Film
ellin.stein
Ever since his 1967 breakthrough film Titticut Follies, an unsparing look at a Massachusetts prison for the criminally insane, Frederick Wiseman has been turning his dispassionate observational camera on the workings of institutions ranging from the US Marines to high school, juvenile court, and the American Ballet Theater. His latest, At Berkeley, is an in-depth exploration of the University of California’s San Francisco Bay Area outpost (UC is made up of several self-contained component universities distributed across the state, with Berkeley the jewel in the crown).Expecting anyone who isn Read more ...
Graham Fuller
The newly restored, 111-minute cut of M is being screened 35 times during BFI Southbank's current Peter Lorre retrospective. One only has to see and hear Fritz Lang's first sound film once, however, to appreciate its undiminished power as a vision of a Germany teetering on the abyss less than three years before the Nazis took power.One of Lang's most meticulously calibrated films, it is ostensibly a docudramatic procedural thriller, albeit one with Expressionistic camera angles, shadowy compositions, and signifiers of madness (such as a bobbing arrow and a rotating spiral in a shop window) Read more ...
Karen Krizanovich
Imagine The Best Exotic Marigold Hotel crossed with Chocolat. That’s The Hundred-Foot Journey in one, meshing a previous success of director Lasse Hallström with the previously neglected but growing genre of 'the mature person's movie'. After all, old folks like food, don’t they? Well, so do young people. Who doesn’t?The Hundred-Foot Journey is based on the novel by Richard C. Morais and screenplay written by Steven Knight (who wrote and directed the very good Locke with Tom Hardy), this is a filmic cuisine culture clash that benefits from a terrific cast and an alluring story. Shot as a Read more ...
fisun.guner
Age could not wither her, or so it appeared. Joan Rivers has died, aged 81. On her 80th birthday she told an interviewer she’d be celebrating with her eightieth face. Her caustic humour could leave your nerves jangling, but she was the butt of it as often as anyone was. And in the field of cosmetic surgery you could almost call her a lone pioneer, of sorts, for what other American celebrity has ever been as candid about going under the knife? Nothing – not her face, nor her husband’s suicide in 1987, and certainly not the Holocaust or 9/11 – seemed to be off-limits for Rivers. Rivers was Read more ...
Katherine McLaughlin
The task of adapting 1978 novel The Switch by Elmore Leonard - who sadly passed away last year - is given to relatively new director Daniel Schechter who brings together a superb ensemble cast, lush seventies set design and a gritty style. He mostly rises to the occasion thanks to confident camera work and an obvious rapport with his actors.When a scam cooked up by a couple of crooks, Louis (John Hawkes) and Ordell (Yasiin Bey aka musician Mos Def pictured below right), to kidnap the wife of a dodgy businessman goes horribly wrong a waiting game begins. Unbeknownst to anyone the husband Read more ...
Matt Wolf
A pair of Oscar hopefuls that take wildly divergent perspectives on World War II were confirmed today as the opening and closing night films of the 58th annual BFI London Film Festival, running 8-19 October at a range of venues across the capital.Proceedings will kick off with the European premiere of The Imitation Game, starring recent Emmy winner Benedict Cumberbatch as the gay code-breaker Alan Turing, and will close 11 days later with a second European premiere – this one of Fury, with the film’s executive producer Brad Pitt doubling as star in his role as a battle-hardened army sergeant Read more ...
Katherine McLaughlin
Slap and tickle and slapstick meet to varying degrees of not very funny in this comedy starring Cameron Diaz and Jason Segel as a married couple who attempt to spice up their love life with a home-made skin-flick. Extreme product placement, a lack of chemistry between the two leads and a tame script co-written by Segel and long-time writing partner Nicholas Stoller fails to deliver. Thankfully there are solid supporting turns from Rob Lowe and Jack Black.Opening like Sex and the City, with Annie (Cameron Diaz) tapping away on her keyboard like a wholesome Carrie Bradshaw she recalls her Read more ...
Nick Hasted
Dan Stevens puts Downton behind him to become a CIA-built killing machine laying low in a New Mexico small town, in Adam Wingard’s bonkers new thriller. He looks all the better for it. Aristocratic English charm translates into Southern civility as his character David insinuates himself into a family grieving for a son he served with in Iraq. David’s just here to help. If young Luke (Brendan Meyer) needs to be shown how to quieten down the bullies at school with a few broken bones, Dad (Leland Orser) would have his promotion prospects improved by a nasty accident to a colleague, or Mom ( Read more ...
Karen Krizanovich
Blue Ruin, the American thriller which won the coveted FIPRESCI Prize at Cannes last year, will amaze. It stars actors you don’t know, made by a director you don’t know yet Blue Ruin is proof of life beyond Hollywood: this is a tremendous independent film. We’re not talking something shot through an iPhone with one location. We’re talking an entertaining, incredibly smart and deftly-made story with heart, a message and memorable characters and scenes. Clue: when the cinematography, script, acting and direction are mesmerizing, you’ve got a winner.Macon Blair is Dwight, a long-haired vagrant Read more ...
Karen Krizanovich
Everyone loves a homegrown hero – and they don’t get more homegrown than Before I Go to Sleep, the thriller written and directed by Rowan Joffe, son of Roland Joffe, director of The Killing Fields and The Mission. Before I Go To Sleep is, arguably, one of the most anticipated British films of 2014. The script is based on the Faber Academy sensation of 2011, ex-audiologist S.J. Watson’s novel of the same name. Taken on by Ridley Scott’s production company, the high-end cast stars Nicole Kidman as Christine Lucas, Mark Strong as her physician Dr Nash and Colin Firth as Ben, her husband. Read more ...
Katie Colombus
Like its title, this film is surprisingly open in its capacity for possibility. It's ironic that this blossoming branch – When I Saw You – is set in the stilted habitat of a refugee camp in Jordan. It’s a sweet film that gets to the heart of the Palestinian conflict, cinematically as well as through its characters.The year is 1967, the Six-day war has just happened and 11-year-old Tarek (Mahmoud Asfa, pictured below) is fast realising his stay in Harir with his mother Ghaydaa (Ruba Blal), as they wait for his father, could be much longer than he initially anticipated. In what should be a Read more ...
Emma Dibdin
Opening as it does on a frank, witty and somewhat extended discussion of female discharge, Obvious Child lets you know from the outset that it is every bit as uninterested in making nice as its blunt lead character. Jenny Slate is Donna, a late-twenties comedienne who drily mines her less-than-aspirational life and stagnant relationship for laughs during standup sets, only to be unceremoniously dumped one night when the boyfriend in question tires of being used as material. Immediately, then, writer-director Gillian Robespierre is doing something compelling with the question of what Read more ...