Reviews
L'Allegro, il Penseroso ed il Moderato, Monteverdi Choir, EBS, Sousa, St Martin-in-the-Fields review - Handel at his most magicalWednesday, 01 November 2023
There was a good reason why Milton never added a Moderato, a “middle way”, to his masterly poems on mirth in bright day (L’Allegro) and more reflective pleasures by night (Il Penseroso), and a bad one why Handel allowed Charles Jennens to tack on... Read more... |
King Lear, Wyndham's Theatre review - Kenneth Branagh helms a pared-down tragedyWednesday, 01 November 2023
Few would have imagined that Kenneth Branagh’s return to the West End would see him garbed in fur-lined, prehistoric clothes. But this is how he takes on the gargantuan role of King Lear, in a compact, fast-paced production of Shakespeare’s great... Read more... |
Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotionsWednesday, 01 November 2023
For the first half of this spellbinding recital, Maxim Vengerov chose three works framed by one of Romantic music’s most infamous and turbulent stories.In 1853 the violinist Joseph Joachim became close friends with Robert and Clara Schumann – and as... Read more... |
Brian Eno, Baltic Sea Philharmonic, Kristjan Järvi, RFH review - electronica brilliantly re-visioned for orchestraWednesday, 01 November 2023
There is a great deal of sense in transposing electronic music to a symphony orchestra. However beautifully crafted, imaginatively constructed, and creatively programmed, the sounds that come out of synthesisers and other digital tools lack the... Read more... |
Adam Biles: The Shakespeare and Company Book of Interviews review - the old curiosity bookshopTuesday, 31 October 2023
Over 10 years in the making, The Shakespeare and Company Book of Interviews reflects its namesake in more ways than one.To those familiar, it is paean and tribute to one of the most famous literary hangouts in the world; to those unfamiliar it, is... Read more... |
Lang Lang, Bridgewater Hall, Manchester review - playing with the musicTuesday, 31 October 2023
The showman was back – and, bless him, he can still sell every seat in a big hall even if the programme offers close on an hour and a half of unalloyed Bach.Lang Lang’s gifts are phenomenal: he doesn’t just play music brilliantly, every now and then... Read more... |
1984, Hackney Town Hall review - Room 101 shapeshifts into 2023, but remains as terrifyingly plausible as everTuesday, 31 October 2023
The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on... Read more... |
The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and comTuesday, 31 October 2023
Imagine a world in which speech has a daily legal limit. Not a limit on what you say, but how many words it takes to say it. Now imagine how such a scenario might work as dance.Adaptations are so common on the theatre stage that the change of state... Read more... |
Trueman and the Arsonists, Roundhouse Studio review - new warnings in old lessonsTuesday, 31 October 2023
A dystopian present. Sirens ring out across the city. Firefighters rush to the wrong locations. A man insists on entry to a big house. He’s not selling anything, so he can’t be an arsonist can he? His friend turns up and she’s pretty upfront about... Read more... |
Beyond Utopia review - harrowing escape stories vividly captured with live footageTuesday, 31 October 2023
If Madeleine Gavin’s Beyond Utopia doesn’t make you cry, you’re a hard nut to crack. The film records the fortunes of defectors fleeing North Korea, a hell hole that is more like a prison camp than a country.The phone rings with news that a family... Read more... |
Lugansky, RPO, Petrenko, RFH review - so sure in all their waysMonday, 30 October 2023
It’s a given that no finer Rachmaninov interpreter exists than Nikolai Lugansky – a few others may see the works differently, not better – and that Vasily Petrenko has an uncanny affinity with both the swagger and the introspection of Elgar. But... Read more... |
Michael McIntyre, Brighton Centre review - observational everymanMonday, 30 October 2023
It takes some chutzpah to do a substantial section of a comedy show in 2023 (and touring until mid-2024) that deals with your pandemic woes, but that’s Michael McIntyre for you – he has never been short of confidence. To be fair, it’s the closing... Read more... |
