Reviews
All of Us Strangers review - a haunting story about the power of love, masterfully toldFriday, 26 January 2024
Andrew Haigh’s films come at you like stealth bombers, presenting everyday scenes in a spare narrative style, and then using them to blitz you with unexpected emotions. His latest is no exception. It starts with the familiar sight of a... Read more... |
Masters of the Air, Apple TV+ review - painful and poignant account of the Eighth Air Force's bombing campaignThursday, 25 January 2024
“Are they all like that?” asks a shaken Major Bucky Egan (Callum Turner), after he’s completed his first bombing mission over Germany as a guest of the US Eighth Air Force’s 389th Bomb Group. They’ve been battered by flak and lacerated by German... Read more... |
Radulović, Hallé, de la Parra, Bridgewater Hall, Manchester review - fun for the youngThursday, 25 January 2024
Back on home ground, the Hallé begin 2024 in Manchester with a repeated programme. I heard the first of three performances this week. It includes one piece they played only 10 days ago on a tour in Spain with the orchestra’s new principal... Read more... |
Richard Schoch: Shakespeare's House review - nothing ill in such a templeThursday, 25 January 2024
Richard Schoch, in the subtitle of his new book on Shakespeare’s House, promises something big: “a window onto his life and legacy.” To the disgruntled reader – pushed to the brink by one too many new books on Shakespeare, each nervously... Read more... |
Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensembleWednesday, 24 January 2024
In an evening filled with "firsts" one of the many striking aspects was the effect the Anonimi Orchestra debut had on people walking past on the Marylebone Road. As we sat in the warehouse space of the Bomb Factory – with its exposed brick walls and... Read more... |
Manon, Royal Ballet review - a glorious half-century revival of a modern classicTuesday, 23 January 2024
It’s 50 years since the first, damning reviews of Kenneth MacMillan’s ballet Manon declared it to be too long and lumbered with terrible music. One of them also said that the title role was an appalling waste of the ballerina who, in the title role... Read more... |
Ablogin, SCO, Emelyanychev, City Halls, Glasgow review - a happy 50th birthdayTuesday, 23 January 2024
The mood was indeed celebratory at Glasgow’s City Halls on Friday evening for the second of two concerts celebrating the Scottish Chamber Orchestra’s 50th birthday. It opened with a suite from Figaro Gets a Divorce, a comic opera written by composer... Read more... |
Gerhaher, Huber, Wigmore Hall review - new colours from old favouritesMonday, 22 January 2024
After a frozen week, the sensual languor of Berlioz’s Les nuits d’été promised warm respite at the Wigmore Hall – especially when delivered by house favourite Christian Gerhaher and his peerless pianist, Gerold Huber.Yet the Bavarian baritone saved... Read more... |
Music Reissues Weekly: The Long Ryders - Native SonsSunday, 21 January 2024
Native Sons joyfully reframed musical styles of the past for the present. Even so, the freshness and oomph of The Long Ryders’ debut album meant revivalism was sidestepped. Originally issued in October 1984, it was a landmark in helping to nurture... Read more... |
Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composerSaturday, 20 January 2024
This mixed reality concert is simultaneously a dimension juggling conundrum, a philosophical puzzle, and a fascinating insight into what the future might hold. Composer Ryuichi Sakamoto – whose influences included Bach, John Cage and David Bowie –... Read more... |
Igor Levit, Wigmore Hall review - every note of Brahms’ late genius carefully weighedSaturday, 20 January 2024
Successful performances, conductor Robin Ticciati once suggested to me, are when “the head has a conversation with the heart”. The same goes, surely, for great music, though from personal experience one has to reach a certain age to find that true... Read more... |
Cowbois, Royal Court review - fabulously queer extravaganzaSaturday, 20 January 2024
At its best theatre is a seducer. It weaves a magic spell that can persuade you, perhaps against your better judgement, to love a show. To adore a show; to enjoy yourself. This, at least, is my experience of Charlie Josephine’s Cowbois, a queer... Read more... |
