Reviews
Josh Pugh Live at Birmingham Town Hall review - observational gags with a touch of the surrealWednesday, 26 July 2023
Josh Pugh made quite an impression at last year's Edinburgh Fringe, where he was deservedly nominated for best show in the Edinburgh Comedy Awards with Sausage, Egg, Josh Pugh, Chips and Beans. In this special YouTube version, recorded at Birmingham... Read more... |
theartsdesk at The Three Choirs Festival - Elgar, Vaughan Williams and HammondTuesday, 25 July 2023
The Three Choirs is (are?) off again, for the 295th time, but with a very different look, even from the festivals of my youth, never mind 1715, or whenever the first one was held (there seems to be some doubt about it). The big oratorio... Read more... |
Semele, Glyndebourne review - the dark side of desireMonday, 24 July 2023
It never rains but it pours – and hails, snows or, above all, thunders. The presiding tone of Semele, in Adele Thomas’s new production for Glyndebourne, matches the current English summer with its grey skies, glowering clouds and stormy outbursts.... Read more... |
Annie Get Your Gun, Lavender Theatre review - new production in new venue has some work to doMonday, 24 July 2023
A new theatre? In 2023? Now there’s a shot in the arm for the post-pandemic gloom. But there’s no business like show business – not for Mayfield Lavender anyway, who have found a corner of one of their beautiful purple fields and built an... Read more... |
The Magic Flute, Clonter Opera review - inventive ideas on the farmMonday, 24 July 2023
Necessity has to be the mother of invention for many operatic enterprises these days – and there are few with such inventive powers as those of Clonter Opera in Cheshire.Its avowed aim is to be a platform for emerging artists and a bridge from... Read more... |
Album: Susanna - Baudelaire & OrchestraMonday, 24 July 2023
After his death in 1867, it didn’t take long for Charles Baudelaire’s poems to be set to music. Composer Henri Duparc did so in 1870, but Claude Debussy’s late 1880s framing of five of the Symbolist pioneer’s verses confirmed this as more than a one... Read more... |
My Name Is Alfred Hitchcock review - a sly primerSunday, 23 July 2023
Mark Cousins pulled off a coup for his latest film history documentary, My Name Is Alfred Hitchcock, by getting the great director to narrate it. In his catarrhal East London drawl, Hitchcock parses dozens of the brilliant visual techniques he used... Read more... |
Music Reissues Weekly: Autonomy - The Productions of Martin RushentSunday, 23 July 2023
Two producers named Martin worked with Buzzcocks and Joy Division. Martin Hannett was in the studio for Buzzcocks’ debut release, the Spiral Scratch EP, issued in January 1977, and also for the bulk of the tracks spread across their last three... Read more... |
Grenfell: In the Words of Survivors, National Theatre review - verbatim theatre delivered to wrenching effectSaturday, 22 July 2023
The shadow of Grenfell Tower has already produced Nick Kent and Richard Norton-Taylor’s dispassionately forensic but devastating documentary plays based on transcripts from the Grenfell Inquiry. Now comes a companion piece, the National’s Grenfell,... Read more... |
After Byrd, HEXAD Collective, Brunel Tunnel Shaft review - resonant tribute to a subversive geniusSaturday, 22 July 2023
This powerful, haunting tribute to William Byrd – performed by the HEXAD Collective – was made particularly distinctive by its performance in the resonant, atmospheric setting of the Brunel Tunnel Shaft in Rotherhithe. When Brunel and his father... Read more... |
Anselm Kiefer: Finnegans Wake, White Cube Bermondsey review - an awe-inspiring showFriday, 21 July 2023
As a child, Anselm Kiefer tells us, in a bombed out German city, he would play in the rubble, creating life out of ruin and destruction. As an artist who is remarkably consistent, without being predictable, he continues to play in the ruins,... Read more... |
Tinariwen, O2 Institute 2, Birmingham review - desert superstars raise the roofFriday, 21 July 2023
Mali’s Tinariwen have been a serious powerhouse in non-Western music since the 2001 release of their first major label album, The Radio Tisdas Sessions. Their sound certainly hasn’t stood still in the last twenty years though. Female backing singers... Read more... |
