Reviews
Kieron Tyler
The final track of Samana’s third album is titled “The Preselis,” after the west Welsh mountain range – the place antiquarians suggested as the source of Stonehenge’s blue stones. The song’s opening lyrics are “The blue stones, they grow over me, Carved into mountains, the blood of need.” Later, the words “anima” and “animus” are repeated before the song ends with the recurring refrain “Lay the body down.”Dovetailing a tenet of Jungian psychology – anima, the female unconscious of a male, and animus, the male unconscious of a female – with notions of an evocative landscape firmly places Read more ...
caspar.gomez
If the weather’s good TGE Beach is a grand start to a day. As it sounds, it’s a purpose-built seafront space to the east of central Brighton, containing three stages as well as stalls selling vegan kebabs, Filipino street food and German sausage.Every Great Escape’s closing Saturday it’s taken over by Sounds Australia, offering a fresh selection of what that country has to offer. And there’s a bar, of course, where, at midday, photographer Finetime and I avail ourselves of a traditional media breakfast of BrewDog Wingman pale ale (4.3%).The first music of the day is a short set by Tamara Read more ...
Adam Sweeting
The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this Rebus redux, arriving nearly 25 years after the original first series began, screenwriter Gregory Burke has reworked the character as a younger Detective Sergeant, drawing on the spirit of Rankin’s original novels but with the author’s blessing to take the character somewhere new.Richard Rankin (no relation to the writer) is an excellent choice for Rebus. Rough, tough, scruffy and not to be trusted around a bottle of whisky, he comes equipped with the Read more ...
Boyd Tonkin
Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at St Martin-in-the-Fields in May 2020, after touring to Spain and the US. A lot has happened since. The pandemic scuppered the original timetable, while his own alleged actions – after he reportedly attacked a singer during rehearsals in France last year – have kept the ORR’s founder John Eliot Gardiner off the podium.So last week the period-instrument ensemble arrived at St Martin’s under the baton of Portuguese wunderkind Dinis Sousa. I caught the Read more ...
Rachel Halliburton
Five years after it first clattered onto the Glyndebourne stage, André Barbe and Renaud Doucet’s visually exuberant Die Zauberflöte – featuring everything from dancing carcasses to a monster made out of blue-and-white crockery – continues to dazzle as much as it entertains.Yet despite being a cornucopia of invention, it’s not always clear whether this production – set in a grand hotel kitchen at the turn of the 20th century – provides a solution to the opera’s problems, or simply eclipses them with decoration. Following a brief technical hitch at the start – in which a Glyndebourne official Read more ...
Robert Beale
It’s probably a bit early to be getting misty-eyed about the approaching end of Sir Mark Elder’s time as music director of the Hallé, but the programme he and they have just finished touring in the North of England will have been, for many, his real farewell.Its last outing was at the Bridgewater Hall yesterday, and it was (characteristically) a blend of the much-loved and familiar and something adventurous and new.That second element comprised the European premiere performances of a new piano concerto written and played by Sir Stephen Hough – titled The World of Yesterday, it was Read more ...
Veronica Lee
Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4. Alex Lowe has since developed him through Clinton Baptiste’s Paranormal Podcast and his live shows, and now he's touring his latest, Roller Ghoster!, which I saw at Leicester Square Theatre in London.Baptiste has a cult following, as the extensive tour dates attest, and there are lots of in-jokes his fans are waiting for, including “He's a nonce!” A lot of the character's cultural references come from the 1970s and 80s, making this a lovely and affectionate Read more ...
Kieron Tyler
Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also be found for £700, a relative bargain in the context of the upper limit of the prices the collector’s market has settled on.There were two follow-up albums – each credited to Andwella. August 1970’s World's End fetches around £40 to £80; People's People, issued in late 1970, attracts prices of £50 to £100. Cult stuff then, with interest centred on that first album. And where there’s such appeal, repressings follow. Love And Poetry was first reissued in 1995 Read more ...
Robert Beale
There’s a sense of cheerful abandon about Manchester Camerata’s Mozart concerts with Jean-Efflam Bavouzet and Gábor Takács-Nagy that is hard to resist.So it wasn’t exactly the programme originally advertised, and the concept of performing and recording all Mozart’s piano concertos with all his opera overtures has stretched a bit as time has gone by, but this was the penultimate in a series that began not far off 10 years ago – and they were going to have fun.The concerto element, in strict fact, was Johann Christian Bach as recycled by Mozart: three piano sonatas by the London Bach turned Read more ...
David Nice
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a master conductor. Glyndebourne Music Director Robin Ticciati leads the way with a peerless London Philharmonic Orchestra in Bizet’s absolute masterpiece, and Tunisian-Canadian mezzo Rihab Chaieb’s Carmen stuns in a vocally magnificent cast.Better still if everything else aligns, as it did in Irish National Opera’s recent L’Olimpiade. Not quite so much here, given a production by Tony award winner Diane Paulus which tells the story for the most part – a Read more ...
Thomas H. Green
Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like the trash compactor in the first Star Wars film.THE ELEPHANT IN THE ROOM BITThere is a boycott, by around 25% of booked artists, of Brighton’s annual multi-venue showcase for new and rising bands. This is in protest at sponsor Barclays Bank’s involvement with arms companies trading with Israel as that country instigates the ongoing and catastrophic Gaza bloodbath. The boycott was begun a couple of months ago as a petition by Bristol punk outfit The Read more ...
Adam Sweeting
There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage adaptation of Fawlty Towers would undoubtedly be one of them. But Adam Jackson-Smith pulls it off with aplomb, deftly nailing Basil’s every acidic aside, outburst of impotent rage or episode of manic terror. Or, indeed, silly walk.Prior to curtain-up, misgivings hovered about what the evening might hold. Could Fawlty Towers survive the transition to the stage without bathos or anti-climax? Could a new cast hold a candle to the much-venerated original team? Would it Read more ...