Reviews
Guy Oddy
Suzanne Vega clearly likes her new album, Tales from the Realm of the Queen of Pentacles. Either that or she’s got this promotional lark down to a fine art. Tonight we were treated to seven of its ten tracks, which is not something you might expect of someone who began their recording career in 1985 and has since released seven other albums and a fair few hit singlesPlacing a black top-hat on her head to complement her bohemian head mistress attire, Suzanne kicked things off with debut single “Marlene on the Wall” and the wonderfully rich “Caramel”, from 1996’s Nine Objects of Desire . Then Read more ...
terry.friel
Three years ago this month, the first protests against the brutal dictatorship of Colonel Muammar Gaddafi broke out. On October 20 2011, the tyrant was finally caught, and mobile phone footage of his bloody and abused last minutes went viral. His regime, in power since 1969, was no more. For a while, the streets of Tripoli were filled with optimism and hope. All thought peace and change had come.Those were heady days, which already seem remote: Libya has again fallen into a new, different kind of despair. Christopher Olgiati’s remarkable Storyville film, Mad Dog: Gaddafi’s Secret World, made Read more ...
William Drew
Canadian playwright Matthew Edison's award-winning 2003 play The Domino Heart receives its European premiere in rather reduced circumstances. As a Sunday to Tuesday production at the Finborough (directed by Jane Jeffery), it takes place on the set of another play (Chris Thompson's Carthage). Luckily the play itself is essentially a shared act of storytelling. Three characters deliver monologues to the audience while the others read, write, doodle and generally act as if they're not hearing one another. In the world of the play, they're in different geographical locations and different moments Read more ...
Aimee Cliff
When the red curtain opens - or drops with delicious melodrama - on the second night of Taylor Swift’s residency at the O2 Arena, the first thing you notice is her eyes. We’re a crowd of thousands, packed into the second largest stadium in the UK, and with our monumental collective gaze directed at one person you wouldn’t expect such intimate details to translate. But Swift need move only her eyes to elicit screams like you’ve never heard in your life. She swoops them oh-so-slowly to the right, pauses, then to the left, pauses, smiles. She is choreographed down to the retinas, and she is Read more ...
Kimon Daltas
An all-British programme – with plenty of Italian flavours – opened to a sold-out Barbican Hall with the overture In the South (Alassio), composed by Elgar during a stay on the Italian Riviera. It isn’t one of his most memorable scores, but it still provides plenty of interest with typical Elgarian exuberance, an unexpected martial episode (imagining the Roman army), and a muted viola solo. It flits from scene to scene like a holiday scrapbook, and Antonio Pappano handled the fluid tempo and dynamic changes with aplomb.Maxim Vengerov’s commanding performance of the Britten concerto came next Read more ...
Heather Neill
In 2011 Tim Pigott-Smith gave us an impressive, humane King Lear at the West Yorkshire Playhouse. Here he is again, a patriarch learning how "sharper than a serpent's tooth" it is to have thankless children, but this time his character decides to do something about it and to acknowledge his own failings. The result is good-natured comedy rather than tragedy.Lester (Pigott-Smith), a Long Island television repairman, has had a stroke and is bedridden in a care home. His wife has recently died and his fractious family - two sons and a daughter - has been drawn together by circumstance almost Read more ...
Kieron Tyler
A woman tramps the streets of Paris looking for a man. It’s night. It’s raining. She pops into bars asking for him. Everyone knows who he is. He’s been seen, but not recently. Earlier, early in the evening, she was supposed to meet him but he hadn’t turned up. She doesn’t know it, but he’s stuck in the lift of an office block. He thought he’d be in and out of the building in moments. While trapped, the car he’d parked across the street has been taken by a leather-jacketed young tough who brings his girlfriend from a florist’s along for the joyride.Lift to the Scaffold has three strands, Read more ...
Thomas H. Green
Kitty Lux is one of the founders of the Ukulele Orchestra of Great Britain. Her performance of Lou Reed's "Satellite of Love" sums up their wonderful act. Sat strumming stonily stationary, clad in black with a red scarf around her short dark hair and an expression of seen-it-all hangdog boredom on her face, she delivers the song beautifully, her compadres adding the sweetest harmonies. There is, however, an injection of silliness when the orginal's memorable backing vocal, a descending trio of notes, becomes a ridiculously emphatic "Bing! Bang! Bong!" in the cheesiest barber shop style. The Read more ...
Jasper Rees
The Saga saga is over. An eco-terrorist plot to kill off the top tier of Europe’s environment ministers has been foiled, with nails bitten to the quick. Various Nordic marriages are in tatters, like a boxed set of Strindberg. Justice has been done but the smiles on faces in the Malmö police station at the end of episode nine had been wiped an hour later. We can’t talk about why or the spoiler police will stick us in prison and pay us periodic visits with gifts of designer coffee. Let’s just say it wasn’t a good night for Danish law enforcement.But what an ending. If you didn’t feel quite the Read more ...
fisun.guner
Helen Frankenthaler is often presented as being both a stepping stone between art movements and as an artist who fell – because such things matter in the tidy narratives of art history – between the cracks of various American isms. Frankenthaler, who made her name in the fertile New York art scene of the early Fifties and who died in 2011, found success and fame early, but then had the possible misfortune to be seen as a “transitional figure”. Since she created a bridge between Abstract Expressionism (specifically Pollock, with his drip technique) and later Color Field Read more ...
Kieron Tyler
The Seeds: Raw & Alive / The Dream Syndicate: The Day Before Wine and RosesTwo live albums. Both by bands rooted in psychedelia and based in Los Angeles. Each recorded in a studio rather than on stage. One, by The Seeds, from 1968. The other, by The Dream Syndicate, from 1982. The links between these two releases – coincidentally issued a week apart – are about more than the circumstances of their creation, geography and musical style. Both bands had brushes with the mainstream and in the form captured here both proved too raw, too unstable and too wilful to last the course.As 1968 Read more ...
Russ Coffey
Last night Lloyd Cole arrived on stage with a similar suede-and-corduroy air to that of his Eighties college-rock hits. Yet something was different. Over the last few years he has developed a real gravitas. It showed in the lines on his face and gunmetal hair; and it's this depth that critics have perceived on his recent album, Standards. Yet despite the critical acclaim the old troubadour is still not happy with how he’s “ disappearing into a niche”. In fact, he says, if this tour is a flop, he might give up music altogether.Whatever concerns Cole might have about his career, he didn’t bring Read more ...