be one. His third film after graduating from film school in Munich, it followed an adaptation of Nathaniel Hawthorne’s The Scarlet Letter which very nearly put him off cinema for good.He recalls here how the only thing that he enjoyed directing in that one was a single half-hour scene between Rüdiger Vogler and Yella Rottländer, whose central pairing is at the heart of Alice ( Read more ...
Nick Hasted
Detroiters razed sections of their own city as surely as Rome did Carthage, during five summer days in 1967. It took, amongst others, the 101st Airborne – victors at the Battle of the Bulge, then just back from Vietnam – to crush America's worst race riot of the decade. Forty-three people were killed, and empty lots scarred the still devastated city a half-century later, when Oscar-winning director Kathryn Bigelow made the week’s worst atrocity her subject.Though Bigelow has gained her greatest acclaim for claustrophobically sombre work torn from the headlines in The Hurt Locker and Zero Read more ...
Adam Sweeting
The last time we saw Christian Bale in a western, he was playing the downtrodden rancher Dan Evans in James Mangold’s punchy remake of 3.10 to Yuma. No doubt it was valuable experience for his role in Hostiles, Scott Cooper’s smouldering flashback to the last days of the Frontier, where Bale plays veteran US Cavalry captain Joseph Blocker.Bale also has previous with Cooper, having starred in his blue collar drama Out of the Furnace, where (as in Yuma) the actor played a fundamentally decent man being ground down by a pitiless fate. In Hostiles, his character isn’t quite so clear-cut. We learn Read more ...
theartsdesk
It was the night Faye Dunaway and Warren Beatty, those old robbers on the run, will want to forget. Thanks to a clerical error, the Oscar for Best Picture briefly ended up in the clutch of the overwhelming favourite. Then the mistake was spotted and La La Land had to cede ground to Moonlight. This was a sweet moment for the considerable choir behind the backlash against Damien Chazelle's film. There's room for both, and plenty more, in theartsdesk film writers' picks of their favourite films. We also nominate a few stinkers because bad films deserve to be called out, too. Feel free to Read more ...
Adam Sweeting
After her brittle and unloveable turn in John Madden’s Washington-lobbyist drama Miss Sloane, Jessica Chastain gets the chance to do it again, properly. This is thanks to Aaron Sorkin, whose directing debut Molly’s Game is. More to the point, his screenwriting is back at full blast, so while the verbiage is typically plentiful, it’s also barbed, speedy and pointed enough to cause nosebleeds and razor-cuts.Sorkin has adapted the true-life confessions of the real Molly Bloom and her wild ride running high-stakes underground poker games (“From Hollywood’s Elite to Wall Street’s Billionaire Boys Read more ...
mark.kidel
A new box-set to relish, six French cinema classics by a cult director, along with a wealth of fascinating extras on a seventh DVD. The French film-maker Jean-Pierre Melville belongs to a class of his own: a precursor of the New Wave, an influence on Godard, Louis Malle and others, and a successor to French film noir directors such as Pierre Chenal and Edmond T Gréville.He is most celebrated for stylish thrillers in which archetypal gangsters and lawmen are pitted against each other in a complex duel that unfolds with the tragic predictability of classical Greek drama. These films are often Read more ...
Thomas H. Green
The Monterey Pop Festival in California in mid-June 1967 was a key event in the history of festival culture. There had been music festivals before in the US – Newport Folk springs to mind – but Monterey marked the point where the whimsical trend for “renaissance fairs” combined with the rising first blaze of rock music, born of psychedelia, all marinated thoroughly in LSD-flavoured happenings and love-ins. And, of course, it was filmed by DA Pennebaker, making it a visual blueprint, ripe for imitation, influencing countless generations into the idea of festivals as miniature countercultural Read more ...