sun 29/06/2025

Reviews

Kopatchinskaja, LSO, Pappano, Barbican review - dancing on the volcano

Poetry came an honourable second to sharp rhythms and lurid definition in this choreographic poem of a concert. You don’t get more tumultuous applause after an opener than with Ravel’s La Valse played like this. Vienna may have nearly collapsed...

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Flowers for Mrs Harris, Riverside Studios review - lovely, low-key musical finds a London berth

Although based on the 1958 Paul Gallico novel Mrs 'Arris Goes To Paris, this musical adaptation arrived much later. With a book by Rachel Wagstaff and music and lyrics by Richard Taylor, Flowers for Mrs Harris premiered in Sheffield in 2016,...

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Kim, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - the sound of brass

Ben Gernon’s relationship with the BBC Philharmonic has been a richly rewarding one over the close-on seven years since his appointment as their principal guest conductor began, and indeed subsequently. The impression gained on his first...

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Othello, Riverside Studios review - three Iagos pitch Shakespeare's villain into the 21st century

Shakespeare gives Iago over 1000 lines to implant the jealous rage in Othello, so there’s plenty to of raw material to work with. The director Sinéad Rushe has had the idea to split these weaselly words between three actors, a device that seems so...

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Skride, National Symphony Orchestra, Matheuz, National Concert Hall, Dublin - musical philosophies soar

Promising on paper, dazzling in practice: with a superlative soloist and conductor, this programme just soared on wings of philosophy-into-music. The spotlighting of NSO co-leader Elaine Clark provided another thread, from the opening chant of Linda...

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Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild manner

If there’s a better name for a vocal group than Roomful of Teeth I have yet to come across it. But if it conjures up images of brash, in-your-face showbiz the reality couldn’t be more different.This hip Grammy-winning American ensemble bill...

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Music Reissues Weekly: Pale Saints - In Ribbons

In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am...

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A Voyage Round My Father, Theatre Royal, Bath review - Rupert Everett excels in a play showing its age

Like theatre itself, the law finds its voice in stories, performance and spectacle. Any law student will, from that very first induction lecture, become suffused in a culture that is informed by and in turn informs theatre, some classes more like an...

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Degun, Scottish Ensemble, Queen's Hall, Edinburgh review - fusion of east and west, ancient and modern

In a fusion of musical traditions both eastern and western, old and new, Scottish Ensemble were joined by virtuoso sitarist and composer Jasdeep Singh Degun for an evocative performance of Degun’s own work plus reimagined music by Terry Riley and...

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London Film Festival 2023 - provocation, celebration and film-buzzing community

When Kristy Matheson won the job of BFI London Film Festival director, she spoke of the chance afforded by festivals for filmmakers, artists and audiences “to commune on a grand scale – to experience ideas, ask big questions and celebrate together.”...

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New Order, OVO Hydro, Glasgow review - a nostalgia trip with a modern feel

Early on in this arena gig by New Order, a youthful, enthusiastic voice could be heard to say gleefully, “They’re just so 80s!”. That statement was both accurate and yet also misleading, for as this near two-hour performance showcased New Order’s...

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20 Days in Mariupol review - carnage in a dying Ukrainian city

Mstyslav Chernov’s 20 Days in Mariupol, which won the World Cinema Documentary Competition at Sundance this year, is an emotionally devastating account of the inhumanity of war.The Ukrainian videographer and his team – stills photographer...

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