sat 16/08/2025

Reviews

Falstaff, Glyndebourne Festival Opera

In this revival of Richard Jones's 2009 production, the action has been very effectively shifted to post-war Windsor with Sir John Falstaff (Laurent Naouri) as down-at-heel gentry maintaining delusions of superiority, rubbing up against an ascendant...

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The Man Who Shot Beautiful Women, BBC Four

You can only marvel at the family intrigues that virtually closed down the legacy of photographer Erwin Blumenfeld in the years following his death in 1969. "Destroy, destruct, separate, divide,” was the emphatic double-phrased imperative with which...

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Ariadne auf Naxos, Glyndebourne Festival Opera

The Major-Domo promises fireworks during the Prologue of Strauss and Hofmannsthal’s Ariadne auf Naxos. Katharina Thoma, the director of Glyndebourne’s new staging, drops a bombshell - actually several bombshells. Glyndebourne’s wartime history (as a...

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Reissue CDs Weekly: Scott Walker

 Scott Walker: The Collection 1967-1970Few pop records possess a beauty taking them into the otherworldly, inexplicable realm where it’s impossible to understand the magic which coalesced in their creation. The Four Tops’ “Seven Rooms of Gloom...

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Say It With Flowers, Sherman Theatre, Cardiff

There is a glaring irony in that a play about an all-consuming obsession with one thing (fame) has no real idea of what it itself is supposed to be. Say It With Flowers, a purported biography of iconic lounge singer Dorothy Squires, teases at the...

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Mariele Neudecker, Regency Town House, Brighton

Mariele Neudecker is the lead artist of this year’s HOUSE, a festival for the visual arts which is now in its sixth year and which runs parallel with the Brighton Festival. She's a fitting choice: an immersive exhibition in a beautiful wreck of a...

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CD: Jamie Cullum - Momentum

Jamie Cullum's sixth studio album is about as good a pop record as you'll hear all year. Newly signed to Island Records, the singer-songwriter has seemingly raided ideas from the entire history of pop music, such that low-fi vintage synth lines and...

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The Liability

The title says it all. Whatever John Wrathall’s script for The Liability might have promised is resoundingly undelivered in Craig Viveiros’s direction, and that’s despite the presence of Tim Roth in a lead role, and Peter Mullan giving a supporting...

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La donna del lago, Royal Opera

I mean, really, what is the point of Rossini? That’s actually not as stupid as it sounds. No-one has ever mistaken any of his operas for taut music-drama, and even the best of them are peculiarly difficult to pull off because without first-rate...

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Rock ‘n’ Roll Britannia, BBC Four

From being “a strange facsimile of the original” to generating the “first British record made by people who are 100 per cent convinced that they are doing the right thing”, Rock ‘n’ Roll Britannia breezily mapped the protracted birth of a British...

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Bullet Catch, Spiegeltent, Brighton

Magicians’ online forums are seething at Bullet Catch’s host and writer-director, the Scottish actor and magician Rob Drummond. This is because at one point in the show he levitates a small table then takes an audience poll as to who would like to...

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Propaganda: Power and Persuasion, British Library

Every time you turn a corner, he’s there, on yet another monitor. Either the exhibition curators have a sense of humour, or Alastair Campbell really is the last word on propaganda, a subject about which the British Library has mounted an excellent...

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