Reviews
Simon Thompson
The Philharmonia’s residency was the centrepiece of the Edinburgh International Festival’s final weekend, and it’s right that the orchestra should be the focus because they were consistently the finest thing about both their Verdi Requiem and their concert performance of Richard Strauss’ last opera Capriccio.First to Verdi. Not only was the playing rich and majestic, but there was terrific clarity, too, and I was repeatedly struck by how pristine the details were. I don’t think I’ve ever previously noticed the role of the piccolo, for example, and the quintet of horns made themselves Read more ...
Katie Colombus
The sun coming out for our festival-organised boat shuttle down the Thames was relief indeed, as we ditched the wellies and reached for the Crocs on our way into the arena.Saturday afternoon was a melee of young folk, festering in the mire of their GCSE exam results – something the organisers are obviously battling with, given the amount of drug searches, water hand outs and well-oiled system of pulling kids out of the mosh pit.To kick off the afternoon fun, Grian Chatten in his bright green shell suit jacket, led the swells and synth of Fontaines DC, in a top notch set mixing up old songs Read more ...
Adam Sweeting
The first series of James Graham’s Sherwood, shown in June 2022, introduced us to the Nottinghamshire town of Ashfield, a former mining community devastated by pit closures and the miserable aftermath of the 1984 miners’ strike. The town was torn by personal and political feuds, and the murder of former miner Gary Jackson was like throwing gasoline on long-smouldering embers.As this second series opens, we find a few things have changed. DCS Ian St Clair (David Morrissey) has now stepped aside from the police to head the new Violence Intervention Team, which aims to provide support networks Read more ...
Ellie Roberts
Reading Festival’s 2024 line up was the embodiment of playlist culture. Once a key contender in the UK’s Rock and Alternative market, then a rite of passage for students partying their way into their first year of university, it’s fair to say that the festival has experienced some uncertainty in its identity in recent years.Over the course of the opening day, it was clear to me that the feeling of transition had mellowed and that no group in the diverse audience felt ownership over the festival in a way that they once might have done. As it should be, it was all about the music, and the Read more ...
joe.muggs
I won’t give it loads about the atmosphere and attendees at We Out Here – suffice to say that in its fifth edition, it has maintained all the strengths I mentioned last year, with the added benefit of slicker-operating infrastructure having ironed out any remaining wrinkles in its new Dorset site. The navigability, sound levels, smooth running bars etc were all just a little better, which only added to the good vibes that have been there from the start.Given how fun last year had been I wasn’t going to miss Thursday this time. As I set up my tent I could hear the brilliantly quirkly Read more ...
Kieron Tyler
Some pointers suggest how Finland’s Shadowplay might sound. They took their name from a Joy Division song. Their key founder member was Brandi Ifgray – born Visa Ruokonen. He had been in the final line-up of first-generation Finnish punk band Ratsia. Add in Shadowplay’s 1988 first album Touch and Glow’s cover version of Gang Of Four’s “Damaged Goods” and that would seem to nail it. Dark then, with the edge of punk.However, the back of Touch and Glow’s sleeve has a picture of the band which includes a trumpet player, someone at an upright piano and a double bassist. The only electric Read more ...
Veronica Lee
Joe Kent-Walters has been given the DLT Entertainment Best Newcomer Award in the 2024 Edinburgh Comedy Awards, and deservedly so, for Joe Kent-Walters is Frankie Monroe: LIVE!!!! The show is a blast.It's set in a working men's club in Rotherham which has seen better days, as has its MC, Frankie Monroe. (This device is much helped by the show being performed late at night in an overheated, low-ceilinged basement room at Monkey Barrel.)What we soon come to realise is the weird-looking Frankie, who for some (unexplained) reason appears throughout with his face covered in Sudocrem, has long ago Read more ...
Bernard Hughes
Conducting a piano concerto and playing a piano concerto are normally two separate jobs. Not at last night’s Prom, where Lahav Shani did both – and not just in a breezy Mozart concerto, but the beast that is Prokofiev’s Third. It was quite the feat, like climbing Mount Everest carrying not just your own supplies, but everyone else’s too. I hope he was on at least time-and-a-half.Of course, it’s not just a question of doing it at all: it’s only worth it if it’s done well, and it was. Shani (pictured below), who also conducted the rest of the programme (with the Rotterdam Philharmonic) in more Read more ...
Saskia Baron
A few recent documentaries have challenged the definition of the genre through the cheerful and wholesale dramatic reconstruction of past events, key moments that weren’t captured by a camera at the time.This is unnerving to those of us brought up on old-school public broadcast TV where the rule was that even when what the director had put on screen was obviously a reenactment, a caption indicating "dramatic reconstruction" was obligatory. Not only did that mealy-mouthed phrase clutter the image, no matter which arty font was used, it also broke the viewer’s full engagement with the moment, Read more ...
Miranda Heggie
Commissioned by the New York Philharmonic and premiered in 2018, Julia Wolfe’s Fire in my mouth is a multi-sensory oratorio written to commemorate the 146 workers who perished in a factory fire in what was the deadliest industrial disaster in New York’s history. Scored for orchestra and female chorus, each voice part represents an individual worker who died, most of them Jewish or Italian immigrants.The piece begins with a depiction of passengers on a board a ship, and in this performance the female voices of the National Youth Choir of Scotland were on their standard excellent form, swaying Read more ...
Veronica Lee
Amy Gledhill won the Don and Eleanor Taffner Best Comedy Show, the main award at the 2024 Edinburgh Comedy Awards for Make Me Look Fit on the Poster. The show has variously been described as “bawdy comedy delivered with a blush”, “a funny woman rightly confident of her comedy talents” and “a brilliant physical comedian”.Accepting her award, Gledhill said: “This is insane. I saw the other people on this list and I thought, 'I don't have to write a script!'”Gledhill originally came to Edinburgh fame as one half of the sketch duo The Delightful Sausage, with Chris Cantrill, who was also Read more ...
David Kettle
L’Addition, Summerhall ★★★★ Bert and Nasi – or, more fully, writers/directors/actors Bertrand Lesca and Nasi Voutsas – are virtually Fringe royalty, having carved out a niche in recent years with playful, provocative shows that question theatrical conventions alongside often serious real-world topics (the Syrian conflict in 2017’s Palmyra, for example, or the EU and Brexit in 2016’s Eurohouse). This year they’ve almost transformed themselves into a meta-theatrical Morecambe and Wise, however, for a show (first seen at last year’s Avignon Festival) created with Tim Etchells, Read more ...