Reviews
Sam Bourne: To Kill a Man review – the woman who fought backSunday, 29 March 2020
Assassinate the President! Obliterate history by torching libraries and murdering historians! Crazy leaders and fake news are just a few of the subjects tackled by political journalist and thriller writer, Jonathan Freedland (aka Sam Bourne), in... Read more... |
Reissue CDs Weekly: Recording Is The Trip - The Karen Dalton ArchivesSunday, 29 March 2020
“My favorite in the place was Karen Dalton. She was a tall white blues singer and guitar player, funky, lanky and sultry. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed and went all the way with it. I sang with her a... Read more... |
Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bangSaturday, 28 March 2020
“Friday night is Amami night” – that was the ad that ran from the 1920s through to the 1950s for a brand of “setting lotion”, a delightfully old-fashioned term. Those were the days when young women stayed home and did their hair, in preparation for... Read more... |
Single: Bob Dylan - Murder Most FoulSaturday, 28 March 2020
A combination of chopped-up newsreel and fever dream, “Murder Most Foul” is Bob Dylan’s most striking piece of work in years. This is the author of “Desolation Row” populating a 17-minute song with a lifetime of remembered cultural fragments,... Read more... |
The Perfect Candidate review - seeking status for women in SaudiSaturday, 28 March 2020
Saudi director Haifaa Al Mansour is back on home territory with her new film, and you’ll recognise much here from her characterful 2012 debut Wadjda, itself the first-ever feature to emerge from her home country. That was about challenging the... Read more... |
ReMastered: Devil at the Crossroads, Netflix review - a story well told but marred by clichéd styleSaturday, 28 March 2020
Mississippi bluesman Robert Johnson’s reputation was much enhanced by the story – never substantiated – that he’d met with the devil one night at a crossroads, and was miraculously taught exquisite guitar licks that astounded his juke-joint... Read more... |
Miles Davis: Birth of the Cool, BBC iPlayer - an intimate, insider's account of his life and musicFriday, 27 March 2020
Miles – where to begin? Some 21st century revisionists find his art fatally tainted by his personal life, and his violent behaviour in relationships. His rasping, epithet-scarred voice, the sound of a snake sloughing off its own skin, able to... Read more... |
Vivarium review – housing ladder to hellFriday, 27 March 2020
Imagine being trapped in your perfect home forever. It’s easy if you try now, as Vivarium’s allegory about property and parenthood is deepened by events. Following young couple Gemma (Imogen Poots) and Tom (Jesse Eisenberg) through a Black Mirror-... Read more... |
System Crasher review – a compelling portrait of childhood violence and painThursday, 26 March 2020
Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence. She’s the product of a dysfunctional family and an abusive childhood that has left her rage-ridden and incapable of... Read more... |
Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstarThursday, 26 March 2020
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century.... Read more... |
Mister Winner, BBC2 review - gentle comedy about one of life's losersThursday, 26 March 2020
Spencer Jones, a clownish stand-up, has been responsible for some the cheeriest, daftest and most heart-warming shows at the Edinburgh Fringe, where he has twice been nominated in Dave's Edinburgh Comedy Awards (ECA). Others may know him from his... Read more... |
Our Girl, Series 5, BBC One review - where soap and warfare collideWednesday, 25 March 2020
Some things never change in Our Girl. At the beginning of 2018’s Series 4, military heroine Georgie Lane (Michelle Keegan) had been traumatised by the death of her fiance Elvis Harte, killed in Afghanistan at the end of Series 3. At the start of... Read more... |
