Reviews
Julie Byrne, Juni Habel, Kings Place review - finely tuned evening balancing dark with lightThursday, 27 July 2023
It’s probably an unconscious action. Sat on a stage-centre chair, Julie Byrne sings. The two acoustic guitars she plays for about half the set are beside her, on their racks. One hand is above the other, palms down. Each moves side-to-side in a... Read more... |
Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the nextThursday, 27 July 2023
Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek tragedy, or an epistolary short story nestled within the larger... Read more... |
Everybody Loves Jeanne review - charmingly weird romantic comedyWednesday, 26 July 2023
Céline Devaux, known for her award-winning short films, wrote, directed and drew the animations for her charming, funny debut feature, which takes the concept of the critical inner voice and runs with it.Blanche Gardin is brilliant as Jeanne, whose... Read more... |
Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delightsWednesday, 26 July 2023
One of the undoubted highlights of Prom 14 was unprogrammed – following his commanding performance of Beethoven’s third piano concerto, Jan Lisiecki returned to the stage to give an encore of Chopin’s Nocturne in E Flat, Opus 9 No 2.There was a rapt... Read more... |
Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terrorWednesday, 26 July 2023
If you want to get a hit show on American TV, you could do a lot worse than recruit Taylor Sheridan to create it for you. Special Ops: Lioness, a bruising trip into the innards of a CIA counter-terror unit, follows a string of successes which have... Read more... |
Bluedot Festival 2023 review - monsoon weather can't defeat the music'n'science extravaganzaWednesday, 26 July 2023
“This wasn’t the day to wear white suede boots,” says Django Django’s singer Vincent Neff, midway through the band’s Friday evening set.He’s not kidding.Mud can be worse (Glastonbury ’97, ’98, ‘07 & ’16). Wet weather can wreck the vibe (Nova ’12... Read more... |
Josh Pugh Live at Birmingham Town Hall review - observational gags with a touch of the surrealWednesday, 26 July 2023
Josh Pugh made quite an impression at last year's Edinburgh Fringe, where he was deservedly nominated for best show in the Edinburgh Comedy Awards with Sausage, Egg, Josh Pugh, Chips and Beans. In this special YouTube version, recorded at Birmingham... Read more... |
theartsdesk at The Three Choirs Festival - Elgar, Vaughan Williams and HammondTuesday, 25 July 2023
The Three Choirs is (are?) off again, for the 295th time, but with a very different look, even from the festivals of my youth, never mind 1715, or whenever the first one was held (there seems to be some doubt about it). The big oratorio... Read more... |
Semele, Glyndebourne review - the dark side of desireMonday, 24 July 2023
It never rains but it pours – and hails, snows or, above all, thunders. The presiding tone of Semele, in Adele Thomas’s new production for Glyndebourne, matches the current English summer with its grey skies, glowering clouds and stormy outbursts.... Read more... |
Annie Get Your Gun, Lavender Theatre review - new production in new venue has some work to doMonday, 24 July 2023
A new theatre? In 2023? Now there’s a shot in the arm for the post-pandemic gloom. But there’s no business like show business – not for Mayfield Lavender anyway, who have found a corner of one of their beautiful purple fields and built an... Read more... |
The Magic Flute, Clonter Opera review - inventive ideas on the farmMonday, 24 July 2023
Necessity has to be the mother of invention for many operatic enterprises these days – and there are few with such inventive powers as those of Clonter Opera in Cheshire.Its avowed aim is to be a platform for emerging artists and a bridge from... Read more... |
Album: Susanna - Baudelaire & OrchestraMonday, 24 July 2023
After his death in 1867, it didn’t take long for Charles Baudelaire’s poems to be set to music. Composer Henri Duparc did so in 1870, but Claude Debussy’s late 1880s framing of five of the Symbolist pioneer’s verses confirmed this as more than a one... Read more... |
