fri 06/06/2025

Reviews

Mahan Esfahani, Wigmore Hall review - shimmering poise and radical brilliance

To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While there’s often playfulness and shimmering levity you can feel the thought behind each note. The Iranian-American’s passion for the harpsichord began when he was...

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Jopy/Lemonsuckr/King of May, Green Door Store, Brighton review - exhilarating showcase for new young guitar bands

There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in five years’ time or working in chip shops? It’s all to play for. But it’s right now that counts. Of...

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Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review - new concerto and music of triumph

A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish composer who had to leave her native land in the 1930s and whose work has remained almost unknown until...

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Bergerac, U&Drama review - the Jersey 'tec is born again after 34 years

They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became closely identified with the titular detective Jim Bergerac before he decamped to Midsomer, murder capital of the...

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A Knock on the Roof, Royal Court review - poignant account of living under terror

The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages. Of course, it’s a divisive issue, a difficult issue, a painful issue – but isn’t that what contemporary...

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The Last Showgirl review - Pamela Anderson stars as a middle-aged Vegas dancer

Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”, in her words, for 30 years. And now it’s closing. Where can she go, at the age of 57?The third feature...

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The Score, Theatre Royal Haymarket review - curious beast of a play fails to engage

Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words that can express anything as eloquently as his music did – about life and death, pain and transcendence, wretchedness or rapture at the simplest aspects...

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The Ferryman, Gaiety Theatre, Dublin review - Jez Butterworth's Northern Irish epic comes close to home

Dublin theatregoers have been inundated with Irish family gatherings concealing secrets or half-buried sorrows, mixing “bog gothic” with very real horrors. Clearly they’re willing to try again with Jez Butterworth’s The Ferryman, because its run has...

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Helen Charlston, Sholto Kynoch, Temple Church review - fine singing, powerful stage presence

Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and wide-ranging programme – consisting of a first half hopping through the centuries, followed by a...

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Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very impressed, both by the standard of the playing and the enterprising programming. This gave regular audience-...

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Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

On walking into Mikalene Thomas’s exhibition at the Hayward Gallery my first reaction was “get me out of here”. To someone brought up on the paired down, less-is-more aesthetic of minimalism her giant, rhinestone-encrusted portraits are like a kick...

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Album: bdrmm - Microtonic

Microtonic comes into focus on its third track, “Infinity Peaking.” Album opener “Goit,” featuring a guest vocal by Working Men’s Club’s Syd Minsky-Sargeant, is doomy post-Balearic impressionism with spoken lyrics seemingly about the loss of self....

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