Reviews
American Primeval, Netflix review - nightmare on the Wild FrontierMonday, 13 January 2025
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set in the 1850s, and is based around the real-life massacre of settlers travelling from Arkansas to California by... Read more... |
Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall, Manchester review - Boulez with bonbonsMonday, 13 January 2025
Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this year. His Rituel – in memoriam Bruno Maderna was paired somewhat uneasily with a second half of bonbons... Read more... |
The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revivalMonday, 13 January 2025
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to say about how the world is changing, perhaps more accurately, how our perception of it is changing. Both are true of... Read more... |
Gala Preview Show, De Montfort Hall review - Leicester Comedy Festival nicely teed upMonday, 13 January 2025
Europe's biggest comedy festival, which showcases established stars, works in progress, workshops and competitions, kicks off next month, and this gala show certainly whetted our appetites for its 700-plus events. It was hosted by the nimble-witted... Read more... |
The Second Act review - absurdist meta comedy about stardomSunday, 12 January 2025
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry Léa Seydoux) just before the half-way mark. It's just another line from a script.The film’s working title had... Read more... |
Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedral Story 2004-2024Sunday, 12 January 2025
Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as well as on a track-by-track basis. There were obvious influences: Kraftwerk, late-period Spacemen 3, motorik, My... Read more... |
Maria review - Pablo Larraín's haunting portrait of an opera legendFriday, 10 January 2025
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary soprano Maria Callas would have known exactly what he meant, and she herself said “an opera begins long before the curtain goes up and ends long after it... Read more... |
Titanique, Criterion Theatre review - musical parody sinks despite super singingFriday, 10 January 2025
This Celine Dion jukebox musical has been a big hit in New York, but crossing The Atlantic can be perilous for any production, so, docked now at the Criterion Theatre, does it sink or float?We open on a framing device, with a group of tourists being... Read more... |
Babygirl review - would-be steamy drama that only flirts with transgressionThursday, 09 January 2025
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from Disclaimer on Apple TV to Anora and Queer at the cinema, much of it noisily explicit. The intimacy co-ordinators must be... Read more... |
It's Raining Men review - frothy French comedy avoids dating-app realityThursday, 09 January 2025
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (they have well-behaved daughters aged ten and 15), she bemoans this fact to a friend, though, she... Read more... |
Album: Bridget Hayden and The Apparitions - Cold Blows The RainThursday, 09 January 2025
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse. Rhythms are measured. Nothing is hurried. If this album was a weather forecast, it would predict impenetrable mist... Read more... |
A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of PolandWednesday, 08 January 2025
Jesse Eisenberg's first film as writer/director was 2022’s When You Finish Saving the World, which met with modest acclaim. But he’s taken a giant leap forward with the follow-up, A Real Pain, which has been hoovering up critical plaudits from... Read more... |
