France
Beating Hearts review - kiss kiss, slam slamThursday, 14 August 2025
Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “Baby” in Dirty Dancing. So you’d think that directors and casting experts could find actors to advance... Read more... |
The Kingdom review - coming of age as the body count risesSaturday, 09 August 2025
The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer Julien Colonna’s nerve-fraying drama about an adolescent girl’s sudden immersion in the brutal, uber-macho world of her father, a ruthless Corsican... Read more... |
The Count of Monte Cristo, U&Drama review - silly telly for the silly seasonTuesday, 05 August 2025
Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and televised even more frequently (a Mexican incarnation materialised in 2023). Yet the world still can’t get enough, so here’s... Read more... |
Kiefer / Van Gogh, Royal Academy review - a pairing of oppositesSaturday, 05 July 2025
When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some sixty years later, work by the two artists has been brought together at the Royal Academy in a show that... Read more... |
Edward Burra, Tate Britain review - watercolour made mainstreamWednesday, 18 June 2025
It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour... Read more... |
Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall review - Rameau magic outside the opera houseWednesday, 21 May 2025
With French baroque opera all but banished from the UK’s major opera companies, it’s left to concert halls and country houses to fill the void. There’s a full-length treat ahead this summer with Rameau’s opéra-ballet Les Indes Galantes at Hampshire’... Read more... |
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash in complete RavelFriday, 16 May 2025
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows them by heart, has bags of charisma and energy, so why not? I could give more than one reason, but the... Read more... |
E.1027 - Eileen Gray and the House by the Sea review - dull docu-fiction take on the designer-architectFriday, 16 May 2025
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will be frustrated by how little of her other work is actually visible on screen while fans of feminist biopics might... Read more... |
First Person: rising folk star Amelia Coburn on her French inspirationThursday, 01 May 2025
“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year. While living in Paris a few years ago I shared a flat with an older French lady. We loved to chat every night when I came home... Read more... |
The Inseparables, Finborough Theatre review - uneven portrait of a close female friendshipFriday, 25 April 2025
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where two young girls meet and form a strong attachment. The semi-autobiographical story comes from a 1954 Simone de... Read more... |
Holy Cow review - perfectly pitched coming-of-age tale in rural FranceFriday, 11 April 2025
Director Louise Courvoisier has put herself firmly on the film map with this story of young Totone and his little sister, carving out a living in the modern-day Jura countryside after being orphaned. Think the Dardenne brothers with more... Read more... |
Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyfulSaturday, 05 April 2025
Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by exaggerating its latent irrationalities seems redundant. For this reason, perhaps, revivals of plays... Read more... |
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