New York
The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American DreamFriday, 11 October 2024
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and... Read more... |
Megalopolis review - magic from cinema's dawnMonday, 30 September 2024
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating... Read more... |
Moby, O2 review - ebullient night of rave'n'rock'n'Johnny CashFriday, 20 September 2024
Sometimes a gig suddenly and completely elevates. Such is the case tonight when Moby, on his first UK tour in 12 years, plays “Extreme Ways”, his 2002 anthem for hedonism and its desperate consequences. What has been an adequately entertaining night... Read more... |
Album: Laurie Anderson - AmeliaMonday, 02 September 2024
Laurie Anderson is what Leonardo da Vinci would have hailed as una donna universale: inspired by science and technology, she's wide-ranging artist, a writer, film-maker, and explorer. She has a remarkable gift for story-telling, and her latest... Read more... |
Fire in my mouth, Philharmonia, NYCOS, Alsop, Edinburgh International Festival 2024 review - total work of art for our timesSaturday, 24 August 2024
Commissioned by the New York Philharmonic and premiered in 2018, Julia Wolfe’s Fire in my mouth is a multi-sensory oratorio written to commemorate the 146 workers who perished in a factory fire in what was the deadliest industrial disaster in New... Read more... |
A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathosTuesday, 06 August 2024
A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times.It... Read more... |
Album: Meshell Ndegeocello - No More Water: The Gospel of James BaldwinSaturday, 27 July 2024
Meshell Ndegeocello's groundbreaking new album No More Water: The Gospel of James Baldwin takes you on a musical journey which defies categorisation.Eight years in the making and set for release on 2 August – Baldwin's centennial – the album’s... Read more... |
Hello, Dolly!, London Palladium review - Imelda Staunton makes every line a deal-brokerFriday, 19 July 2024
Jerry Herman is the king of pep. Way too much of it in the first 20 minutes of the recent revue Jerry’s Girls had me screaming for a breather, but here the opening cavalcade, gorgeous overture included, intoxicates thanks to Dominic Cooke‘s razor-... Read more... |
Album: Moby - Always Centered at NightFriday, 14 June 2024
US electronic perennial Moby has had a good run. He was a rave culture phenomenon from 1991 onwards. He blew that with a vegan punk album. He released Play at the decade’s end and sold millions. He then had decadent superstar years, a run of huge,... Read more... |
Eric, Netflix review - a fairytale of New YorkThursday, 06 June 2024
New York in the 1980s is the setting for Abi Morgan’s new six-part drama, and it’s a city riddled with squalor, homelessness, racism and rampant crime. The Aids pandemic is also beginning to rear its hideous head. It’s here that the brilliant... Read more... |
DVD/Blu-ray: CabriniTuesday, 04 June 2024
“Begin the mission and the funds will come,” says feisty, tubercular nun Francesca Cabrini (Christiana Dell’Anna; Patrizia in Gomorrah) to Pope Leo XIII (Giancarlo Giannini) in 1889. She specialises in defying expectations, especially when men tell... Read more... |
theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cyclingSaturday, 01 June 2024
Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his first film role in John Sayles’s Baby It’s You (1983) he never looked back. Blessed with a gift of... Read more... |
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