Reviews
Nick Hasted
Franchise burnout continues apace, in this asteroid strike of a finale. Doctor Strange in the Multiverse of Madness showed the previously agile and humane Marvel machine weighed down by plot mechanics and fan service, and this Jurassic Park/World trilogy unification bout proves a pointless, often ponderous 146 minutes. As post-pandemic cinema moves to total dependence on such sequels, their creative entropy could be an extinction event for filmgoing itself.Mainstream cinema has long been based on childhood nostalgia, and is now aimed at adults weened on Jurassic Park, the Star Wars prequels Read more ...
We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beat
Adam Sweeting
It has been 14 years since The Wire, David Simon’s labyrinthine epic about crime and policing in Baltimore, reached the end of the line. Yet it seems he couldn’t let it lie, because he’s back on the Baltimore beat with We Own This City (made by HBO, showing on Sky Atlantic). This time, the series is based on the eponymous non-fiction book by Baltimore Sun reporter Justin Fenton, with crime novelist George Pelecanos sharing the “Creator” credit with Simon.This is not going to be a relaxing or easy watch, and flopping out on the sofa with a large glass of something mellow is not the ideal way Read more ...
Nick Hasted
The usherette’s hands are clamped over her ears, and Elvis Costello is playing like it’s 1996, when the briefly reunited Attractions played a pummelling last stand, burying fatal internal rifts with punk thunder.The Imposters – the Attractions with recalcitrant bassist Bruce Thomas replaced by Davey Faragher – have lately crowned their own long association with a brace of acclaimed albums increasingly resembling the clenched, agile music made in Costello’s initial pomp. Their 2020 UK tour even returned to the sticky-floored, standing-room halls of those ferocious days – the Liverpool Olympia Read more ...
Kieron Tyler
The title The Great Awakening is a metaphor for America’s switch from its previous presidential administration to the current: the arrival of a new era and, with it, a fresh phase of life. Emblematic of this is the xenarthran, a type of armadillo, which lends its name to the album’s third track. Native to South America, it slogs its way into Texas where it deals with a new environment.While Texas outfit Shearwater’s seventh album, the follow-up to 2016’s Jet Plane and Oxbow (there are other, less formal, releases) is chock-full of allusions, the band’s driver Jonathan Meiburg has chosen a Read more ...
Veronica Lee
Irony can be a trump card for a provocative comic such as Ricky Gervais, and he plays it right at the top of his SuperNature, an updated version of a show he started touring in 2019, which was rudely interrupted by the pandemic and is now his latest Netflix special. “Irony, where I say things I don’t mean. There’s going to be a lot of that throughout the show,” he says, launching into a clever skit purportedly saying women aren’t funny, but which then moves on to, for some, the most pressing issue of the day, self-ID.“I love the new women, Gervais says. “They’re great, aren’t they? The Read more ...
mark.hudson
Cecelia Alemani's vision for The Milk of Dreams, the International Exhibition at the Venice Biennale 2022 had me excited – and perplexed – from the moment I heard about it.Never mind the national pavilions which tend to dominate coverage of the world’s biggest and oldest art festival, the International Exhibition is the central event at any Venice Biennale: the chance for a single curator to stamp their vision on the culture of their time in a truly epic exhibition traversing two colossal venues. The Milk of Dreams features works by 213 artists from 58 countries Read more ...
Jenny Gilbert
When George Balanchine said that “there are no mothers-in-law in ballet”, he wasn’t just stating the obvious. He meant that there are some things that simply cannot be expressed in dance. Emotion and nuance are a story-ballet’s native territory; factual complications are a no-go.Yet Christopher Wheeldon has ignored this famous advice in his latest three-acter for the Royal Ballet. The story he chose to adapt, Like Water for Chocolate, the 1989 bestseller by the Mexican novelist Laura Esquivel, not only features its fair share of convoluted family relationships but more crucially centres on Read more ...
Bernard Hughes
Considering its status as the most famous piece of classical music [citation needed], Beethoven’s Fifth Symphony is actually quite rarely programmed in London. I can’t remember the last time I heard it live before last night, and it took the visiting Concerto Budapest Symphony Orchestra to return it to the repertoire. They played this often stern music with a smile on their faces, as they did the accompanying Mozart and Bartók.It was, surprisingly, the Bartók – home territory for this orchestra – that struck the only uncertain note of the evening. The Concerto for Orchestra is a late Read more ...
David Nice
"Elysian" is the best way to describe the dream gardens of Ireland's Lismore Castle in early June: lupins, alliums and peonies rampant in endless herbaceous borders, supernatural perspectives towards the main building on various levels. This year’s Blackwater Valley Opera Festival production of Gluck's Orfeo ed Euridice, not so much: easily adjustable circumstances worked too often against talented performers in the converted stables space pressed into service once a year.Let’s start with the placement of the Irish Baroque Orchestra, so phenomenal under conductor Peter Whelan playing for the Read more ...
David Nice
It could have been the most electrifying week of the musical year. Alas, Heathrow meltdown kept me from two of Klaus Mäkelä’s Sibelius concerts with his Oslo Philharmonic in Hamburg. But there was still what should have been the grand finale, the heavenstorming Fifth Symphony following Mahler and Lise Davidsen in Berg (and more Sibelius). The euphoria I’d experienced in one live Oslo concert and the Sibelius symphonies on Decca was rekindled.An ecstatic if hardly packed Barbican audience obviously agreed. Acoustic differences on a tour are always going to pose problems, and this hall's Read more ...
Jonathan Geddes
As Bloc Party singer Kele Okereke noted at one point in this gig, his band have now been visiting Glasgow for nearly two decades. Yet few of the shows played in that 18 year span, which have touched upon nearly all of the city’s main music venues, have been as contrasting as this one. By the night’s end, when the band blasted out a rare outing of their very early single “Little Thoughts”, the audience were a jubilant and sweaty throng, but it was hard work getting there.Okereke noticed it as well. Clad in a bright multi coloured shirt that possessed more vibrancy than the early part of the Read more ...
Kieron Tyler
Beverley’s was an ice-cream shop and restaurant on Orange Street in Kingston, Jamaica. Records were on sale too. In 1961, an aspiring singer-songwriter named James Chambers turned up there with a song he’d written called “Dearest Beverley.” If it was recorded, it’d give its creator a leg-up on the music scene and also might be good promotion for the business.One of the ice-cream concern’s owners agreed. James Chambers became Jimmy Cliff and with Leslie Kong, who turned his attention the business of music rather than ice cream, founded the Beverley’s label. Over 1961 to 1971 – the label ceased Read more ...