fri 25/07/2025

Reviews

Mr Burton review - modest film about the birth of an extraordinary talent

Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he changed his name. This film directed by Marc Evans explains how it came about.PH Burton (played by Toby Jones)...

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Restless review - curse of the noisy neighbours

Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two...

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MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the verdant pastures of criminal low-lifery. It seems that top thespians are queueing up to bag a slice of Ritchie-...

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Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the...

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Four Mothers review - one gay man deals with three extra mothers

An Irish adaptation of Garcia Di Gregorio’s acclaimed 2008 film Mid-August Lunch, director Darren Thornton’s Four Mothers is the story of Edward (James McArdle) and his 81-year-old mother Alma (the excellent Fionnula Flanagan), who has had a stroke...

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The Importance of Being Oscar, Jermyn Street Theatre review - Wilde, still burning bright

It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean; Dickensian and Pinteresque. Add to that list, Wildean. That’s all the more remarkable in the light of Oscar Wilde’s...

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Stiletto, Charing Cross Theatre review - new musical excess

That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of Music on BBC 1 after the Queen’s Speech in 1978 – well, don’t send them to Charing Cross Theatre for this show. But that other...

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Misericordia review - mushroom-gathering and murder in rural France

“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's Misericordia. Though unemployed Toulouse baker Jérémie doesn’t acquire the business that was run by his...

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Owen Wingrave, RNCM, Manchester review - battle of a pacifist

It’s quite ironic that the Royal Northern College of Music should have invited, as director of this, Britten’s avowedly pacifist opera, Orpha Phelan – whose version of his Billy Budd for Opera North nearly 10 years ago contained one of the most...

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Apex Predator, Hampstead Theatre review - poor writing turns horror into silliness

Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots and lots. Writer John Donnelly, who has also experienced the stresses of parenthood, devotes his new...

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Balanchine: Three Signature Works, Royal Ballet review - exuberant, joyful, exhilarating

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer who has helped keep the choreographer’s legacy intact since his death in 1983 and a living link with his teaching....

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Howard Amos: Russia Starts Here review - East meets West, via the Pskov region

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination of the borderlands of a bellicose nation. Focusing on the Pskov region, which juts out into eastern Europe, his...

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