Reviews
Kavakos, London Symphony Orchestra, Gergiev, Barbican HallWednesday, 23 March 2011
Heavy-goods vehicles stacked with lamentations have been thundering through the Barbican Hall. Saturday's lugubrious Rachmaninov found a mid-20th-century counterpart last night in the tough elegies of Shostakovich's First Violin Concerto - apt for a... Read more... |
Remembrance Day, Royal Court TheatreWednesday, 23 March 2011
The political background is vital to the play, so pay attention: during the Second World War, the small Baltic state of Latvia was threatened by its two big neighbours, Nazi Germany and Soviet Russia. In fact, when these countries signed the Molotov... Read more... |
The Most Incredible Thing, Sadler's WellsWednesday, 23 March 2011
There was not likely to be much ballet here, despite the Pet Shop Boys’ proud use of the word to distinguish their substantial three-act score. This delivers a richly James Bond-ish ride through big pop tunes, opulent filmic moments and some nice... Read more... |
Paul Lewis, Wigmore HallWednesday, 23 March 2011
Paul Lewis doesn't smile much. He came to the keyboard last night with his face tuned to his usual blank-to-grim setting for the first recital in his Schubert cycle at the Wigmore Hall: a serious man with serious business. If only I could take his... Read more... |
Dirt: The Filthy Reality of Everyday Life, Wellcome CollectionWednesday, 23 March 2011
Weeds, memorably, have been described as merely being plants that grow where we don’t want them. Walking through the Wellcome’s fine new exhibition, we can conclude that the “dirt”, too, is merely material appearing out of its appropriate... Read more... |
The Umbrellas of Cherbourg, Gielgud TheatreTuesday, 22 March 2011
Zut alors! A gifted English theatre artist, Emma Rice, comes a serious Gallic cropper with The Umbrellas of Cherbourg, a stage musical adaptation of the through-sung 1964 movie that only succeeds in making the recent, prematurely departed Love Story... Read more... |
The EagleTuesday, 22 March 2011
A chorus of "Hooray! No CGI!" has greeted Kevin Macdonald's new film version of Rosemary Sutcliff's popular novel, The Eagle of the Ninth. Not for him a Gladiator-style digital Rome, or Troy-like computer-generated navies stretching away into... Read more... |
Baaba Maal, St George's BristolTuesday, 22 March 2011
Concerts are not what they used to be: in an attempt to break the mould of conventional performance styles, promoters and artists are increasingly turning to explanatory introductions, visual aids and other means of drawing the audience in, as if... Read more... |
Laurie Anderson, Trisha Brown, Gordon Matta-Clark, Barbican Art GalleryMonday, 21 March 2011
I can still remember the excitement of pounding the pavements of SoHo in the early 1970s. Nowadays, this part of downtown Manhattan is awash with expensive restaurants, boutiques and smart galleries, but then it was a scruffy industrial area of... Read more... |
Scott Agnew, The Stand, GlasgowMonday, 21 March 2011
Scotland certainly loves its comedy. In addition to the month-long bliss that is the Edinburgh Fringe, just along the M8 Glasgow has been providing its own few weeks of fun since 2003. Their comedy festival has a very different feel to it - less of... Read more... |
Dispatches: Train Journeys from Hell, Channel 4/ Spartacus: Gods of the Arena, Sky 1Monday, 21 March 2011
It would take the cunning of the insane to invent the British railway network. Privatised 18 years ago, it offers the worst of all worlds - persistent overcrowding and cancellations, outdated rolling stock and fares rising vertiginously as... Read more... |
Anna Karenina, Arcola TheatreMonday, 21 March 2011
Frankenstein, Pride and Prejudice, Tess of the D’Urbervilles, Great Expectations: it’s getting harder and harder to name a classic novel that hasn’t found itself covered in greasepaint and pushed out onto the stage. With adaptations... Read more... |
