fri 23/05/2025

Reviews

The Trip to Italy, BBC Two

The Trip is a hall of mirrors put together with the help of Heath Robinson. It’s a comedy vehicle in which pretty much the only thing that’s real is the actual vehicle. The stars are two impersonators who above all impersonate themselves. Their...

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Classical CDs Weekly: Brahms, Kletzki, Schumann, Szymanowski, Ji Liu

 Brahms and Schumann: Piano Quintets Alexander String Quartet, Joyce Yang (piano) (Foghorn Classics)Schumann was the first major composer to pair solo piano with string quartet. His 1842 quintet remains one of the best examples of the genre,...

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Another Country, Trafalgar Studios

I must confess to feeling a warm tremble every time I hear “I Vow to Thee, My Country”, a result of the potent mix of Gustav Holst’s stately music and Cecily Spring Rice’s allusive words. So when Julian Mitchell chose the words “Another Country”,...

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changeType/Ditto

There is a grammar to most videogames. A crate, for instance, is almost always there to be opened and looted. These two free games subvert some of the basic rules of videogames to reinvent the "platform" genre. changeType puts you in a primary-...

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Noah

Darren Aronofsky has made some of the most innovative and daring films that have ever been misunderstood. From Pi to Requiem for a Dream, The Fountain, The Wrestler and Black Swan, his films have something to delight and upset everyone. That is as...

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Donose, Philharmonia, Gardner, RFH

Arise, Sir Edward – Gardner, not Elgar, whose First Symphony the former conducted last night. Well, maybe a knighthood’s too premature; although the daft honours system has rewarded others in the operatic world for less, and Gardner has already...

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I Cheer a Dead Man's Sweetheart, De La Warr Pavilion

Given the kooky title of a new painting show at De La Warr Pavilion, it seems necessary to point out, yet again, that painting isn’t dead. The line is from poet A.E Housman, who wrote a versified dialogue between a dead man and his living friend. So...

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Jockey School, Channel 4

Biança Barker's film was broadcast to coincide with the run-up to the Grand National this weekend, although one got no sense of where its subjects fitted into the horse racing world in general. In fact, one got no sense of where they fitted into...

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Powder Her Face, English National Opera, Ambika P3

The opening gyrations of Thomas Adès’s bluesy, schmoozy overture to Powder Her Face beckon you into a world of cheap sensation and excess. Accordion, saxophones and sizzle cymbal add their indecent, after-hours suggestions, and you have a microcosm...

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Lest We Forget, English National Ballet, Barbican

Taken together, the memorial accoutrements of the First World War are probably this country's most highly developed, and widely experienced, discourse of public history. Through two-minute silences, poppies, public monuments, and near-univeral...

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Dirty Rotten Scoundrels, Savoy Theatre

The “fantasy” Riviera conjured by designer Peter McKintosh for the West End premiere of Dirty Rotten Scoundrels - the Musical is pretty much an extension of the Savoy Theatre’s shining Art Deco auditorium, its sleek angular segments gliding into...

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Polar Bear, XOYO

“The most influential band of the last ten years. Period,” said Jez Nelson, of BBC Radio 3’s Jazz On 3, announcing Polar Bear to the XOYO audience last night. It’s difficult to live up to an introduction like that, especially when the band wanted...

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