Film
Matt Wolf
Filmgoers will either find Denis Villeneuve's latest art-house thriller to be a tantalising head trip or so much celluloid posturing, but there's no denying its contribution to the rise and rise of leading man, Jake Gyllenhaal. Racing up the outside track as a potential Oscar nominee for Nightcrawler even as he is making a (splendid) Broadway debut in the Nick Payne play Constellations, Gyllenhaal here gets to impress twice over and for a simple reason: Javier Gullon's script casts the hirsute star in two different, teasingly complementary parts. Thoughts of Jeremy Irons's career-best Read more ...
theartsdesk
In 2014 theartsdesk film team presents their picks of the year with a list of 13 diverse titles from great homegrown and international directors. Thirteen is the number of theartsdesk film critics who voted in our end-of-year poll so we have compiled our list so each of our wonderful writers can act as a champion for one of their personal picks. Sci-fi, comedy and thrillers feature alongside slow cinema and experimental arthouse, showing off a range of tastes. 13. Camille Claudel 1915 (dir. Bruno Dumont)The power of Camille Claudel 1915 was in its ruthless austerity. Stripping it Read more ...
Kieron Tyler
His Girl Friday is funny. Very, very funny. It is also crammed with cutting verbiage as sharply delivered as the moves of a complex pas de deux. Yet another no-frills appearance of the 1940 film on home video is not a surprise as – despite being a Hollywood product – it fell out of copyright and has been just-about endlessly reissued. Nonetheless, anyone looking to enjoy a laugh riot with an intelligent slant should seek it out. Despite being over 60 years old, this screwball comedy still feels daisy-fresh.The plot of this dazzlingly fast-moving film is as wafer-thin as that of a farce or a Read more ...
Demetrios Matheou
It’s Turing versus Hawking, Cumberbatch v Redmayne, computer science v astrophysics, tragedy v the triumph of love. Ever since The Imitation Game and The Theory of Everything appeared at the Toronto Film Festival last year, the head to head has been inevitable, leading all the way to the Oscars.The foremost battle is between the actors. As Cumberbatch fuelled his already sizeable reputation with his portrayal of the difficult, tortured and finally persecuted genius Alan Turing, so Redmayne has effectively sealed a place at the top table by expressing a man whose terrible affliction Read more ...
Nick Hasted
This has been Scarlett Johansson’s defining year. Previously seeming a slightly dazed, limited beauty, she bravely abandoned her comfort zone in Jonathan Glazer’s gruelling and strange Scottish s.f. vision Under the Skin, then had her biggest hit with Luc Besson’s Lucy.Lucy is a fun-loving student whose time in Taiwan takes a turn for the worse when she is handcuffed and flung into the clutches of Korean gangster Mr. Jang (Oldboy’s Choi Min-sik). A bag of CBH4, a drug accelerating our brains’ supposed 10 percent usage is sewn inside her, bursts when she’s kicked, and floods her system. Read more ...
ellin.stein
Directed by Alejandro González Iñárritu,Birdman is the story of a fading star’s search for professional rehabilitation and personal redemption that perches adroitly between dark humour and darker despair and injects a familiar story of mid-life crisis with fresh vitality and emotion thanks to vivid flights of an intensely cinematic fancy.Michael Keaton, a leading man in light comedies before rising to the big leagues by playing Batman in the Tim Burton original and first sequel, has been cast for maximum meta-value as Riggan Thomson, an actor who found fame by playing Birdman, the superhero Read more ...
emma.simmonds
This year's award-courting survival picture (after 2013's All Is Lost, and 2012's Life of Pi) is based on the genuinely remarkable story of Olympian Louis Zamperini. It's a tale of heroic resilience in the face of an onslaught of adversity, helmed by someone who, in a very different way, is pretty unstoppable herself – Dame Angelina Jolie.We first meet Louis (Britain’s Jack O’Connell) during an exciting WW II aerial assault, where he’s the picture of helpfulness and cheery stoicism. Leaving the men suspended in peril, the film flashes back to his childhood as the rebellious son of Read more ...
Nick Hasted
The Sin City comics were where their once brilliant creator Frank Miller’s development stopped. The high style of his graphic novel The Dark Knight Returns (1986), which inspired the Batman films’ noir grimness and the whole superhero movie boom, was applied to insubstantial, immature tributes to pulp clichés, in black-and-white pages splashed with the red lipstick and blue dresses of its femme fatales. Miller’s co-directing credit with Robert Rodriguez for 2005’s Sin City film is repeated for this belated sequel, which squanders both men’s talents.Miller’s script, sometimes lifted direct Read more ...
Adam Sweeting
I wish Mel Brooks had directed this, but instead we've got the sort of stodgy techno-epic that has become all too common from the auteur-ial hand of Ridley Scott. Ridley's 150-minute rehashing of the Biblical story of Moses is often a feast for the eyes (especially in 3D), with its vast Egyptian panoramas and stunningly mounted action sequences, but the characters are largely cardboard, the dialogue is dire and a lot of very good actors are given nothing of any consequence to do. Did somebody mention Kingdom of Heaven?And yet there really ought to be plenty to chew on here. The story of how Read more ...
Matt Wolf
A lot of harsh words have been and will continue to be written about the new movie musical remake of Annie, the Broadway mainstay about the Depression-era tyke who exists to teach her elders a few life lessons on the way to a sun-drenched "Tomorrow" (to co-opt the title of the show's best-known song). But from where I'm sitting, a disproportionate share of the film's self-evident faults are swept away by its impossibly irresistible young star, Quvenzhané Wallis. As long as Wallis is onscreen, it's damn hard not to smile in return and save one's gripes for later. Now all of 11 years old, Read more ...
Demetrios Matheou
Dubai is a city that famously emerged from the desert, founded on oil and ambition, rising in an eruption of skyscrapers, luxury resorts and bling.One might say that Gulf cinema is also trying to grow in a desert – a cultural one. Dubai is hardly known for its intellectual or cultural output; film doesn’t attract the same investment as real estate or tourism; and audiences attending the multiplexes in this city’s enormous malls are not given much of a taste for anything other than Hollywood.There’s another issue, which is that the storytelling tradition in this part of the world, while rich, Read more ...
Tom Birchenough
There’s a wonderful drollery to Guillaume Nicloux’s wry and eccentric comedy The Kidnapping of Michel Houellebecq (L‘Enlèvement de Michel Houellebecq) which is quintessentially Gallic. Three years ago the enfant terrible of French literature disappeared for some days from a book tour, giving rise to rumours as extreme as that he had been kidnapped by Al-Qaida. The truth – though “truth” is a very relative word in this world – as shown in the film is that Houellebecq was vanished to the suburbs of Paris where he was held in circumstances that couldn’t be friendlier.Houellebecq plays gamely Read more ...