mon 05/05/2025

Reviews

k.d.lang, Brighton Dome review - superb revival of classic album

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation...

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The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

One of the glories of contemporary London theatre is its revivals of classic American drama. Year after year, audiences are able to revisit and enjoy the great landmarks of postwar American playwriting from greats such as Arthur Miller, Tennessee...

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The Day We Walked on the Moon, ITV review - it was 50 years ago to the day

It was on 16 July 1969 that Apollo 11 lifted off from Florida en route for the Moon, and exactly 50 years later, as we nervously anticipate the dawn of commercial flights into space, the event resonates louder than ever. Here, Professor Brian Cox...

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Inside the Social Network: Facebook's Difficult Year, BBC Two review - how big can it get?

Not everybody is on Facebook, yet. So far, Mark Zuckerberg’s social media monolith has only managed to scrape together about 2.3 billion users, roughly one-third of the planet. But as this fascinating documentary revealed, Facebook’s plans are huge...

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CD: The Flaming Lips – King’s Mouth

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and undeniably fascinating. Perhaps King’s Mouth offers our best chance yet to get in there – the album is an...

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Equus, Trafalgar Studios review - passionate intensity

When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about “moments of experience” being “magnetised”, Peter Shaffer might almost have been talking about theatre itself. It’s a phrase that comes close...

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Tao of Glass, Royal Exchange, Manchester review - brilliant, enchanting tales fascinate

Who would have thought that a one-narrator show, mainly about projects that never got off the ground, would turn out to be such a satisfying evening’s entertainment?Phelim McDermott, writer, co-director and performer in Tao of Glass, is undoubtedly...

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Elbow and New Order, Lucca Summer Festival review – a meeting of Mancunian minds?

Thirty-three years ago, at Manchester's Festival of the Tenth Summer, I fumed that New Order had been given top billing over The Smiths, much to the mirth of a couple of reviewers of this very parish. History has proved me wrong, obviously. So...

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Whitewash, Soho Theatre review - a wild-at-heart linguistic joy-ride

This witty street-smart play about a white-skinned boy born to a mixed-race mother deploys its narrative with the dexterity of a dance. Two performers move backwards and forwards across the stage, switching through different characters, skin colours...

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Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review – a one-off or a premiere?

"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation for his Ivor Award a few weeks ago. “Joyful, insouciant and insanely clever,” wrote Evan Parker in a...

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Don Giovanni, Longborough Festival Opera review - Mozart in the urinal

One of the features of the converted barn that forms the theatre at Longborough is a trio of statues that tops the front pediment of the building: Wagner, flanked by Verdi on the right and Mozart on the left. No one could question Wagner:...

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Bob Dylan and Neil Young, BST Hyde Park review - flat-out brilliant and strangely compelling

It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course, everyone knows that only one of the two acts is still a conventional performer. And it's not Bob Dylan....

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