Reviews
Scenes with Girls, Royal Court review - feminist separatism 2.0Wednesday, 22 January 2020
Last night, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It's when you see a show that keeps making you exhale, sometimes audibly, sometimes quietly. Tonight I gasped about five times, then I stopped counting... Read more... |
Miloš Karadaglić, Birmingham Town Hall review - flashy and fierce, with exquisite detailWednesday, 22 January 2020
Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin guitarist Miloš Karadaglić – more commonly known by just his first name – is back on the international stage. He returned in 2019 after a devastating hand injury... Read more... |
Crazy Delicious, Channel 4 review - the most ridiculous cooking programme on TV ?Wednesday, 22 January 2020
The race continues to create the most ridiculous cooking programme on TV. Channel 4’s new brainchild, Crazy Delicious, finds the culinary nutty professor Heston Blumenthal teaming up with fellow-judges Carla Hall and Niklas Ekstedt to become the “... Read more... |
Chris Packham: 7.7 Billion People and Counting, BBC Two review - is it too late to get population growth under control?Wednesday, 22 January 2020
We hear plenty of debate about climate change and its disastrous potential, but the ballooning growth of the world’s population may be the most critical issue facing humankind. Chris Packham thinks so (“it’s undeniably the elephant in the room,” he... Read more... |
Album: Ruby Turner – Love Was HereWednesday, 22 January 2020
One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole blues/soul/ R&B spectrum, and has been a major presence on the British scene since the late Seventies. Her unvarying capacity just to step forward and... Read more... |
You Stupid Darkness!, Southwark Playhouse review - an intriguing muddleTuesday, 21 January 2020
Armageddon would appear to be at the gates in Sam Steiner’s intriguing if ramshackle play, a co-production between Paines Plough and Theatre Royal, Plymouth, that has reached London while still seeming a draft or so away from achieving its full... Read more... |
English National Ballet 70th Anniversary Gala, Coliseum review - a fine celebrationTuesday, 21 January 2020
Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were nuts, there’d be nothing but cashews; if chocolates, there wouldn’t be a single disgusting lime-cream.... Read more... |
Bach Sunday with the Suzukis, RAM / Appl, AAM, Milton Court review - father, son and Holy GhostTuesday, 21 January 2020
Not long after noon on Sunday, strange bells began ringing. In just 11 bars, Bach summons pairs of flutes, oboes and violas da gamba against pizzicato strings and continuo to tintinnabulate against the alto's recitative lines about a "vibrating... Read more... |
The Outsider, Sky Atlantic review - double trouble in small-town GeorgiaTuesday, 21 January 2020
Stephen King’s novels have generated an impressive lineage of successful adaptations. This HBO treatment (on Sky Atlantic) of his 2018 novel The Outsider, developed by Richard Price and featuring screenwriting input from Dennis Lehane, is shaping up... Read more... |
Blomfield, Philharmonia, Salonen, RFH review - sounds of a troubled truceTuesday, 21 January 2020
Concert programmes that set out to tell us a story can prove a mixed blessing. Yes, it’s valuable and stimulating to find ideas, and narratives, embodied in the musical flow. But great pieces, well-performed, have a habit of cutting loose from the... Read more... |
Celtic Connections 2020, Glasgow review - fine feast of Scottish musicMonday, 20 January 2020
Celtic Connections, Scotland’s annual festival of folk, world and fusion music, has been brightening up dreich Glasgow Januaries since its inception in 1994. Originally proposed partly as a way to fill a scheduling gap in Glasgow Royal Concert Hall’... Read more... |
Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican review – reassessing a rarityMonday, 20 January 2020
#Beethoven250 is in full swing at the Barbican. Like most venues, they are keen to show a different side to the composer in his jubilee year. And the oratorio Christ on the Mount of Olives ticks all sorts of anniversary boxes. The work is utterly... Read more... |
