Reissue CDs
Kieron Tyler
The standard recitation goes like this. In the early Seventies a London scene evolved, centring on bands playing in pubs. Music was taken back to the grassroots. Finesse was unnecessary. What happened was dubbed pub rock and it laid the ground for an even more basic style: punk rock. Pub rock fed into and helped foster punk rock.This is charted by Surrender To The Rhythm: The London Pub Rock Scene Of The Seventies and 1978: The Year The UK Turned Day-Glo, a pair of three-CD sets. Although the specifics of 1977, the year punk was most boldly platformed are leapfrogged, the two packages Read more ...
Kieron Tyler
So far this year, Live at Goose Lake August 8th, 1970 is 2020’s most exciting archive release. The album is a previously unknown soundboard recording of The Stooges playing at Jackson, Michigan’s Goose Lake Festival. The event was formally billed as Goose Lake Park – International Music Festival. Also on were Faces, Ten Years After, The Flying Burrito Brothers and The James Gang. As well as The Stooges, other Michigan bands booked included Bob Seeger, SRC, The Litter and more. It’s estimated that there were 200,000 attendees over the three days. The event was filmed and, although what was Read more ...
Kieron Tyler
The Turnamat is a type of washing machine made by AEG. In the composition titled “Turnamat”, Seventies-type synths, wobbly keyboard lines and hard-grooving drums give way to a brass-led interlude suggesting an acquaintance with the compositions of Lalo Schifrin. It’s as if a jazz-inflected soundtrack from 45 years ago has been shoved into a blender rather than a washing machine, then reconstituted and given a major buff-up. “Turnamat” is by Skarbø Skulekorps, an oddball Norwegian jazz outfit.“Surrender” is as impactful. On this, over just-short of five minutes, the sax player Bendik Read more ...
Kieron Tyler
A skim though the track listing confirms that this is no typical soul compilation. Actress and some-time pop singer Connie Stevens crops up. So does Johnny Mathis. Such seeming quirks are fitting as Thom Bell was never a typical arranger, producer or songwriter. There’s much more to the story than the timeless O’Jays and Stylistics hits he created for Gamble and Huff’s label Philadelphia International Records.Ready Or Not – Thom Bell's Philly Soul Arrangements & Productions 1965–1978 collects 23 tracks which Bell arranged, produced or wrote, or any combination first two and the last. The Read more ...
Kieron Tyler
Bill Nelson’s views on his band Be-Bop Deluxe’s debut album are measured. In the essay accompanying its reissue, he writes “Axe Victim is one brief snapshot of a band in the process of becoming something else…a modest beginning, flawed but not without charm. And not the end of the story. I’ll always be grateful for the way that it helped launch a more appropriate vessel for my music, a ship which sails onward to this very day.” He sees the album as transitional.When it was issued in June 1974, NME’s dismissive Ian MacDonald was less restrained in his review: “I confidently predict that Be-Bop Read more ...
Kieron Tyler
Whether explicitly or indirectly, what’s written on a master tape box can tantalise. Revealing part of a picture creates a desire to want to know more. Take the example seen above. It’s for an album by South African alto saxist Dudu Pukwana. The annotation gives a date of July 1968 and the client is Witchseason, the company run by manager/producer Joe Boyd. The recording took place at Sound Techniques, the independent Chelsea studio favoured by Boyd for his other clients. He’d worked there with Pink Floyd in 1967. Around the time of this session, Boyd had brought Fairport Convention and The Read more ...
Kieron Tyler
The feather in this particular cap is a DVD of director John T. Davis’ 1979 film Shellshock Rock. Filmed from October 1978 to April 1979, its 50 minutes thrillingly catch the Troubles-era Ulster getting to grips with punk rock. Vox pops from disgusted Belfast shoppers vie with live footage of Stiff Little Fingers, The Undertones, Protex, Victim, the thoroughly unvarnished Parasites and more in a gritty verité portrait of a scene which, due to its contemporary context, was beyond being a pose for the region’s punks. A nervy Stiff Little Fingers are seen admitting they were scared that the Read more ...
Kieron Tyler
“These are African rhythms, passed down to us from the ancient spirits. Feel the spirits, a unifying force. Come on, move with the spirits. Stand up. Clap your hands. Groove with the rhythms. Get down. Get off.”So begins “African Rhythms”, originally released in 1975 as the opening cut from an album of the same name by Oneness Of Juju. It was issued on Black Fire, their own label.As a thematic mission statement, “African Rhythms” lays it out. As a musical mission statement, “African Rhythms” was equally explicit. With its clamorous percussion bedding, the track is driving, funky, jazzy and Read more ...
Kieron Tyler
The gentleman pictured above is Martin Green. In 1995 he was a prime mover behind The Sound Gallery, a double-album compiling groovy British easy listening and library music from around 25 years earlier which until then had been (mostly) overlooked. It was as trailblazing a compilation as Lenny Kaye’s 1972 garage-psych set Nuggets.Now, Green is again looking back around 25 years, this time to the Nineties with Super Sonics – Martin Green Presents 40 Junkshop Britpop Greats. It’s also a double: a 40-track, 2-CD collection in a smartly designed double fold-out digi-pack.Both compilations spring Read more ...
Kieron Tyler
It’s been a long strange trip for Dennis Herrold. The Virginia-born rocker’s sole single, December 1957’s “Hip Hip Baby” / “Make With the Lovin’”, was a full-bore rockabilly two-sider. Yet it made no waves despite being reviewed glowingly by music biz journal Billboard. “Hip Hip Baby” was “a la Presley on a fast moving rockabilly tune,” while “Make With the Lovin’” “packs plenty of sales savvy into another infectious rockabilly song.” The single sold barely any copies. Nonetheless, over sixty years on Herrold is a rockabilly phenomenon.The 10-inch album The Mystery Of Dennis Herrold includes Read more ...
Kieron Tyler
“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty, Mike Scott, Bruce Springsteen and even The Boomtown Rats when they were aping the first and fourth of those, the song clangs along with a powerpop chug and sports a hook-filled melody. Great.Despite this memorable opening, a triple-CD retrospective dedicated to Philip Rambow might seem like a cult item. Especially when no tracks from The Winkies, the band which first brought him to attention, are included. But there’s definitely a story.The Winkies Read more ...
Kieron Tyler
Razorcuts formed after Tim Vass discovered Alan McGee’s Living Room club. In the booklet accompanying the reissue of his band’s first album Storyteller, Vass says of the weekly London promotion that “The headline act would often be someone like The Membranes or Alternative TV, but it was the unknown support acts that blew me away: The Jasmine Minks, The June Brides, The Loft.”Suitably inspired, Vass brought his friend and fellow Luton-dweller Gregory Webster along to The Living Room and Razorcuts were soon in business. Both were previously in the Television Personalities influenced outfit Read more ...