Reviews
The Umbrellas of Cherbourg, Gielgud TheatreTuesday, 22 March 2011
Zut alors! A gifted English theatre artist, Emma Rice, comes a serious Gallic cropper with The Umbrellas of Cherbourg, a stage musical adaptation of the through-sung 1964 movie that only succeeds in making the recent, prematurely departed Love Story... Read more... |
The EagleTuesday, 22 March 2011
A chorus of "Hooray! No CGI!" has greeted Kevin Macdonald's new film version of Rosemary Sutcliff's popular novel, The Eagle of the Ninth. Not for him a Gladiator-style digital Rome, or Troy-like computer-generated navies stretching away into... Read more... |
Baaba Maal, St George's BristolTuesday, 22 March 2011
Concerts are not what they used to be: in an attempt to break the mould of conventional performance styles, promoters and artists are increasingly turning to explanatory introductions, visual aids and other means of drawing the audience in, as if... Read more... |
Laurie Anderson, Trisha Brown, Gordon Matta-Clark, Barbican Art GalleryMonday, 21 March 2011
I can still remember the excitement of pounding the pavements of SoHo in the early 1970s. Nowadays, this part of downtown Manhattan is awash with expensive restaurants, boutiques and smart galleries, but then it was a scruffy industrial area of... Read more... |
Scott Agnew, The Stand, GlasgowMonday, 21 March 2011
Scotland certainly loves its comedy. In addition to the month-long bliss that is the Edinburgh Fringe, just along the M8 Glasgow has been providing its own few weeks of fun since 2003. Their comedy festival has a very different feel to it - less of... Read more... |
Dispatches: Train Journeys from Hell, Channel 4/ Spartacus: Gods of the Arena, Sky 1Monday, 21 March 2011
It would take the cunning of the insane to invent the British railway network. Privatised 18 years ago, it offers the worst of all worlds - persistent overcrowding and cancellations, outdated rolling stock and fares rising vertiginously as... Read more... |
Anna Karenina, Arcola TheatreMonday, 21 March 2011
Frankenstein, Pride and Prejudice, Tess of the D’Urbervilles, Great Expectations: it’s getting harder and harder to name a classic novel that hasn’t found itself covered in greasepaint and pushed out onto the stage. With adaptations... Read more... |
Wake WoodMonday, 21 March 2011
In Wake Wood, Aidan Gillen and Eva Birthistle play a married couple who lose their nine-year-old daughter in horrific circumstances. In mainstream cinema, this would lead to the earnest soul-searching and Oscar-bait performances of films like In the... Read more... |
Anselm Kiefer, White Cube HoxtonMonday, 21 March 2011
The sea: the depths from which all life emerged, and a force of destruction. Anselm Kiefer contemplates its sublime beauty and terror in a new exhibition of 24 panoramic photographs, ranged three-deep on two facing walls. Each grey and grainy ... Read more... |
A Taste of Sónar, RoundhouseSunday, 20 March 2011
The Sónar festival occupies a very special place in the New Music calendar – and is this year expanding outwards temporally and geographically, with new franchises in Tokyo and A Coruña, Galicia. Now into its 17th year, the parent festival in... Read more... |
BBC Symphony Orchestra, Bychkov, Barbican HallSaturday, 19 March 2011
What is it about Rachmaninov's ghost-train masterpiece The Bells and death? The BBC Symphony Orchestra last played it under the great Russian conductor Yevgeny Svetlanov, who used it as a valedictory gesture knowing he had only weeks to live.... Read more... |
Christopher and His Kind, BBC TwoSaturday, 19 March 2011
Is there a televisual instruction manual for Nazi-era dramas? Cabaret singers with heavily kohled eyes, champagne from unmatched glasses in a shabby-chic apartment, smoke-filled gay bars in cellars with muscled trade, Stormtroopers marching in... Read more... |
