Reviews
Betrothal in a Monastery, Maryinsky Opera, CardiffMonday, 03 November 2014
It’s one of the ironies of life and art that Prokofiev’s tenderest and most romantic opera was composed at a time when he was abandoning his wife in favour of a Moscow literature student half his age. Betrothal in a Monastery is a setting... Read more... |
Jim Davidson, Sands Centre, CarlisleMonday, 03 November 2014
Well, here’s a first; I was taken to a comic’s dressing room to be checked out before I could review his show. There was a mix-up over tickets for Jim Davidson so the front-of-house manager asked him If he would give the OK to let me in. “He wants... Read more... |
Jonah and Otto, Park TheatreMonday, 03 November 2014
There have been some strong two-handers of late, which perhaps explains why the London premiere of Robert Holman’s 2008 play Jonah and Otto seems sub par. Originally written for the actor Andrew Sheridan, this is a Beckettian take on loneliness, God... Read more... |
Reissue CDs Weekly: Love, The Red CrayolaSunday, 02 November 2014
Love: Love Songs The Red Crayola: The Parable of the Arable LandJust how much messing with a band’s back catalogue is acceptable? Should classic albums only be reissued as stand-alone releases, sometimes bolstered with bonus tracks but still allowed... Read more... |
Sheryl Crow, Royal Albert HallSaturday, 01 November 2014
Sheryl Crow doesn’t do genres. She may have recorded her first authentically country album, Feels Like Home, in Nashville recently, but for her, the tag seems to mean little. “It’s country, but it just sounds like a Sheryl Crow record,” she told the... Read more... |
Thomas Adès, See the Music, Hear the Dance, Sadler's WellsSaturday, 01 November 2014
The challenge was already in the title for me: as both a dance critic and a strongly visual person, in the normal order of things I see the dance first and hear the music second. Last night's show, the second of the Sadler's Wells Composer Series of... Read more... |
First Episode, Jermyn Street TheatreSaturday, 01 November 2014
Rediscovered work offers aficionados a tantalising piece of the puzzle. Terence Rattigan’s callow debut, reborn after 80 years in obscurity, bears the hallmarks of his later plays, notably closeted ardour and the torment of unequal passion, but is... Read more... |
Mr TurnerFriday, 31 October 2014
There's been much talk about Late Turner, to co-opt the name of the exhibition now on view at Tate Britain covering the last 16 years in the English artist JMW Turner's singular career. And as if perfectly timed to chime with those canvases in... Read more... |
Cassandra, Ludovic Ondiviela, Royal Ballet, Linbury StudioFriday, 31 October 2014
Madness is a favourite trope of opera, less so of ballet. There’s Giselle, but her insanity lasts only a few minutes. There’s Kenneth MacMillan’s delusional Anastasia, who believes she's the daughter of the last Tsar of Russia, but the advent of DNA... Read more... |
Uchida, LSO, Haitink, Barbican HallFriday, 31 October 2014
You know what to expect from a standard programme of masterpieces like this, led by two great performers in careful control of their repertoire, and those expectations are never going to be disappointed. You’re not going to hear the kind of new-... Read more... |
Coolatully, Finborough TheatreFriday, 31 October 2014
Ireland has had not just an economic meltdown in the past few years, but also a social one. The country that thought it had seen the back of emigration going back several generations has had to deal with its young people once again leaving in droves... Read more... |
SplotThursday, 30 October 2014
If Splot looked any more like Angry Birds, it'd have to call itself Bouncy Birds. But looks can be deceiving – this is a fairly shrewd attempt to merge the visual style of the record-breaking mobile series with something far more traditional in... Read more... |
