Reviews
Helen Hawkins
Sarah Power, the writer of Grud, now in the Hampstead’s smaller space, is a self-confessed geek who excelled at science at school. She also had an alcoholic parent, and both autobiographical strands have turned up trumps in this, the second of her plays to be produced professionally. "Grud", we eventually learn, is the nickname Bo’s father (Karl Theobald, pictured below with Ashdown) has given his monster-self, a creature we see a lot of in the opening scenes. Bo (Catherine Ashdown), in the childlike play-world Grud has invented, where animals come to visit, is usually known as Read more ...
Helen Hawkins
For a long stretch of its first half, Dominique Morrisseau’s 2016 award-winner, Skeleton Crew, seems a conventional workplace drama, though in a much gentler key than Lynn Nottage’s Sweat. But this slow burn catches fire.The first sign that this is not a lightly comedic tale of an endangered urban workforce comes when a young worker called Dez (Branden Cook, pictured below, bottom right)) produces a handgun from his backpack and stashes it in his padlocked locker in the break room. But again, this is not Chekhov. The gun will not fire.Dez’s place of work is an ailing car assembly Read more ...
Adam Sweeting
Any show making its debut in the midst of Wimbledon and the Euro-football, plus a spectacular performance by Lewis Hamilton at Silverstone, is likely to be gasping for air, and BBC Two’s ditzy new cop series didn’t so much charge out of the blocks as trip over them. Masterminded by Ben Schiffer, the eight-part series is based on Barbara Nadel’s Inspector Ikmen novels, which are much loved by their readers.I wouldn’t bet on them feeling the same about the TV version. The plot-driving device is the arrival in Istanbul of Detective Mehmet Suleyman (Ethan Kai from Killing Eve), who finds himself Read more ...
Adam Sweeting
Showing over four consecutive nights, Night Caller is a stripped-down psychological thriller which steadily boils up to a conclusion which is both shocking and tragic.Robert Glenister turns in a meticulously controlled performance as Tony Conroy, a former schoolteacher now scraping a nocturnal living as a cab driver in Liverpool (you’d never guess the show was filmed in Dublin). A haunted and lonely character, broken by his failed marriage, he becomes fixated with the small-hours radio talk show hosted by Lawrence Brightway (Sean Pertwee, pictured below), whose relaxed, sandpapery voice makes Read more ...
Kieron Tyler
NME’s Paul Morley reviewed Angelic Upstarts’ debut album, the newly reissued Teenage Warning, in August 1979. He pointed out that they were “seen as the successors to Sham 69.”The assessment made sense. Their encore song was a version of Sham's “Borstal Breakout.” Both bands played a reductive punk which was long on musical attack and lyrical howls, and low on finesse. Around the time of Teenage Warning's 1979 release Sham's front-man Jimmy Pursey was busy with J. P. Productions, a concern where he picked up bands, became their producer and placed them with major labels. He took on Read more ...
John Carvill
It’s often said that nobody mythologised Billie Holiday like Billie Holiday. I’m not so sure.In this fine, clear-eyed biography, Paul Alexander documents Holiday’s propensity for feeding the media inaccuracies and tall tales, her enthusiastic embrace of “the adage that said the truth should never stand in the way of a good story.” But the media gave as good as they got, downplaying her artistic achievements and fixating on her problems with substance abuse and exploitative, violently toxic male partners.Many of the myths imposed upon her during her lifetime persist, particularly those that Read more ...
Kieron Tyler
As Dust we Rise ends with “Quilt,” a percussion-driven lamentation bringing to mind the New Orleans stylings of Dr. John. The album begins with “Hem,” where stabbing piano and strings interweave with a pulsing, wordless chorale. After a while, a muted trumpet and pattering wood blocks fill it out.In between, odd suggestions of The Rolling Stones’ “Sympathy For the Devil" (“Here Comes the Flood”), a spectral, twinkling ballad (“The Sea”), a sharp, skip-along, clockwork-toy of a track (“Ammonite,” one of the album's most electronica-inclined cuts) which could fit snugly into the soundtrack of Read more ...
Sarah Kent
On one level, Heart of an Oak is the most spectacular nature film you are ever likely to see. The camera glides over a forest before honing in on a magnificent, 210 year old oak tree. It travels up the gnarled surface of the ancient trunk, which resembles elephant hide, into the canopy. Time to introduce the cast of what directors Laurent Charbonnier and Michel Sedoux describe as an “adventure movie”: weevils, a red squirrel, woodpecker, robin and pair of jays, field mice and some wild boar. All of them live in or around the tree and this is their story.It’s high summer, but a storm is Read more ...
Gary Naylor
We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer, Marge, Bart, Lisa and Maggie, but they’re not far off. As usual, we wonder how Americans have so much space, such big fridges and why they’re always shouting up the stairs.But this squabbly, stereotypical family is not what it seems. Soon the mother is behaving oddly, there’s a “Here we go again” look in her husband’s eyes and the daughter withdraws, somewhat traumatised. Only the son, who has taken on a Puck-like status as an unreliable observer, appears at ease – Read more ...
Saskia Baron
The Nature of Love joins a recent spate of films where older women enjoy what a mealy-mouthed columnist would describe as an inappropriate relationship. Whether it’s Olivia Colman bedding a much younger black colleague in Empire of Light, Emma Thompson hiring a sex worker in Good Luck to You, Leo Grande, or Anne Hathaway shagging a boy-band singer in The Idea of You, the scenario allows for smooching and soul searching in equal measures. This time the risk-taker is a French-Canadian philosophy lecturer in a pleasant but passionless marriage. Sophia (Magalie Lépine- Read more ...
caspar.gomez
SUNDAY 30th June 2024It’s late. But not really. Not by the standards of this place. Photographer Finetime and I are in Block9 in the South-East Corner. The so-called “naughty corner”. We take turns juggernauting quomble off a pinecone. Finetime’s right eyelid is twitching. This tic developed today. Nearby is a gigantic head. About the size of a large Victorian house. It’s at an acute angle to the ground. Instead of eyes it has a kind of welders’ mask blitzing white-noise light. Like the haunted, detuned television in the 1982 film Poltergeist.We all know what happened to the little blonde Read more ...
Bernard Hughes
NMC Recordings has spent 35 years promoting contemporary music by British composers, and this commitment to both emerging and established voices was represented at this birthday concert in London last night, part of the Spitalfields Festival. From their emergence in 1989 in a different musical and technological world (“NMC” standing for “New Music Cassettes”) my early days of CD buying were guided by NMC’s developing catalogue and they are still a go-to for finding interesting new things. The audience at the Dutch Church in the City of London was garlanded with composer royalty of all Read more ...