Reviews
gerard.gilbert
That title has been troubling me. The Great Offices of State is so stolid and dull, like an illustrated Ladybird children’s book from the 1950s - The Flags of the Commonwealth, or some such. And then you start trying to think of alternatives, a play on Yes, Minister perhaps, and you soon see that this flippancy wouldn't do justice to what is in fact a masterful achievement - the sort of television series that will (or should) be shown in schools and universities for years to come. Perhaps they should have simply called it Another Political Documentary Series by the Great Michael Cockerell, Read more ...
howard.male
In the mid 1940s when the Queen Mother purchased Paul Nash’s Landscape of the Vernal Equinox (1943) Princess Margaret remembers saying, “Poor Mummy’s gone mad. Look what she’s brought back.” But though this painting is one of the undoubted masterpieces of 20th-century British art, it’s easy to see why the Princess responded as she did. At a glance, the dry, scrubby brushwork, muted colours and somewhat lumpen forms don’t exactly sing out of the grandeur of the English countryside in the way that, say, the paintings of Samuel Palmer or John Constable do. But Nash was a metaphysical poet as Read more ...
Veronica Lee
Scottish playwright David Greig’s new play, for the Royal Shakespeare Company in their London season at Hampstead, picks up where Shakespeare’s Macbeth left off (almost). We are in 11th-century Dunsinane, the seat of power in Scotland. Macbeth (referred to here as simply “the tyrant”) is dead, his queen (Gruach) is very much alive, and Malcolm and Macduff are poised for power as the invading English army under Lord Siward attempts to install Malcolm as puppet king over a newly united Scotland. But really we could be in Whitehall discussing Iraq or Afghanistan as, historical drama aside, Greig Read more ...
Matt Wolf
Jeff Bridges cranks his dude status up a notch or 10 or 20, and his payoff looks likely to be this much-loved actor's first-ever Oscar. So what if writer-director Scott Cooper's film plays out like the careful illustration of a Hollywood pitch: The Wrestler as filtered through the prism of Tender Mercies (with the Academy Award-winning lead of that Bruce Beresford movie, Robert Duvall, on hand here to make the connection complete)? It's high time Bridges stepped up to the podium, and here he really is very good.I wish I could muster the same enthusiasm for the entirety of a film that has a by Read more ...
bruce.dessau
The death at the weekend of Doug Fieger, the co-founder of The Knack, meant that melodic US pop had lost a fine exponent. But more than 30 years on from the eternal über-hit "My Sharona" the appeal of infectious hook-lined music lives on in the work of preppy foursome Vampire Weekend, who have made their name by mixing new wave revivalism with African beats, dubbing their style “Upper West Side Soweto”.Contra, the quartet's January follow-up to their 2008 eponymous debut, received mixed reviews. theartsdesk came down particularly hard on the band's derivative style, which frequently owed a Read more ...
Adam Sweeting
Though children’s TV series Skippy The Bush Kangaroo was only in production from 1966 to 1968, it continues to resonate deafeningly with Australians, who are still apt to break into the theme tune or start doing kangaroo-hops round their living rooms. In fact it isn’t just Australians, since its 91 episodes were shown in 128 countries and dubbed into numerous exotic languages. Swedish was not among them, since Swedish child psychologists were violently opposed to children being encouraged to believe that animals could talk. But for many viewers, Skippy put Australia on the map in the Read more ...
Adam Sweeting
On Daniel Ellsberg's first day in his new job at the Pentagon in 1964, working under Secretary of Defence Robert McNamara, the Gulf of Tonkin incident occurred. This engagement between American destroyers and North Vietnamese torpedo boats was used as the pretext for President Lyndon Johnson's escalation of the Vietnam war, and marked the start of one of the most traumatic eras in recent American history. For Ellsberg, it was a period in which he was transformed from a strategic analyst enthusiastically committed to America's global struggle against Communism into an anti-war activist Read more ...
Sam Marlowe
It’s the pretext that reunites Judi Dench and Peter Hall to collaborate on Shakespeare’s comedy nearly five decades after they first ventured into the Athenian woods together at the RSC. But the conceit of conflating the fairy queen Titania with Gloriana doesn’t come close to lending Hall’s workaday production the necessary sense of enchantment. It’s performed on Elizabeth Bury’s sparse and decidedly mundane monochrome set, with its cardboard cut-out trees and a shiny black floor, which lacks any flavour of the sylvan and, thumped across by heavy-footed, boot-shod actors, is sometimes Read more ...
Anonymous
The force of Israeli-born Gilad Atzmon’s world view – his anti-Zionism, but also what Robert Wyatt, a self-confessed “Gilad groupie”, calls the “intrinsically non-racialist philosophy that's implicit in jazz” – comes through loud and clear in his stage banter. Not many jazzers namecheck the Chilcot Inquiry or dedicate tunes to “the biggest arseholes on the planet”: ie a good handful of (named) British and Israeli politicians. Crucially, though, that ideology comes through at least as strongly in the saxophonist’s music, the mix of jazz and Middle Eastern folk music pursued by his now decade- Read more ...
Graham Fuller
The Lovely Bones, Alice Sebold’s 2002 bestseller about a murdered 14-year-old who hovers in metaphysical limbo over her grieving family, was once to have been filmed by the Scottish director Lynne Ramsay. On the evidence of Ramsay’s Ratcatcher and Morvern Callar, her take on Sebold’s novel would have been a moodily lyrical but deadpan reverie that wouldn’t have skirted its engagement with evil. When Ramsay’s involvement ended, the project was inherited by Peter Jackson, who for all his spectacular CGI work on The Lord of the Rings knew when to leaven Tolkien’s epic saga with restraint and Read more ...
igor.toronyilalic
Is there a greater singleton's soundtrack than Bach's restless, tormented Three Partitas for Solo Violin? The works represent the extraordinary pinnacle of the violin repertoire and also the summit of Bach at his most chromatically and psychologically screwy. Snuggling up to these intensely fragile works, as so many Valentines couples were preparing to do last night at Wigmore Hall, is about as fun as curling up to a slice of Von Trier's cinematic clitoridectomy. And the intensity, fragility and bitterness was never so clear as in Julia Fischer's nimble hands. Her sound was shockingly, Read more ...
Veronica Lee
Keen comedy fans could never understand why Chris Addison, now 38 and marking 15 years in the business, didn’t have the breakthrough to national fame he deserved sooner. His quick, sometimes caustic but always intelligent humour played to sold-out venues at the Edinburgh Fringe each year, critics heaped praise on him and he received three prestigious Perrier award nominations. And his radio and television work - including The Department, Dotcomedy and Lab Rats - never quite propelled him to where his talent deserved. But then came The Thick of It.In Armando Iannucci’s brilliantly written Read more ...