Film
Katherine McLaughlin
American actress Lake Bell turns in a rather charming performance in a romcom written by newcomer Tess Morris, who handles the insecurities of a thirty-something woman looking for love in a funny and energetic way.There's a manic screwball edge to the comedy and some witty one-liners but also present are some of the worst pitfalls of this genre. The Inbetweeners director, Ben Palmer, takes the reins in a film which dashes across famous London landmarks and the back roads of suburban England with verve. When Nancy (Lake Bell) is gifted a romantic self-help book by a woman on a train who’s due Read more ...
emma.simmonds
The imposition of a brutal jihadist regime is relayed with formidable articulacy and a surprising lightness of touch in this gut-wrenching drama from Mauritanian director Abderrahmane Sissako. Although its narrative events are as horrifying as those of any thriller Timbuktu avoids the manipulative tricks of genre cinema. Sofian El Fani's sun-kissed cinematography mirrors the defiant beauty of the landscape and its people, while the screenplay - from Sissako and Kessen Tall - gently draws out the hypocrisy and absurdity of the situation, alongside the exasperating injustice.Inspired by the Read more ...
Matt Wolf
Al Pacino gives it his barnstorming all as Danny Collins, an ageing, coke-rattled rocker who calls it quits in order to reconnect with his family and recharge his life. Sentimental (but not brazenly so) and buttressed by an ace supporting cast, the film finds Pacino hurtling through his 70s in irresistibly energiser bunny mode. Whereas such contemporaries as Gene Hackman and Jack Nicholson have pretty well faded from view, there's plenty of life in this celluloid mainstay yet. Indeed, there's something delicious in watching Pacino gobble whole the part of a rock god living off his Read more ...
Nick Hasted
“No other city has in its centre such an opportunity for profitable progress.” Anyone depressed and outraged by London’s gentrification plague will find this the most chilling statement by visionary gangster Harold Shand (Bob Hoskins), as his criminal guests sip champagne and his boat eases down the Thames, where Docklands cranes stand in stilled salute, and he sketches his plans for East London’s redevelopment around a 1988 Olympic stadium.The apparently prophetic nature of this 1979 gangster film is merely symptomatic of its greatness. John Mackenzie’s direction and Barrie Keeffe’s script Read more ...
Nick Hasted
François Ozon’s sly fascination with radical family units takes another, surprisingly gentle twist here. Based on a Ruth Rendell story but equally inspired by French protests against gay marriage, this is an affecting romcom starring a secret male transvestite and a woman, brought together by their love for the same dead person.A nine-minute prologue sketches in Claire’s deep friendship with Laura, from childhood till the latter’s death from cancer. The only person to mourn Laura as much is her widower David (Romain Duris). Surprising him in his home one day, Claire is shocked to her core to Read more ...
Nick Hasted
This is a great, neglected film of Nazi Germany. After being savaged by German critics for its “subjective” and “sentimental” perspective on the Third Reich at its 1980 Berlin Festival premiere, it was released with 30 minutes slashed. This is the restored director’s cut’s DVD debut.Writer-director Helma Sanders-Brahms’s view certainly is subjective, and feminine. Germany Pale Mother is a fictionalised version of her early childhood with her parents: here young lovers Hans (Ernst Jacobi) and Lene (Eva Mattes), separated and destroyed by war. Lene’s home front heroism and bond with daughter Read more ...
Graham Fuller
Michael Keaton – like Cary Grant, Bill Murray, and George Clooney – is one of those stars who frequently convey their awareness that the situations they’re in are preposterous. He tautens his jaw muscles; his eyes express a mix of incredulity and suffering. That look is one of the many pleasures of Birdman or (The Unexpected Virtue of Ignorance), 2014’s Best Picture Oscar-winner and Keaton’s crowning achievement as a mature actor.Alejandro González Iñárritu's heavy dramas (Amoros Perros, 21 Grams, Babel, Biutiful) tend to the portentous. Turning to blackish comedy has rejuvented him. He didn’ Read more ...
Kieron Tyler
A skateboarding female vampire in a striped Brêton top. A James Dean look-alike with a junkie father. A prostitute as confessor. Spaghetti western-influenced music. The black-and-white A Girl Walks Home Alone at Night is a smorgasbord of attention-grabbing elements brought together in what is being promoted as the “first Iranian vampire Western”.The accuracy of the geographic tagging will be returned to in a few paragraphs, but one thing is clear about the self-consciously quirky A Girl Walks Home Alone at Night: it’s a unique proposition.The setting is Bad City, somewhere in Iran. Arash ( Read more ...
Demetrios Matheou
Howard Hawks and Cary Grant made five films together. Bringing Up Baby, His Girl Friday, I Was A Male War Bride and Monkey Business were all screwball comedies, made by two of the genre’s leading exponents. As an adventure film, Only Angels Have Wings was the odd one out, but certainly no ugly duckling.Made in 1939, it has Grant playing a macho role far removed from his bespectacled boffins in Baby and Monkey Business, and more serious than his comic adventurer in the same year’s Gunga Din. That said, the actor is as willing as ever to find the vulnerability beneath his character’s self- Read more ...
Adam Sweeting
There is still much to be said for George Miller's original 1979 Mad Max, a cheap but ferocious tale of rape, murder and vengeance in a gang-infested dystopia. However, only two sequels later, Mad Max Beyond Thunderdome (1985) found the franchise blimping out into a steroidal freak-show. After a 30-year intermission, Fury Road is much more of the latter, now saturated with digital enhancements while almost dispensing with plot entirely.The potential audience for Fury Road wasn't born when its predecessors came out, so it was a brazen move indeed by Miller (still aboard as writer/director) to Read more ...
Demetrios Matheou
When Hollywood characters revisit their youth it tends to be through the school reunion, with generally trite results; how typical of a French filmmaker, and of the cerebral, cinephile Olivier Assayas in particular, that his character should be an actress, who is pushed towards midlife crisis by a role.Maria Enders (Juliette Binoche) is an international film star, 40 years old, who is simultaneously dealing with a difficult divorce and the sudden death of the reclusive playwright, Wilhem Melchior, who discovered her as a 20-year-old, when he cast her in his play and subsequent film, Maloja Read more ...
Kieron Tyler
As he died in 2010, we can never know what John du Pont was like in person, but if Steve Carell’s rendering of the maniacal American multi-millionaire with a wrestling fixation is even close to the real thing, the experience must have been disturbing. Foxcatcher, the story of du Pont’s immersion in wrestling, is disquieting but Carell stands out. Creepiness defines every moment he is on screen.Foxcatcher draws from the real-life story of du Pont, the heir to his family’s fortune. He wrote books on ornithology, donated money to good causes and was also increasingly consumed by an interest in Read more ...