Reviews
The Way Old Friends Do, Park Theatre review - sweet, but flimsyMonday, 20 March 2023
Is it a good idea to work with your spouse? The Way Old Friends Do, a love letter to ABBA tribute bands – which premiered at the Birmingham Rep last month and now visits the Park Theatre in north London – is a joint venture by actor and... Read more... |
Album: Cécile McLorin Salvant - MélusineMonday, 20 March 2023
In European folklore, mélusine are woman from the waist up and fish or serpent below. The fabled character is first known in the 13th century. Mélusine dwell in inland water – rivers, wells and such.For the concept driving US composer/singer Cécile... Read more... |
Music Reissues Weekly: Duffy Power - Innovations, Live at the BBCSunday, 19 March 2023
Sometime in early October 1963 John Lennon and Paul McCartney encountered The Rolling Stones and offered them one of their songs; one which became the London blues aficionado’s second single. “I Wanna be Your Man” was duly recorded on 7 October 1963... Read more... |
Amidon, Clayton, SCO, Kuusisto, Queen's Hall, Edinburgh review - profuse and outstanding musicianshipSaturday, 18 March 2023
On paper, the formula shouldn’t be that special. Really good music played by really good people is hardly a groundbreaking concept; but in actuality it’s seldom found with such honesty and diversity as in Pekka Kuusisto’s recent residency with the... Read more... |
Marjorie Prime, Menier Chocolate Factory review - superbly acted chiller about a contemporary crisisSaturday, 18 March 2023
Artificial intelligence has become an even hotter topic since Jordan Harrison’s Marjorie Prime was first staged in Los Angeles in 2014, so it’s not surprising that the play’s handling of AI is being seen as its unique selling point. (It subsequently... Read more... |
Further Than the Furthest Thing, Young Vic review - small island longingsSaturday, 18 March 2023
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember seeing Zinnie Harris’s evocatively titled Further Than the Furthest Thing in 2000, and marveling at its strange beauty and linguistic flair. Now revived... Read more... |
Marlowe review - Liam Neeson wearily treads those mean streetsFriday, 17 March 2023
Neil Jordan’s take on Raymond Chandler’s Philip Marlowe is the first since Bob Rafelson’s Poodle Springs (1998), itself a lone outlier after Michael Winner’s misbegotten The Big Sleep (1978). No one seems to have considered why, or what they might... Read more... |
Rye Lane review - finding love south of the riverFriday, 17 March 2023
There’s a huge amount to admire in Rye Lane, a new romcom set in south London. It’s the first feature directed by Raine Allen-Miller, who has conjured up a love letter to the neighbourhoods she grew up in. The street markets and much-loved... Read more... |
Mahler’s Third Symphony, Philharmonia, Paavo Järvi, RFH review - phosphorescent glow, depths only glimpsedFriday, 17 March 2023
This longest, wackiest and most riskily diverse of Third Symphonies became Esa-Pekka Salonen’s personal property during his years as the Philharmonia's Principal Conductor. His successor, Santtu-Matias Rouvali, has (in)famously said he’s not... Read more... |
Chris Rock, Netflix special review - no holds barred on the Oscars slapFriday, 17 March 2023
Chris Rock knows how to tease. It’s a safe bet that many watching this show are here for one thing – to hear his version of events that took place at last year’s Oscars, when actor and erstwhile rapper Will Smith came on stage and slapped the... Read more... |
Other People's Children review - a Parisian woman battles the tyranny of the biological clockFriday, 17 March 2023
“Trapped?” hisses 40-year-old Rachel (Virginie Efira) at her boyfriend, Ali (Roschdy Zem), who has a five-year-old daughter and is returning, for the sake of their child, to his ex-wife, Alice (Chiara Mastroianni). “What’s trapped you? Nothing at... Read more... |
Guys and Dolls, Bridge Theatre review - exuberant new production of the 1950 masterpieceThursday, 16 March 2023
It now seems an inevitability that Marisha Wallace will be a frontrunner at next year's theatre awards, not just this year’s. Having barnstormed her way to a 2023 Olivier nomination for playing Ado Annie in the Young Vic’s Oklahoma!, her Miss... Read more... |
