Reviews
Russian Ballet Icons Gala: Celebrating Vaslav Nijinsky, London ColiseumMonday, 11 March 2013
What does _ _ _ _ mean to you? What does _ _ _ _ mean to us all? Questions asked every day by all kinds of people the world over. These same questions were posed last night at the London Coliseum about the doyen of 20th-century dance and... Read more... |
BalletBoyz, The Talent 2013, Sadler's Wells TheatreSunday, 10 March 2013
Fifteen years ago two male ballet dancers took the awesome risk of leaving the Royal Ballet with an idea in their head about independence. Their first venture was a new Japanese ballet company, which quickly lost their interest as it hit a... Read more... |
Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars, Victoria & Albert MuseumSunday, 10 March 2013
Jewels, gold, silver, arms and armour, silks, embroideries, tapestries and lace: the world of the very rich and very powerful royals – and merchants – in Russia and Britain half a millennia ago is set out in glittering array in the V&A’s latest... Read more... |
Reissue CDs Weekly: Del Shannon, The Stark Reality, The Deviants, Mighty MightySunday, 10 March 2013
Del Shannon: The Complete UK Singles and More (1961-1966)The plaintive, urgent drama of Del Shannon’s debut single, 1961’s “Runaway”, will always identify him. But amazing 45s like 1965’s crunching “Break up” and the ferocious garage-punk of “Move... Read more... |
Simon Boccanegra, English Touring OperaSaturday, 09 March 2013
Simon Boccanegra has, as English Touring Opera’s director James Conway points out, never quite made the running outside Italy amid Verdi’s output. It went through three to five different versions in a short space of time. Despite the Romeo and... Read more... |
Written on Skin, Royal OperaSaturday, 09 March 2013
It’s hard to put one’s finger on why George Benjamin’s new opera doesn’t work. It comes to Covent Garden with a wind in its sails. Its outings in Europe have all received high praise. It boasts a classy cast, Martin Crimp as librettist and Benjamin... Read more... |
Phaëton, Les Talens Lyriques, Rousset, Barbican HallSaturday, 09 March 2013
Excess of light and heat sends sun-god Apollo’s son Phaeton tumbling from his father’s chariot. The light was iridescent and the temperature well conditioned as peerless Christophe Rousset led his period-instrument Les Talens Lyriques and a variable... Read more... |
The Ballad of Mott the Hoople, BBC FourSaturday, 09 March 2013
“Five years,” said former Mott the Hoople fan club president Kris Needs of the band’s lifespan. “That’s how long the Kaiser Chiefs have been around, but who cares?” It seemed an unfair measure. Mott split 39 years ago and the Leeds quirksters are... Read more... |
Classical CDs Weekly: Bach, Turina, Eleni KaraindrouSaturday, 09 March 2013
Bach: Harpsichord Concertos Retrospect Ensemble/Matthew Halls (harpsichord and director) (Linn)This release fizzes with energy. I’ve long preferred hearing these concertos played on a modern piano. But listening to Matthew Halls’s harpsichord... Read more... |
Chuck Close Prints: Process and Collaboration, White Cube BermondseyFriday, 08 March 2013
Chuck Close is often described as a photorealist. It’s a fair description. His paintings often look like photographs, and he came to prominence in the late Sixties, when photorealism was the rage. At first his huge heads were scaled-up painted... Read more... |
Longing, Hampstead TheatreFriday, 08 March 2013
If only there were more Chekhov! Theatregoers in England, for whom Anton Pavlovich is little short of a god, must have wished this often enough. The handful of great plays come round almost as frequently as Shakespeare. Yet, as well as a couple of... Read more... |
Oz The Great and PowerfulFriday, 08 March 2013
It’s no exaggeration to say that The Wizard of Oz has a special place in the hearts of millions. For many, their last trip over the rainbow will have been watching its 1985 sequel Return to Oz, a commercial flop berated at the time for a too... Read more... |
