Reviews
Tetzlaff Quartet, Queen Elizabeth HallFriday, 22 October 2010
Their oaky, cultured and selectively scary-wild playing seemed to cast long autumn shadows over a sparse but intent audience. This is the kind of rare programme top violinist Christian Tetzlaff, his cellist sister Tanja and friends like to work on... Read more... |
Greg Davies, Bloomsbury TheatreFriday, 22 October 2010
Greg Davies is a comedian who laughs along to his own material. A conspiratorial look glints in his eye, a hint of fruity mischief plays on his lips. The adage that you should never be amused by your own punchlines is, of course, a tall tower of... Read more... |
Thomas Lawrence: Regency Power and Brilliance, National Portrait GalleryFriday, 22 October 2010
Thomas Lawrence was a child prodigy; from the age of 11 he supported his family by making pastel drawings of the fashionable elite who spent the season in Bath. The next step for an aspiring young artist was to learn how to paint in oils and... Read more... |
Krystle Warren, Rich MixFriday, 22 October 2010
Paradoxically, the greater the number of established artists you find yourself comparing a new talent to, the more original you are eventually forced to conclude this new talent is. So let’s get those comparisons out of the way: this Kansas City gal... Read more... |
Romeo and Juliet, Birmingham Royal Ballet & English National Ballet, touringThursday, 21 October 2010
“Rudolf thought, what you wanted out of life you had to get straightaway, because if you thought about it too long, you might be dead,” said the ballerina Patricia Ruanne, the first Juliet in Rudolf Nureyev’s version of Romeo and Juliet. Coming a... Read more... |
Edgar Allan Poe: Love, Death and Women, BBC FourThursday, 21 October 2010
The recurrent image in this somewhat staid documentary is a monochrome photograph of Poe’s moon of a face with its panda-like eye sockets. Occasionally the camera moves in for a close-up on those eyes - perhaps hoping they’ll reveal something that... Read more... |
KT Tunstall, Shepherd's Bush EmpireThursday, 21 October 2010
First up, a confession. I’m one of those who’ve never considered KT Tunstall to be quite the real deal. She’s sometimes described as indie, but I’ve always found her more background music for filling out a tax form to than someone to help you... Read more... |
Tribes, Royal Court TheatreThursday, 21 October 2010
t's a nice historical twist that the Royal Court in London, a theatre once known for its kitchen-sink dramas, is having such a great run with plays about the middle classes; following the joys of Posh, Wanderlust and Clybourne Park comes Nina Raine’... Read more... |
100 Years of German Song, 1810-1910, Schade, Martineau, Wigmore HallWednesday, 20 October 2010
As we take in news of the cuts that the arts will have to absorb, and wait for the Cassandras to start hollering, it's important to remind ourselves of one arts venue that won't be wiping one bead of sweat off its brow as a result of today's... Read more... |
CarlosWednesday, 20 October 2010
The full-length version of Olivier Assayas's saga of Ilich Ramirez Sanchez, alias Venezuelan super-terrorist Carlos, was originally a three-part series for French TV and runs to five-and-a-half hours. Even the "short" cinema cut runs to two-and-a-... Read more... |
The First Men in the Moon, BBC FourWednesday, 20 October 2010
Obviously the world has decided it needs Mark Gatiss, and it keeps finding things for him to do. An influential figure in the latterday revival of Doctor Who, as well as co-creator of the BBC's recent Sherlock, Gatiss's forte is turning out to be... Read more... |
Trisha Brown Dance Company, Tate Modern & Queen Elizabeth HallWednesday, 20 October 2010
A snaky conga of women in white pantsuits snuggling their loins together in a Spanish dance, and wiggling their way along a wall behind a Joseph Beuys installation may well be one of the indelible sights of my dance year. Mine, and that of only a... Read more... |
